Reviews
Book Review: Art Journal Kickstarter

In the first of what I hope to be regular book reviews, I’d like to offer my thoughts on:

ArtJournalKickstarter

Art Journal Kickstarter: Pages and Prompts to Energize Your Art Journals (2015)
Kristy Conlin (ed.). North Light Books. 144pp.

First off, it’s good to find a book on art journaling that doesn’t regurgitate the various way of working with mixed media in a book. This one is illustrated with  ‘back-to-back journal pages’, each accompanied with a Q&A summary with the artist. The questions tend to follow a pro forma – what was your inspiration; which mixed media artists inspire you; what interesting or unique techniques did you apply to this work. Alongside these ‘interviews’ are quotes and sayings that are more than suitable to include in your own work, or to stimulate creative juices. There are also some gems, suggesting the artist was less than impressed with the interview questions – such as describing art journaling as their ‘yoga mat’.

There are 99 contributing artists, resulting in a true variety of styles, subjects and techniques. Just about every mixed media technique is covered, including watercolour, collage, image transfer, acrylics, stamping and inks. It’s also nice to see carefully assembled pages alongside cathartic explosions of emotion, exploring the range of uses of an art journal from experimenting with materials through diarising one’s day to illustrated quotes and expressions. There are also various sizes and types of journal leaving the reader no excuse when trying to find a suitable book to work in.

The illustrations are in rich colour (as they need to be) and aren’t annoyingly cropped to fit the page. This does result in loss of detail on some of the larger spreads, but this doesn’t detract from the overall impact of the featured journal page. Each image is also accompanied by a short summary of materials used, which is often enough to work out the techniques used if this isn’t included in the Q&A section.

If one were to follow up all the artists who have inspired, many months could be lost online – and would be a great way of using the book as a further reference for art journaling inspiration. The advice to other art journal makers are pretty much of a muchness: it’s your book, your own artistic expression, and don’t let anyone else tell you otherwise, including yourself. This in turn does lead to the implied rule: don’t compare your own pages to those featured in the book – that’s not what it’s for!

One other thing I noted – certainly less than 10%, and may be even just 5% of the featured artists are male based on the names. Is this because few men journal, or are less likely to submit work for publication, or some other reason? I’d love to follow one piece of advice given, which was to form a group to journal with – so if you’re a male art journaler, please get in touch!

Am I glad I bought it:
Yes, definitely.

Who’s it for:
Someone already used to working in mixed media, looking for inspiration.

Estimated time spent reading:
Three to four hours – a fascinating insight into the artists, as well as the art.

Overall rating: 5/5

 

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Original Designs
Scrap-Yard – Quilt No. 14

IMG_5794_wOk, coming in at 15″x20″ this quilt is no where near a yard in size, but it is certainly made from scrap pieces of fabric that every quilter has in their stash (insisting they will come in useful at some point). I sort of made up my own rules to get all the scraps in place with a minimum of pressing or planning, before backing and binding it. It’s taken about 7 hours to make from start to finish.

I’ll be teaching my method at Quorn Country Crafts on Friday, 19th June, 2015 between 10-4pm – feel free to join the waiting list as apparently the initial class is already booked up!

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Art Journal
Art Journaling – Inverse Silhouettes (2)

We had fun last night with inverse silhouettes at my Art Journaling Session here at The Studio. There was a little bit of apprehension at painting over a perfectly good background, and then ooohs and ahhhs as the colours started to zing against the black. Here’s another  of my examples from last night:

 

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I think the background is Distress Paint using the spritz and splat method on a non-stick craft sheet. The white is brushed acrylic ink, with Signo broad white pigment pen over the top, and the yellow centres and daisy shadows are Sharpies. I’ve also added a bit of shading at the top of the circles to suggest a drop shadow under the black layer with a water-soluble black pencil smudged out with a water brush.

I was also reminded of several other pieces I did back in 2013 using a similar technique – the post is here.

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Art Journal
Art Journaling – Inverse Silhouettes

Those of you who happen to lead projects or workshops, or lessons, or sermons, may have the same reaction as me to the question ‘what are we doing next time?’. There’s the moment of panic – ‘I’ve not even thought about it’; then there’s the moment of ‘shall I make something up?’. Then there’s the next thought: ‘I really must get a lesson plan together’. All of which then gets summarised into the quintessential reply: ‘It’s a surprise.’

So it was at the end of my last art journaling session a month ago. Since then, a little planning has happened, and I’ve come up with the project for Monday’s session: inverse silhouettes. Here’s a couple of examples I’ve done this week:

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And it’s perhaps no surprise to learn that I’ll probably have the same answer at the end of that session…

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Original Designs
‘1704’ – Quilt No. 13

Quilt No 013Notwithstanding a minor burn injury caused by not having my arm far enough away from the iron whilst folding the binding for this quilt, I’ve finished my sampler quilt for the workshop I am running at Quorn Country Crafts in Loughborough on 17th April. As you can see, it’s a nine 10×10″ panel quilt-as-you-go with contrast joining strips featuring continuous line free motion quilt patterns that I have adapted from my tangle patterns.

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3D Projects
Mixed Media Sketchbook Cover

IMG_5784_wIn between various quilting tasks and undercoating MDF clock bases, I’ve also been working on this mixed media sketchbook cover makeover, in the Finnabair style. I haven’t been to any of Anna’s classes, but did get to see her demo’ing her new media range, courtesy of Prima, at the Notions stand at the trade show last week.

The sketchbook is hard cover, and I made the mistake of forgetting to put the texture paste down before sticking the ephemera in place (but I think I got away with it). A gesso layer melds everything together and stiffens paper flowers. There’s metal trinkets, moulded paper clay, buttons, beads and bingo tokens as well as chipboard inches. Colour initially started in pinks and purples, but as the piece developed, the pinks receded and blues came in. Products include Inka Gold, Cosmic Shimmer Matt Chalk Acrylics, Liquid Pearls, Viva Decor Pearl & Paper Pens, Dreamweaver Embossing Paste and various stencils.

Oh and I used my new Bosch Glue Pen as well to stick things down with (thank you Kathryn & David!).

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Original Designs
Autumn Lily Layer Cake Quilt

IMG_5766_wI finished a mammoth quilt last week, the first I have designed using a Layer Cake – Blackbird Designs ‘Autumn Lily’ by Moda. For the uninitiated, layer cakes are usually forty two 10×10″ pre-cut squares of fabric from a coordinating collection. I augmented this with a lot of calico to make a relatively inexpensive throw for the bed – it reaches over the sides, but only goes 2/3rds of the way up the bed by design (and by the fact that I would have needed more patterned fabric!). Each block in the above photo is just under 10″ square for a sense of scale, and the finished quilt size is 110″x67″ (roughly 3m by 1.5m). Each square has been quilted, and the repeating motif is my own continuous line quilting design.

I spent yesterday afternoon having my first play with Electric Quilt 7 – a quilting software package that I purchased last week to aid in production of quilt patterns, as well as designing my own quilts. As all the reviews I looked at have said, there’s a steep learning curve, but the help screens and tutorial videos do help you get to grips with what is actually an unintuitive interface (at least at first). It does have the benefit of being able to import photos of the fabric swatches, and Moda are kind enough to provide these as a download via their website.

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Card Craft
Bespoke Wedding Invitations (Part 1)

The hardest thing about keeping my blog up to date with my crafty exploits is that some of my work has to be kept under wraps until the special reveal. So there may be times when I seem to be quiet – but in fact working frantically to meet deadlines!

Today’s post is one of those. A good friend asked me to make her wedding invitations – and now they’ve been sent and received, I won’t be spoiling any surprises 🙂

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Both Jess and Stuart are real ale aficionados, and we’ve spent hours together working our way through the bar at the Peterborough Beer Festival. What more fitting then than a personal hand pull badge? I drew the hand pull from reference photographs, and then scanned it and coloured it in Illustrator. The badge was designed in a combination of Photoshop and Illustrator. After creating print proofs, cut lines were created in Illustrator and sent to Silhouette Cameo using their Connect plug-in. It was then a matter of assembling the parts using 1mm deep foam pads to add some dimension (and allow avoidance of large letter postage).

By my reckoning, one can measure how successful a job has gone by whether more work is commissioned as a result. Happily, the couple are so delighted, I’ve been asked to adapt the design for the reception table labels.

Congratulations to the happy couple, all the best for the day, and here’s to another reunion at Peterborough in August 🙂

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