Art Journal
Art Journaling: Dylusions Paints

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It’s been a while since I managed to sit down and create – I’ve been supervising renovation work at home and making tea every 90 minutes to keep the builders suitably hydrated. Rather than using a half inch paintbrush last week, I was attacking walls with a roller and emulsion. That’s left the room nicely decorated, but my carpal tunnel playing up.

Any hoo, last week a long awaited shipment arrived, including a set of Dylusions Paint by Ranger. Why on earth would I want yet more paints? They are billed as blendable acrylics, and they certainly do that. They come in wide jars, are quite fluid and smooth on beautifully with a foam blending sponge. The paint spreads thinly, but seems to be highly pigmented, so gives excellent coverage. It seems to have a little slow dry retarder in it, enabling the blendability which is excellent. That also makes the clean up easier as the paint was slower to dry on stencils and stamps. Thin layers on absorbent surfaces were very quick to dry. Subsequent layers took longer, even with a heat tool to speed up the process. Opacity in the main is good, with the white showing good coverage of the colours beneath. Also, a little paint goes a long way – each pot is likely to last a long time: all the stencilling on the image above was achieved with just the leftovers on the sponge. I’m certainly not disappointed with them, and will be introducing them to my art journal group sessions in due course.

Also never been used until this page: new letter stamps from Hero Arts – Kelly’s Shadow Letters and Kelly’s Bold Font, stamped in archival Jet Black and augmented with Signo white gel pen (thin and broad).

Art Journal
Art Journaling: using gesso and sprays

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For next Monday’s art journaling session at The Studio, we’ll be playing with gesso. This is one of my sample pages, using both ‘normal’ gesso and the Finnabair Art Basics heavy body gesso to get some texture, as well as faded colour onto my pages. There’s also some never-been-used action here, with the IndigoBlu ‘Beautiful Mind’ stamps and the Stampendous ‘Marks’ stamps by Nathalie Kalbach. The lettering is freehand, first painted with the gesso, tidied and augmented with broad Signo white pigment pen and then outlined in Sakura Jelly Roll Gloss Black.

If you’d like to join one of my Art Journaling Sessions at The Studio, details are here. You can also get details of the sessions using the link on the sidebar or under the Workshops tab at the top of the page.

Altered Art
Mixed media sketchbook cover

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This is another sample for my ‘Finnabair-inspired Sketchbook Cover’ workshop in July (booking details here). It features moulded polyurethane pieces (crafting chemistry at its best), lots of black gesso, Viva Decor Inka Gold, Silks acrylic glazes and an awful lot of dry brushing over Dreamweaver texture paste through a stencil. Microbeads by Finnabair/Prima Marketing, adhered with matt multi-medium. There are still places available on the workshop if you’d like to come and get guidance on making your own.

 

3D Projects
A totem for the modern day?

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After getting very frustrated trying to drive around a gridlocked Leicester over lunchtime today, I took out my angst on my bit of lumber! I’m delighted to have finished my modern day totem and now need to take my own advice. Charring the outside of the wood was a joy to do, and with a stiff brush the surface carbon comes off leaving a lovely dark woodgrain, which I have enhanced with some black shoe polish. Hopefully the wax will help resist the weather, and the exposed raw wood will gradually silver with age. The light was fading when I took the photo – I’ll try again when the sun isn’t setting!

 

3D Projects
A chip off the old block

IMG_5982_wYou know me… never one to do something on a sensible scale, especially something new. Well, as normal, I’ve thrown myself into a new project and may be it’s a little bigger than it should have been for the first time I’ve picked up a chisel and mallet since I was at school.

The outhouse is being rebuilt, and our main contractor decided that a cross beam (apparently called a purlin) wasn’t needed, and it was pointless to take the timber back to the yard as the restock fee would negate the refund. So what does a mixed media artist do with a spare piece of planed lumber 7½” high and almost 16 feet long? He decides to carve it and make it into a modern day totem.

Yesterday, I managed to get the beam cut in half to 2400mm long and scorch the surface using a blow torch. Above is day one of my chipping away, learning how to hold mallet and chisel, take away just enough wood to get a bas relief without massive gouges because the chisel was upside down. A quick application of black shoe polish has helped define the scorching a little better and a quick buzz with a flap wheel sander on my Dremel and well… I’m certainly no master carpenter. I wonder if by the end of the phrase there’ll be a discernible improvement?

 

Art Journal
So what did you do today?

It’s the perennial question – ‘what did you do today?’ And alongside that, ‘what’s a mixed media artist?’ Well, today, both can be answered with – I drew lots and lots of short lines. And when I say lots, I probably mean thousands. What possessed me to work at the scale I did, I don’t know, but I suspect the 12×12″ page size, the Crafter’s Workshop stencil and the Signo pens all came together. And I’m delighted with the results. And I have writer’s cramp!

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3D Projects
Altered Art: My ‘Sit & Be’ Windchime

I was once asked by a therapist if I could just ‘sit and be’. Back then, it was a concept that made no more sense than someone speaking double dutch. Nowadays, I have come to learn that it is at least something I’d like to aspire to, and am beginning to understand how to. To that end, I have spent some of today in the ‘now’ of creativity, converting the side panels of an old caravan belonging to my grandfather into this decorative all-weather wind chime:

The aluminium came from the caravan panels, and was coated with tar on one side and a thick layer of oxidation and algae on the other.

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I used tin snips to cut out my discs, and a piercing saw to cut out the middle sections as well as the individual hanging shapes. A rub back with steel wool and turps, then a beating with a ball pein hammer before punching the text in gives the texture. I used Silks Acrylic to fill the text and add a splash of colour.

The texts are various reminders about taking time out to be still – for me, the reminders are still very much needed!

3D Projects
Inspiration Seeds: an altered art assemblage

I recently undertook a house clearance, and one of the items that caught my eye was a wooden caddy that had been used for many years to keep tea bags in:
IMG_5778_wI decided this box needed a new lease of life, and rescued it from the pile destined for the tip. A quick discussion in one of my Tuesday evening groups came up with the suggestion to make it a seed storage box. After a bit of a rub down, addition of some moulded embellishments and some cut and layered lettering, I painted everything with Americana Decor Chalky Finish in Lace:
IMG_5788_wI then decided to age it, and covered it in tarmac and left it over night to ‘set’ before cleaning it back to get the vintage look.

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It was at this point the seed of an idea took root and I decided that it would become a ‘seeds of inspiration’ box and went on to cut out and make matchboxes, pillow boxes and seed packets ready for my collection. Over the past few weeks I have filled, labelled and collected and here present my altered art assemblage ‘Inspiration Seeds’:

Now when I have a creative block, I can dip into my box, and with just a few items can hopefully spark off the next piece of creative genius.

 

Art Journal
Never Been Used: more in my art journal…

I’m still trying to get a new trend going – tagging a post where I’ve used something that hasn’t previously been used by me as #nbu – never been used. One problem is finding time to do it myself! It’s part of my determination that nothing comes into my studio that I don’t then use in some way…. perhaps a rather weak way of justifying the purchase in the first place! Anyway, I finally did something last night with my Tim Holtz/Stampers Anonymous stamp set ‘Remnants’ (CMS130):

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Altered Art
What I did at the weekend…

IMG_5893_wThis gorgeous bird started out as a £1 plain brass charm at the start of Saturday morning. It’s only 7x5cm in size, but had the dimples ready for the cloisonné effect additions of Stickles Glue (Stardust, Peacock & Lagoon), Juniper Liquid Pearls and some Glossy Accents. So by the end of Sunday, this was the final result. I need to make sure I get to the rest of them, so I’m staying quiet as to where I found it!

I also completed two more art journal pages – another for my Carabelle Studio stamps demo, and the second featuring new stamps from Tim Holtz. This page had several layers of paint and distress stains to start, and then I augmented it with the ‘Pretty Like A Flower’ stamp, with distress markers. It’s the first time I’ve used PanPastels to tone down a background, fixing with a quick hairspray. Which by the way causes archival ink to swim about, so the gesso layer got thicker to cover that learning moment…

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Iridescent watercolours really make the embossed butterfly zing – but beware when drying the previous page – the embossing remelts and distresses both the artist and the facing page somewhat!
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