Friday Focus: xTool F2 Ultra UV laser

I’ve mentioned it in passing, but I will update you now about my latest acquisition. I’ve been experimenting with settings, materials and learning loads (and still learning) about my xTool F2 Ultra UV laser. It has been in The Studio for six weeks now, and I’ve really only just started production pieces.

The laser machine itself

The xTool F2 Ultra UV is somewhat confusingly named for those used to other xTool machines, but I assume it is because it shares the same chassis style and size as the F2 Ultra. It’s a 5W laser, so not particularly powerful, but still perfectly capable. The lower power also means less bulk and less cooling being needed, keeping it a desktop machine. It has a working bed size of around 200x200mm with a generous material height allowance. There’s an onboard camera to aid alignment. xTool provides an inner engraving lens and platform, and a small material pack for calibration and testing. Their Studio software is under constant development and walks you through the initial calibration step-by-step. The small LCD screen is a controller and gives you feedback about the machine activity and access to engrave files on a connected USB drive.

The UV bit?

A UV laser uses ultraviolet light at a very short wavelength (around 355 nm), which allows it to focus into an extremely fine spot. Instead of burning material, the energy breaks molecular bonds directly, removing or marking the surface with very little heat spread. UV engraving is often described as “cold lasering” — there’s minimal melting, charring or distortion compared to diode or CO₂ lasers. Machines like the xTool F2 Ultra UV are designed to take advantage of this, making them ideal for fine detail on glass, crystal, plastics and other sensitive materials where precision really matters. The frequency of the beam also allows a range of effects from ‘blast’ to ‘tickle’ (non-technical terms I have been using in my demos).

The difference that ‘cold lasering’ makes. On the left, my normal cut settings on the diode laser (F1U) – the cut was stopped due to flames… On the right, same file, same size, on the F2U-UV. The cuts were so fine that the cut-out bits stayed in place until I tapped the circle over the bin.
Same principle on this test. The slits are the same width, with the leftmost being just 0.25mm wide. Note the burnt edges on the top piece have widened the cut width (kerf).
More testing, trialling the different parameters that can be changed for each engraving. There’s a lot to learn, and experimenting is the only way to do it as every material behaves differently.
Same machine, same file, different pulse frequency: at the top, the tickle just darkens the surface MDF. At the bottom, the blast blows out the fibres, leaving an unburnt engraving.
And this test is a comparison between all four lasers, on leather. You can see the smudging and soot on the P2S (CO2 laser) and the infrared fiber laser. The diode (blue light) was darker until I wiped it, and the soot came off. The UV laser, on the other hand, had pin-sharp engraving and scoring, with no soot or smudging at all.

How small?!

One of the demo ‘show-offs’ I have been including for the UV laser is engraving or scoring text that is just 0.5mm high. I’ve needed to get out a magnifying glass to check out its legibility, and yup, it’s legible. Here’s an example – a coated cross pendant necklace. I have scored the whole of the Lord’s prayer at the top (single beam width lines). Bearing in mind the cross is just under 5cm/2″ tall, we’re getting into small territory. Zoom in on the Bible verse annotation and we’re now in teeny weeny category:

Another phenomenal aspect of the small beam size and no scorching is the detail in engravings. This is a 6cm diameter bauble engraved on light poplar plywood. I can’t tell you how good it is in person, and there’s just no cleanup to do. This saves time, though with the narrow diameter of the beam, a lot more lines per centimetre need to be engraved, increasing machine-time.

Same material, same machine, different settings…

Another learning point is to recognise that when the UV laser disrupts molecules, it can change the interaction based on the power of the beam. For example, this slate is engraved in one go, with the same machine, just with three different power and speed settings. The metallic gold is not added – it’s a reaction to a slow mid-power setting. The white is full power, mid-speed, and the grey is mid-power, fast speed.

The master of glass?

The marketing department over at xTool has branded the F@U-UV as ‘the master of glass’. Following my experience and that shared in the Facebook groups, the user needs to become the master of the master of glass. There are so many variables to take into account, and the learning curve is steep. Focus has to be spot on, and for the inner engraves in crystal blocks, the image processing, settings and setup need to be absolutely spot on. This aspect of the machine is definitely not plug-and-play. However, great things are possible once you’ve learnt the ropes.

What about the production items?

Ah, well, yes. Ahem. In my excitement to give them to recipients, I neglected to record them for posterity in photographic format. Note to self…

Demos and training

If you have happened across this post whilst researching the laser, I’m very happy to arrange a demo via the xTool Squad system via their website. Demos can happen online or in-person and if you go on to buy a machine, I will benefit from a small commission. I’m sorry, but I cannot afford to demo inner engraving due to the cost of the K9 crystals. If you bring your own, we’ll have a go.

Training or use of the laser is at my hourly rate, currently £35. I prefer to train in-person so I can see what you’re doing, but online is possible.

Bible Journaling: Hope – illustrations using mixed media (BJ-35)

This month’s theme for five new illustrations to Bible journal is ‘hope’. I decided to start work in my new NIV Art Journalling Bible and there’s a little mini-review about it below. In part due to the planned review, I used five different media for my colouring-in just to see how the paper behaved. Conceptually, the illustrations were quite tricky as I didn’t want to repeat the same basic interpretation across all five verses. AI came to the rescue here, helping me develop some ideas for different emphases.

Continue reading

Review: Cricut Tools

I’ve been asked to review the basic tool set from Cricut. There are five tools designed for use with the Cricut machines and cutting mats: spatula, weeder, scraper, scissors, and tweezers. All of the tools have end pieces suitable for hanging and any metal components are well attached to the plastic handles. I’m going to look at each, in turn, discussing their use(s), before giving my overall impression.

Continue reading

Review: Advanced Compositing in Adobe Photoshop CC

With things being so quiet in the Studio at the moment due to COVID restrictions, I thought I would find something to hone my skills or add to my repertoire. Browsing Amazon recommendations (as you do) I came across a book ‘Adobe Master Class: Advanced Compositing in Adobe Photoshop CC’ by Bret Malley. The blurb sounded good, the reviews were excellent and it made it to my wishlist. And there it languished for a few days before I decided it was training and therefore a business expense. Purchased and arrived the next day (oh the joys of Prime). Here’s one of my completed pieces based on a tutorial from the book, alongside the source images:

Continue reading

Review: Digital Art Journaling

Well, it’s a strange world at the moment. I’m not in self-isolation, but I, like many other self-employed freelance workers, am finding things a wee bit quiet at the moment. So, I’ve been flicking through some art journaling magazines and came across a course I thought looked great. It’s ‘Digital Art Journaling’ from Jessica Sprague and despite it being published a couple of years ago, is still available. Here is a flick through of the finished journal and after, a quick review which I hope you find useful.

Continue reading

Bible Journaling: John 20 v27

I’ve recently bought a new Bible specifically to journal in – actually I’ve purchased two (NIV & NLT). There are probably some people who think that drawing in a Bible is sacrilegious, but I see it as creative worship, and an extension of my sermon sketchnotes. As a pastime, it seems to have become very popular and perhaps a spin off from the adult colouring trend. Some journaling bibles even have illustrations waiting to be coloured. I christened my new NLT bible this evening:

Continue reading

Art Journal Page: Secrets

img_7407

It’s no secret that time flies when you’re busy! Lots of prep going on behind the scenes ready for my TV return next week, and a weekend away in the Lakes wasn’t exactly a rest, but it was a lovely break with lovely friends. But back to the here and now, and I’ve rustled up another art journal page. It’s been a while, but I have to make an example for Monday night’s art journal session in The Studio!

The highlights of this page are: brayer layers, and the newly available Molotow Liquid Chrome pens. These are alcohol based markers in various nib widths, and on a smooth surface, they really are impressively flat and mirror like when dry. I’ll let you know if they perform better than Krylon leafing pens after a couple of weeks of non-use. And I’ll let you know when and where you can get them – I’ve been sent samples to play with 🙂

Continue reading

Decor Concrete Cast Bowl

One of the great things about my job is that I get to play with new products. Yesterday I had a go with a sample of coarse Decor Concrete from Pentart. It resembles sand when dry, and once the bonding agent is mixed in it moves like the magic sand stuff you can get in toy shops. It needs to be packed in a mould, and doesn’t mould round something such as a balloon as it doesn’t particularly stick to itself. A quick whizz in the microwave sets the bonding agent, and once it’s cooled, it can be removed from the mould. It becomes waterproof when baked at 200°C for five minutes. There is quite a lot of weight to the finished objects, and I’m amazed at how resilient the thin edges are. The finished surface looks like a light sandstone.

bowl360° product shots are so much easier now I have a foldio360 to fit in my Foldio 2 photo booth. They still have some kinks to work out (such as coordinating with DSLR remotely), but so far, so good! All I need to do now is practice getting items in the middle of the turntable…
img_7365This disc was moulded in the inside of a finished roll of tape, and then imprinted with a stamp image [That’s Crafty! ‘Beck’] and filled after baking with a water-based black outliner paste. I also added the metallic gold to the edge. Both items required a felt base to be added to avoid scratching any surface they were placed on.

Continue reading