Decor Concrete Cast Bowl

One of the great things about my job is that I get to play with new products. Yesterday I had a go with a sample of coarse Decor Concrete from Pentart. It resembles sand when dry, and once the bonding agent is mixed in it moves like the magic sand stuff you can get in toy shops. It needs to be packed in a mould, and doesn’t mould round something such as a balloon as it doesn’t particularly stick to itself. A quick whizz in the microwave sets the bonding agent, and once it’s cooled, it can be removed from the mould. It becomes waterproof when baked at 200°C for five minutes. There is quite a lot of weight to the finished objects, and I’m amazed at how resilient the thin edges are. The finished surface looks like a light sandstone.

bowl360° product shots are so much easier now I have a foldio360 to fit in my Foldio 2 photo booth. They still have some kinks to work out (such as coordinating with DSLR remotely), but so far, so good! All I need to do now is practice getting items in the middle of the turntable…
img_7365This disc was moulded in the inside of a finished roll of tape, and then imprinted with a stamp image [That’s Crafty! ‘Beck’] and filled after baking with a water-based black outliner paste. I also added the metallic gold to the edge. Both items required a felt base to be added to avoid scratching any surface they were placed on.

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Glass Etching with Armour Etch

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I have learnt three things on this little project:

  1. Etching glass with Armour Etch through a vinyl stencil that I cut on my Silhouette Cameo is quick, simple and delightfully effective. This inexpensive Ikea glass is now carrying the branding that I use for my studio.
  2. Photographing glass, like mirrors, is incredibly tricky! I spent roughly 15 minutes etching the glass, and then the next hour learning how to take the photograph! I ended up lighting it from beneath with a small LED push-light with a sheet of paper between it and the glass to dim it slightly. All of this was in a blackout tent, with a small amount of light from above, and poking my phone through a small slit in the tent. The first attempts had so much reflection of both the lighting and the surroundings, the etching wasn’t visible.
  3. Cleaning the glass digitally was so much more effective than in real life. I’d done my best using alcohol and non-shedding cloths, but the pesky dust specks really showed up despite my best efforts. The Spot Healing Brush in Photoshop really came to the fore to remove them. Though not perfect, I think as a bit of amateur product photography I can get away with it 😉

All that’s left to do is the rest of my glasses!

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