Art Journals: using acrylic covers – part 2

I promised to share my ‘now you see me, now you don’t’ technique for acrylic covers that didn’t quite get finished on air during my last Hochanda shows for That’s Crafty!. Below are some instructions along side the pics I took prior to the shows, and below those is a short video I have done to try and explain it a little more clearly! Apologies for the outside noises on the video – they’re wind chimes and a radiator warming up, if you’re wondering.

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Art Journals: using acrylic covers

I was on Hochanda this week demonstrating techniques for using the acrylic covers effectively, for the A4 and A6 journals from That’s Crafty!. As always, there is too little time on air to fit in all my ideas, and only just enough time to fit in all I had planned! What follows below are photos and quick explanations of how to do your own. I really need to remember to take step-by-step photos as I make so that I can do a proper tutorial post! First is an unbroadcast cover, then the mirrored cover that didn’t go so right when rushed, and last for this post is the bubbling water effect shown in my first hour.

  • Peel off the protective film from the reverse of the cover
  • Work on the reverse side for all the following steps
  • Place the snowdrop stencil in position and fill in using Posca pens
  • Dry, then place the TIME stencil upside down and sponge through ivory paint
  • Dry, spritz with gold mister, dry
  • Meanwhile, print texture stamps onto large Rizla papers using Chartreuse archival ink
  • Heat set the ink, then using decoupage glue/multi medium glue overlapping layers of the printed papers
  • Once dry, any paper over the edges of the cover can be sanded off

  • Peel off the protective film from the reverse of the cover
  • Working on the reverse, add alcohol inks until you are happy with the coloured layer
  • Place the JOURNAL stencil upside down and sponge a layer of Jet Black archival ink through onto the alcohol ink
  • Remove the stencil and then rub away the black in with a clean cloth/kitchen towel
  • Repeat inking steps if you want to remove any more of the alcohol ink
  • Now spritz with a water-based varnish (e.g. Pentart spray varnish) to seal the ink
  • IMPORTANT: allow to fully air dry, do not heat. Repeat varnish layer
  • Spritz with Pentart Mirror Mist and heat dry immediately to stop the mirror mist weakening the varnish beneath
  • Seal the mirror mist with the same varnish and finally apply a layer of black acrylic paint
  • Peel off front film to reveal your results

  • Peel off the protective film from the reverse of the cover
  • Working on the reverse, and using the word stencils the wrong way up, sponge your main colour onto the acrylic; heat dry and repeat directly over the top.
  • Next, sponge your shadow colour through the same stencil, slightly offsetting from the first colour
  • For the water effect, first dilute some white gesso/primer
  • Working quickly, cover the whole sheet with a layer of watery paint and then dab isopropyl alcohol into the wet paint – it will push the paint away and start the effect
  • When you are happy with the effect, heat dry in a well ventilated room
  • Repeat with a light shade of blue, and then another darker shade of blue
  • This technique will work over any sealed surface, but does rely on the paint being thinned and still wet
  • Try adding text to the front of the cover as well, this time starting with the shadow colour and working over the top with the main colour

Bonus post

Later this week I will do a separate post explaining my ‘now-you-see-me-now-you-don’t’ technique that was a wee bit rushed at the end of the second show:

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Art Journal Pages: Colours

Regular readers won’t be surprised to learn that I have been spending quite a lot of time making samples and prepping demos for my shows on Hochanda last Friday. It’s one reason that there have been very few blog updates recently, as there’s always a media embargo on sharing things before the shows go out. Now that they’re over though, here is one of the 8×8″ journals I decorated for the occasion.

Each spread uses the Pentart Matt Acrylic Paints in a baby-wipe swiped layer, stamped and stencilled, to give a tone-on-tone effect. Some worked well (purple and orange), others not so well (mentioning no names, green). The fine applicator nib is great for painting outlines and letters, as I demonstrated on air.

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Art Journal Page: ATC Art Gallery

It’s my monthly Art Journal Session on Monday evening, and for this month’s theme we’re tackling ‘ATC art’. I’m not one for making artist trending cards most of the time – for the uninitiated, ATCs are 3½” x 2½” pieces of artwork that are designed to be swapped between crafters – and I thought it was time to revisit the format. I’ve sneaked them into  my art journal timetable, and here’s the sample page. BTW – the frames are one of my first forays into the world of 3D design and printed here in The Studio.

ATC gallery art journal page

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Show Time! – for That’s Crafty! on Hochanda

I am live on Hochanda – the home of crafts, hobbies and art – available on Sky 663, Freeview 85 or Freesat 817, and on www.hochanda.com right now. With top tips for working with That’s Crafty! Surfaces, clock stacks and dreamcatchers, I’ll also be showcasing Pentart glass paints and Express Transfer medium.

I’ll be posting mini-tutorials for each of the projects over the next week. Don’t forget to check out the fabulous That’s Crafty! blog and the design team blogs (on the That’s Crafty! blog side bar)  for more inspiration and projects.

Oh, I’m on at 11am as well, or you can catch up or watch again for the next 10 days over at Hochanda’s online TV Schedule – just set the date in the drop down list for 7th October and look for my shows at 8am and 11am.

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Decor Concrete Cast Bowl

One of the great things about my job is that I get to play with new products. Yesterday I had a go with a sample of coarse Decor Concrete from Pentart. It resembles sand when dry, and once the bonding agent is mixed in it moves like the magic sand stuff you can get in toy shops. It needs to be packed in a mould, and doesn’t mould round something such as a balloon as it doesn’t particularly stick to itself. A quick whizz in the microwave sets the bonding agent, and once it’s cooled, it can be removed from the mould. It becomes waterproof when baked at 200°C for five minutes. There is quite a lot of weight to the finished objects, and I’m amazed at how resilient the thin edges are. The finished surface looks like a light sandstone.

bowl360° product shots are so much easier now I have a foldio360 to fit in my Foldio 2 photo booth. They still have some kinks to work out (such as coordinating with DSLR remotely), but so far, so good! All I need to do now is practice getting items in the middle of the turntable…
img_7365This disc was moulded in the inside of a finished roll of tape, and then imprinted with a stamp image [That’s Crafty! ‘Beck’] and filled after baking with a water-based black outliner paste. I also added the metallic gold to the edge. Both items required a felt base to be added to avoid scratching any surface they were placed on.

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