Art Journal
Arts in Worship: Sermon Sketchnotes

I recently got hold of a copy of Mike Rohde’s ‘The Sketchnote Handbook: the illustrated guide to visual notetaking’. It reminded me that notes can be fun, and that linear format notes tend not to be that exciting – either in the writing or indeed the review. I’m always looking for ways to stay awake in church (it’s the sleep disorder and meds I’m on, not a side effect of the service!) and thought I’d give the principles a go. Here are four examples, in date order, from my first go at the process to yesterday’s sermon notes. I say ‘first go’ – I’ve been used to note taking, and doodling in the margins, as well as adding illustrations to mind maps over the years… this is the first time I’ve combined all of them into one method of notetaking.

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[Completed during the sermon, in a Moleskine Pocket Plain Notebook with Lamy Safari fountain pen, fine nib with Noodler’s Bulletproof black ink]

 

Art Journal
Art Journal Pages: with Carabelle Studio Stamps

Here are some more previews of projects I will be demonstrating at Daisy’s Jewels and Crafts in April. I’ve created a couple of art journal pages using Carabelle Studio‘s ‘Steampunk Man Portrait’ ‘Steampunk: Machine à remoter le temps’ with ‘Collage Texte et Négatif’. The second page features ‘The here and now’. And the third features Birgit Koopsen’s ‘Leafs’.

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Other Art Pieces/Techniques
Carabelle Studios artStamp XXL ‘Negatif et Papillons’

I’ve been invited to demonstrate Carabelle Studio’s Stamps at Daisy’s Jewels & Crafts and have been given a bumper pack of their fabulous range to play with prior to the day (11th April, 10am onwards). One of them is an XXL size – the acrylic block is A4 size! I’ve used the Papillions half of the stamp set to make this canvas, using each of the items from the Phill Martin/Cosmic Shimmer Chic Viola colour pack, along with some Blue Violet Archival Ink. The canvas is 20cm x 50cm.

Negatif & Papillons

Keep your eye out on the blog and The Studio Facebook Page for more samples as I make them, and I hope to see you on the day.

 

Card Craft
Chameleons on Noah’s Ark: trialling the latest alcohol markers

ColouredThe image I’ve used is a digistamp from The Stamping Boutique sponsors for this month’s Crafting Cafe challenge – check their blog later in the month to see the card I make with it.

But the purpose of the colouring in was to trial and review the deluxe set of Chameleon Pens I recently purchased. There have been a fair number of reviews online, both good and bad, and a fair number of my Facebook friends had indicated they hadn’t got on with them at all and had returned them. I watched all the available videos I could find, as well as the shows on Create & Craft, found a good offer and went for the full set.

For the uninitiated, the pens are a basic dual tip alcohol ink pen – there is a bullet point and a brush-like nib. In addition is a reservoir of the solvent attached to each pen with its own  brush nib. In use, you put coloured tip to solvent tip, keep solvent on top and the pen upright for a defined period, and then start colouring – the solvent dilutes the colour, resulting in a tint which develops the fuller colour as the ink flows back into the nib. Thus from one pen, you can get all the shades. The ink on the page is also translucent, and along with other alcohol ink pens, blends whilst wet and overlays once dried. The deluxe pen set includes all 20 colours, a blending pen and a detail black pen, along with some spare nibs and an instruction sheet. They are in a handy holder which also presents the pens for use when open.

For my full review, read on… but in the meantime here’s the executive summary. I think in terms of colour intensity, blending, bleed and application, these pens are pretty much like-for-like alongside Letraset’s ProMarkers. Their USP is the many shades, one pen however:
PROS> no swapping pens constantly, no need for several pens or layers to shade light to dark, mix time allows for planning next area (i.e. time isn’t wasted). CONS>Getting large areas the same shade is very difficult unless keeping to undiluted pen colour; may need to use a different colouring method.

CONCLUSION: These are a great addition to my alcohol pens, and best suited to detailed images needing obvious shading. I’d not recommend them for large areas of same shade colouring – I’d stick with several ProMarkers. I certainly don’t regret buying them and definitely won’t be sending them back!

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Reviews
Book Review: Art Journal Kickstarter

In the first of what I hope to be regular book reviews, I’d like to offer my thoughts on:

ArtJournalKickstarter

Art Journal Kickstarter: Pages and Prompts to Energize Your Art Journals (2015)
Kristy Conlin (ed.). North Light Books. 144pp.

First off, it’s good to find a book on art journaling that doesn’t regurgitate the various way of working with mixed media in a book. This one is illustrated with  ‘back-to-back journal pages’, each accompanied with a Q&A summary with the artist. The questions tend to follow a pro forma – what was your inspiration; which mixed media artists inspire you; what interesting or unique techniques did you apply to this work. Alongside these ‘interviews’ are quotes and sayings that are more than suitable to include in your own work, or to stimulate creative juices. There are also some gems, suggesting the artist was less than impressed with the interview questions – such as describing art journaling as their ‘yoga mat’.

There are 99 contributing artists, resulting in a true variety of styles, subjects and techniques. Just about every mixed media technique is covered, including watercolour, collage, image transfer, acrylics, stamping and inks. It’s also nice to see carefully assembled pages alongside cathartic explosions of emotion, exploring the range of uses of an art journal from experimenting with materials through diarising one’s day to illustrated quotes and expressions. There are also various sizes and types of journal leaving the reader no excuse when trying to find a suitable book to work in.

The illustrations are in rich colour (as they need to be) and aren’t annoyingly cropped to fit the page. This does result in loss of detail on some of the larger spreads, but this doesn’t detract from the overall impact of the featured journal page. Each image is also accompanied by a short summary of materials used, which is often enough to work out the techniques used if this isn’t included in the Q&A section.

If one were to follow up all the artists who have inspired, many months could be lost online – and would be a great way of using the book as a further reference for art journaling inspiration. The advice to other art journal makers are pretty much of a muchness: it’s your book, your own artistic expression, and don’t let anyone else tell you otherwise, including yourself. This in turn does lead to the implied rule: don’t compare your own pages to those featured in the book – that’s not what it’s for!

One other thing I noted – certainly less than 10%, and may be even just 5% of the featured artists are male based on the names. Is this because few men journal, or are less likely to submit work for publication, or some other reason? I’d love to follow one piece of advice given, which was to form a group to journal with – so if you’re a male art journaler, please get in touch!

Am I glad I bought it:
Yes, definitely.

Who’s it for:
Someone already used to working in mixed media, looking for inspiration.

Estimated time spent reading:
Three to four hours – a fascinating insight into the artists, as well as the art.

Overall rating: 5/5

 

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Original Designs
Scrap-Yard – Quilt No. 14

IMG_5794_wOk, coming in at 15″x20″ this quilt is no where near a yard in size, but it is certainly made from scrap pieces of fabric that every quilter has in their stash (insisting they will come in useful at some point). I sort of made up my own rules to get all the scraps in place with a minimum of pressing or planning, before backing and binding it. It’s taken about 7 hours to make from start to finish.

I’ll be teaching my method at Quorn Country Crafts on Friday, 19th June, 2015 between 10-4pm – feel free to join the waiting list as apparently the initial class is already booked up!

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Art Journal
Art Journaling – Inverse Silhouettes (2)

We had fun last night with inverse silhouettes at my Art Journaling Session here at The Studio. There was a little bit of apprehension at painting over a perfectly good background, and then ooohs and ahhhs as the colours started to zing against the black. Here’s another  of my examples from last night:

 

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I think the background is Distress Paint using the spritz and splat method on a non-stick craft sheet. The white is brushed acrylic ink, with Signo broad white pigment pen over the top, and the yellow centres and daisy shadows are Sharpies. I’ve also added a bit of shading at the top of the circles to suggest a drop shadow under the black layer with a water-soluble black pencil smudged out with a water brush.

I was also reminded of several other pieces I did back in 2013 using a similar technique – the post is here.

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Art Journal
Art Journaling – Inverse Silhouettes

Those of you who happen to lead projects or workshops, or lessons, or sermons, may have the same reaction as me to the question ‘what are we doing next time?’. There’s the moment of panic – ‘I’ve not even thought about it’; then there’s the moment of ‘shall I make something up?’. Then there’s the next thought: ‘I really must get a lesson plan together’. All of which then gets summarised into the quintessential reply: ‘It’s a surprise.’

So it was at the end of my last art journaling session a month ago. Since then, a little planning has happened, and I’ve come up with the project for Monday’s session: inverse silhouettes. Here’s a couple of examples I’ve done this week:

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And it’s perhaps no surprise to learn that I’ll probably have the same answer at the end of that session…

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Original Designs
‘1704’ – Quilt No. 13

Quilt No 013Notwithstanding a minor burn injury caused by not having my arm far enough away from the iron whilst folding the binding for this quilt, I’ve finished my sampler quilt for the workshop I am running at Quorn Country Crafts in Loughborough on 17th April. As you can see, it’s a nine 10×10″ panel quilt-as-you-go with contrast joining strips featuring continuous line free motion quilt patterns that I have adapted from my tangle patterns.

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