Card Craft
Background Check: Day 3

BC_participantDay 3 of my online card class, and they’ve introduced a fab idea – a ‘design break’. A chance to use what we’ve learnt in class to make cards. I didn’t have chance yesterday as I was prepping for a large workshop (news of this released next week…), so I’ve been making the cards this morning before today’s class is released. Here are my makes:

The text is all self-designed and cut from 300gsm card on my Silhouette Cameo. Colour added with distress inks, direct to paper. I love the results of some of these – not styles I would have immediately gone for, but very effective cards. Now to go and see what Day 4 has in store!

Continue reading

Card Craft
Background Check: Day 2

BC_participantIt’s Day 2 of my online class, and we’re playing with stamps and inks to make backgrounds. In the main today was revising techniques I’ve previously come across, but always good to see them used in imaginative ways by the tutors and yank them back to the forefront of my memory! Here’s today’s highlights:

Lots of stripes, and not a stripe stamp in sight. What’s a man to do? Go find some funky foam and cut that into strips. Add a bit of removable double sided tape, and ta da, strippy stripy stamps and backgrounds 🙂

I also like the idea of working more on mid-tone cardstock. I remember in college working on a charcoal ground and getting on better – you can use light and dark shades to emphasise shape, form and, in this case, pattern. I’ve been doing some zentangling on Strathmore Toned Gray Artist’s Tiles and finding the same (more of that in another post).

Continue reading

About me
Art Journal Page: What’s in a word?

IMG_6274For those that don’t know, I have recurrent depression, with relatively frequent episodes of lows and pretty good recovery in between. You may correctly guess I’m struggling at the moment, based on my art journal reflections today (which are based on my ruminations in the shower this morning). Now, I don’t normally share autobiographical stuff, but the topic of depression is being discussed elsewhere in the crafting world and I felt moved to share my own experiences of this mental (absence of) health issue – the more we talk about mental illness, the less threatening it might be for someone else.

What’s in a word? Recurrent – it’s a cruel word. You don’t hear of people being recurrently happy. Or recurrent joy. Those too can be ‘unending’ but recurrent has it’s root in the Latin to ‘turn back’. And with recurrent depression, it’s like that – only a passive result of chemicals misbehaving rather than a conscious turning from ‘health’. It’s especially cruel, I think, as recovery between makes the downs even more difficult to deal with. Though medication is helping, and next week I’m going to be discussing throwing a mood stabiliser into the mix as well, there’s not a lot I can do to stop an episode occurring. Or recurring. Resilience disappears out of the window in the middle of an episode, and everything is an effort. I am lucky enough to be aware enough not to curl up in a ball, and capable enough to at least do some of my normal activities – even if they take up twice as much time and energy as they otherwise would. I am lucky enough to still have hope – I know at some point the bleakness will lift. It’s the not knowing exactly when, or how long for that’s the killer. And on that topic, I’m also blessed not to have suicidal thoughts or ideas that often accompany depression – but I so understand where they come from. I am supported by an extremely understanding wife and a close group of church friends, and indeed customers, who cope with me whatever state I happen to be in – and that’s worth keeping going for.

Back to business: background is acrylic paints in teal/brown/black – I think they were part brayered on, part swiped. Main word is stamped in Hickory Smoke Distress Paint. Rest of text in Sharpies.

Continue reading

Online Classes
Background Check: Day 1

BC_participantI’m taking part in Online Card Classes’ Background Check, and it’s Day 1, and time to get inky! Some of the techniques aren’t new to me, but a couple are, and a great addition to my mixed media arsenal. Here are the highlights of this afternoon’s play:

I have to admit the cloud on the sunset was a happy accident – my not so low-tack tape happened to tear off my carefully blended area, so a little more ink and a cloud was born! The metallic like sheen on the purple image is also accidental – the Hero Art Ombré pads do seem to have an unpredictable effect when used direct to paper.

Continue reading

Art Journal
Art Journal Page: One Voice

IMG_6265_wI promise this is the last page (for now) with the wooden block prints – just in case you’re getting bored… I’ve got enough done now to demonstrate what can be done with them at my Art Journal Session at the beginning of August. This one is a little more of a creative statement highlighting the quotation – I love how the Walnut Stain Distress Ink rubbed over the collaged speech bubbles has made them look grubby as well as making them recede into the background. Enough said, I think.

Continue reading

Art Journal
Art Journal Page: Simply Marvellous

IMG_6264_wAnother journal page using my new wooden block stamps – they work so well with the Dylusions paint. It’s just the right consistency to cover the stamp, stick to the page, and not squidge everywhere. Unfortunately it wasn’t quite the same when I used rubber stamps, which squeezed the paint away giving me the tramline outline that I then had to fill in with a paintbrush.

Continue reading

Art Journal
Art Journal Page: Framing Worry

IMG_6261_wMore block printing with my new wooden blocks – this time in Dylusions Crushed Grape and White Linen acrylic paints over a brown/pink/orange acrylic paint background. I’ve added shading with water-soluble graphite and Vintage Photo/Walnut Stain Distress Inks. The text is drawn freehand with Signo Broad white gel pen and embellished with the fine tip version.

The spacing of everything is unplanned when I start… it just so happened that four of the blocks fitted in the height of the page, and the fold breaks the pattern and fools the eye, so it’s not immediately obvious there’d have been an overlap if it had been on a flat sheet of A4. I printed the vertical white framing first, and then spaced the horizontal accordingly. How I manage to fit in the text whilst worrying (ha!) that I’m going to miss out a letter or misspell the word is beyond me, but I seemed to have managed it.

Continue reading

Art Journal
Art Journal Page: God’s handwriting

IMG_6260_wI’ve just taken delivery of a set of wooden fabric printing blocks, a commercial take on the carved versions typically seen in India/Indonesia. As well as printing onto fabric, of course they’re suited to printing onto paper as well, and what better way of using them than in an art journal? This page is in my Moleskine journal that has been somewhat unloved since starting art journaling in 2011. I already had a pink/purple background in place, and I augmented this with some dabs of Dylusions paint. The image transfer of some heuchera leaves was also already on the page, and I’ve blended the edges with some more paint as well as adding a smear of orange to colour. The block prints can be seen in purple and white at the borders. I was quite pleased with the right side especially, as the paint acted more as a glue, pulling off previous paint layers creating a serendipitous distress effect. The text is free-drawn in Signo white pigment pen and outlined with a fine black pigment pen, except for the final two words which I traced so that it was a little more ‘special’. For hand-drawn text, I found the book Hand Lettering: Simple, Creative Styles for Cards, Scrapbooks & More by Marci Donley and DeAnn Singh really useful as something to bounce off. We’ll be using the blocks in the Art Journaling Session on 3rd August, for which one place is still available to book here.

Continue reading

3D Projects
Distress Products Storage

IMG_6244_wWith all the new colours coming monthly from Tim Holtz/Ranger Industries, my existing system of Distress products storage (5 litre Really Useful Boxes for the stains/paints, 9 litre for the sprays) was no longer large enough. After a little research, I’ve moved them into a 33 litre Really Useful Box – and even that isn’t big enough… I think I’ll need a second. I’ve arranged them as shown so that I have a ready reckoner when taking my kit to classes where occasionally one or two bottles accidentally end up packed away elsewhere – this way I can quickly do a stock check and pin down what’s missing. The browns and speciality colours are currently in a 9 litre box until I can get hold of another 33 litre one, which I’ll also add the ink pads to fill up the free space. Now all I need to do is find somewhere to keep this box…

Continue reading

Card Craft
Ombré Stamped Cards

IMG_6240_w

 

It was an exciting day yesterday as several orders got delivered… I knew what was coming, but the ladies attending my Come & Craft session in The Studio were definitely living vicariously as I unpacked each one!

This morning, as I got to grips with my new varifocal specs, I decided to do a straight rubber stamped card – not something I have done for quite a while. To be honest, I don’t know whether it’s the glasses or the fumes from spray glazing some bowls that’s making things go swimmy…

I’ve used the new Hero Arts Ombré dye ink pads to make my cards. Each ink pad is made from three graduated colour strips and with a little shimmy as you ink up the stamps, you get great blended ombré effects. Above are four cards I made showing off several of the colours available. Ombré colours used: Pink to Red; Light to Dark Peach and Butter to Orange; Lilac to Grape Purple; Grey to Black. Stamps: background – Darkroom Door Harlequin; Tim Holtz/Stampers Anonymous Carved Swirl; flower is an old Anita’s stamp and the sentiment is Stampendous’ Cling Grunge Birthday.
Continue reading