Crafted from Caravans: The Christmas Collection

IMG_6545_wThe floor, tables and just about every other surface in the studio is currently covered with a fine layer of shredded wool polishing wheels and jeweller’s rouge… I’m also going to have to do a thorough wipe down of all the aluminium filings that didn’t hit the bin beneath…

I’ve been working in a production line over the last two days, making these hanging tree decorations. You may remember my ‘sit and be wind chime’ was made from the sidings of my grandfather’s old caravan – these are too. All are hand cut from the sheet aluminium, cleaned up with wire brush and wet’n’dry sandpaper, hand drilled and hand sawn, hammered, punched, filed and polished. Ok, I did use a Dremel for the polishing.

If you’d like a set, let me know – I will make them to order for £10 each including p&p to UK addresses (international orders extra), so if you’d like them in time for Christmas please order by the end of October.

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Festive Chalkboard Candle Gift Cards

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I know, it’s still too early to mention the ‘C’ word, but in crafting terms I started Christmas crafting back in June with the Festive Chalkboard collection. This time, I’ve used it to make gift cards containing three scented candles courtesy of a certain Swedish flat pack specialist. The cards themselves are made using the Eazi-Score board from Diamond Card Craft – my instructions and board purchase information are here.

I’m getting stock (including these cards) ready for our church’s Christmas Fayre (Whetstone Memorial Hall, near Leicester, 28th November), so there might be a slight pregnant pause between posts as I’m frantically sawing, sanding, polishing, sticking, pricing and moulding various items – but as soon as I’ve finished each project, I’ll be sure to post them!

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The Apothecary: Sign writing and Vignettes

I posted a week or so ago the start of an assemblage in a printer’s tray – The Apothecary. Over the last few days I have been making a sign for the top, building it from foamcore board, and coating it with several layers of paint to try and match the colour of the tray. Eventually, I ended up brushing on some tan wax shoe polish and buffing it back, and adding a small amount to the wood exterior of the tray. I think it warmed up the wood and helped make the both seem a whole. The inlay ‘brass’ line is Letraset metallic tape, and the lettering and logo are cut from 160gsm card, layered four deep and then painted with Treasure Gold Liquid Leaf Florentine and then a quick layer of Classic Gold.

I’ve also taken the photos into Photoshop and added vintage effects.

Now I’ve been looking at it from the photos, and getting a little distance on it, I’m wondering if the answer to making the bottles both accessible and not able to fall out is to make a glass door and change it into a cabinet?

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The Apothecary: an assemblage

This is very much a work in progress, but since progress seems to be going smoothly and fairly quickly, I’ve something to share mid-way. I was sorting out the sheds on Saturday and came across this printer’s half-tray that had been tucked away. I have a feeling it’s another save from my grandfather’s outhouse.

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I brushed it down, glued it back together, and then lined it with Tim Holtz French Industrial papers with Walnut Stain distress ink to blend it all in. I then set about finding all my little bottles that I’ve accumulated – a combination of Tim Holtz and Woodware. They looked a little too clean, so I’ve added Latte and Mushroom alcohol inks to give them an aged/nicotine stained look.

I raided the kitchen for every spice and herb I could get into the bottles and decided to leave one shelf free to hang some bay leaves in, and to make a mini-pestle and mortar to fit. Now all I needed was some labels, so I have spent the afternoon making my own in Illustrator and cutting them out on the Silhouette Cameo before ageing with distress inks and water. Next was working out how to get a liquid appearance in the tall bottles without it actually being liquid. UTEE came to the rescue, and I think it turned out ok – although there was some shrinkage as it cooled, so that might not remain the case. Here’s what it looks like now:

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I’ve had a lot of fun with the labels, finding the latin names for everything, including the silver balls, tapioca and hundreds and thousands. The shelf is ready for the leaves and pestle and mortar and I think a couple more adverts as well. I’m not too sure if I should stick the bottles in place, or keep them loose so that they can be pulled out… or fall off when on the wall…

 

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Crochet from scratch

I’ve been busy over the last couple of days doing some crochet. I’ve been asked to lead a couple of workshops for beginner crocheters by Quorn Country Crafts over in Loughborough (starts Sat 12th September). Not wanting to nick someone else’s pattern, I’ve started from scratch, designing two projects I hope to see the attendees complete over the sessions.

The first is a crochet sampler panel, introducing slip stitch, chain stitch, double crochet, treble crochet, half treble popcorns and double treble crochet, working in front and back loops. And if a second panel were to be completed and joined with the filet crochet panel and then fringed, a handy scarf will be complete. All I have to do is write the pattern down now. [Worked in Hayfield Chunky With Wool on 6.5mm hook].

And for those that whizz ahead and do their homework, I’ll also be teaching crochet in the round, designing this snowflake tree decoration for the lessons. [Worked in Sirdar Ella Summer Luxe Cotton on 4mm hook]

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There are still spaces available on the three courses (five sessions altogether) – book via the Quorn Country Crafts website, or give them a ring!

 

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Altered Art: Book Folding

Regular readers of my blog will know that when I try something new, I tend to go straight for it, often not practicing first, and sometimes not really having any clue as to how the finished project will turn out. Well, I was recently asked by one of my Studio regulars if I had tried book folding… I haven’t, despite it being all the rage at the moment.
I thought it couldn’t be that hard, so decided to fold the Studio logo (StudiologoSmall) into a spare hardback (The Tommmyknockers, if you’re wondering). I watched a quick video on YouTube, and got on with it. Two hours later I discovered that to avoid the art piece apparently advertising a Jackie Collins book title, I’m going to have to stick in a few more pages…

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What I have learnt doing this: firstly, it takes time. A lot of time. Secondly, italics and swooshes need more pages. Thirdly, too many letters makes for poor resolution and difficult to read final result. And finally, I think this may be addictive, and I’m going to work on the method more so that I can be even more ambitious with the art form. Time to hit the charity shops methinks…

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Make your own custom wax seal

Last weekend I went to a craft show, and amongst the ridiculous amounts of dies I noticed a dip pen and wax seal stand. Wax seals have a sense of class, of authenticity, of originality, even in the electronic age. And I’ve wanted my own for ages (my faux ones still didn’t quite hit the mark), along with some of the gorgeous pens. But where would be the originality be in a mass produced metal wax seal stamp? It was at that point I thought – I could make my own, couldn’t I? Thus started another steep learning curve (in between doing all the glass etching).

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Glass Etching with Armour Etch

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I have learnt three things on this little project:

  1. Etching glass with Armour Etch through a vinyl stencil that I cut on my Silhouette Cameo is quick, simple and delightfully effective. This inexpensive Ikea glass is now carrying the branding that I use for my studio.
  2. Photographing glass, like mirrors, is incredibly tricky! I spent roughly 15 minutes etching the glass, and then the next hour learning how to take the photograph! I ended up lighting it from beneath with a small LED push-light with a sheet of paper between it and the glass to dim it slightly. All of this was in a blackout tent, with a small amount of light from above, and poking my phone through a small slit in the tent. The first attempts had so much reflection of both the lighting and the surroundings, the etching wasn’t visible.
  3. Cleaning the glass digitally was so much more effective than in real life. I’d done my best using alcohol and non-shedding cloths, but the pesky dust specks really showed up despite my best efforts. The Spot Healing Brush in Photoshop really came to the fore to remove them. Though not perfect, I think as a bit of amateur product photography I can get away with it 😉

All that’s left to do is the rest of my glasses!

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Distress Products Storage

IMG_6244_wWith all the new colours coming monthly from Tim Holtz/Ranger Industries, my existing system of Distress products storage (5 litre Really Useful Boxes for the stains/paints, 9 litre for the sprays) was no longer large enough. After a little research, I’ve moved them into a 33 litre Really Useful Box – and even that isn’t big enough… I think I’ll need a second. I’ve arranged them as shown so that I have a ready reckoner when taking my kit to classes where occasionally one or two bottles accidentally end up packed away elsewhere – this way I can quickly do a stock check and pin down what’s missing. The browns and speciality colours are currently in a 9 litre box until I can get hold of another 33 litre one, which I’ll also add the ink pads to fill up the free space. Now all I need to do is find somewhere to keep this box…

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Scented Tea Light Gift Card

IMG_6227_wI know there are myriad ways to make similar cards, but since I’ve been reminded that I offered to do some projects using the Eazi-Score board from Diamond Card Craft I’ve designed this version from scratch specifically for those using the board. You may remember I also made a tutorial video using their Eazi-Box score board to make multi-sided shaped boxes.

Just a quick note on the Eazi-Score board before the tutorial: it’s designed for use with A4 card stock and you can simply place your card to the guide bar and score using one of the individually named channels. It’s easy to make your Half Fold – Gate Fold – Stepper – Kinetic – Shutter – A5 – DL cards and more. For most projects, there is NO need to cut your card to fit the board as it was designed for use with A4 card. Boxes are just as easily made ( box template and instructions are included with the board) and it’s designed for left or right handed crafters. There are 5 Embossing patterns too – Heart – Diamond – Flower – Butterfly and Wavy line perfect for making your own embellishments.

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