I’m still beavering away in the studio making items to sell at the church Christmas Fayre. Yesterday I used what I had learnt at Andy Skinner’s workshop I attended last weekend to create a faux rusted enamel frame and stand for this MDF chalkboard. As it happens, I actually prefer the back – some of the paint had seeped under and the ‘chips’ appear much more organic against the gesso undercoat:
So I’ve spent the last two days making more snowmen, with another trip to Aldi and/or Asda to get more socks and lots more rice! It was a bit of a struggle to work out how to package them in their foursomes. Whatever it was needed to keep them clean and dry. It also needed to give them their space and not get crushed. I considered getting bottle crates – the cardboard ones you find at supermarkets, but was concerned at a) buying that many bottles, and b) the ickle snowmen getting lost in the box and bouncing around too much. As I looked round the studio for inspiration, I saw some paper cups I got to mix polyurethane in – and they were the perfect size for the smaller snowmen. Then I spied a large cardboard tube left over from carpet underlay I think – sawn with a bread knife and finished off with a scalpel, the 2 inch rings cup the larger snowmen well. With some cardboard bracing and taping them together, a perfect package was born. Wrapped in a plastic bag (with suitable warning label attached), a quick curling ribbon bow and dangles, 40 snowmen are ready for their forever homes.
Now all I need is a forklift to move the total of 15kg of rice up to the house, and then to the church Christmas Fayre 😉
I’m still in making mode for the church Christmas Fayre… and inspired by yet another Facebook shared video, I have three snowmen families gracing my studio table, one of which has chosen this as their official Christmas card. Nobody mentioned that sports socks are now rarely just white, seemingly requiring colour splashes to be able to match them up when mixed in the gym bag. Good old George at Asda came up trumps though 🙂
And prices have gone up since rice was tuppenny… with each family weighing in at 1333g of Basics rice, that’s more like 3lbs of rice for £1. Doesn’t quite have the same ring to it.
And the pompoms, despite a wonderful gizmo to help, still took an hour to make and sew on. I think it was worth it though for the finishing sparkling touch.
I’ve made a few key fobs over the last couple of days (yet more to fit on my table for the church Christmas Fayre), using a ‘steampunk’ antique brass pendant with quite a deep bezel. I’ve added a layer of Pebeo Prisme Fantasy Paint first, and allowed that to dry before starting to layer pieces of old computers and watch mechanisms. I used Lisa Pavelka’s Magic Glos UV hardening resin, which is crystal clear and sets within minutes in my Imagepac UV box, allowing layering of the encapsulated items. After a final brim-full top up with resin and a long harden under the lamps, I added an antique brass split ring to complete the key fob.
I’ve been clearing out the detritus that was my study, and found a 16MB flash card – that shows how long the pile has been sitting there as my smallest now is 16GB! On it were a few photos of this project. This is one of my first mixed media pieces – I made it at least 8 years ago. Combining acrylics, UTEE, Liquid Pearls, Stickles, gliding foil (back when it was in sheets not tubs), die cut or punched Bazzil card stock, translucent plastic, and distress inks. I added words later, such as ‘autumn’, ‘fall’ and ‘leaves’. Perfect piece to share at this time of year. As Albert Camus said ‘autumn is the second spring, when every leaf is a flower’.
There’s always that moment when you see something on Facebook or Pinterest that you think – I could do that. This project was one of those – a link to a YouTube video that popped up on my timeline (sorry – haven’t found it since). It was in German, and seemed to be 20 minutes of the two presenters describing – but not actually doing – the process to make these cast concrete votives.
It’s amazing how much one can achieve when the computer isn’t accessible. Until after lunch yesterday, I was upgrading the operating system which meant Facebook wasn’t a constant presence, my current shopping list wasn’t visible, and the radio was off.
Instead, I painted six blackboards, tidied the studio after creating a bomb site making samples for Craftwork Cards, prepared for last night’s art journaling session, dealt with a duplicate order delivery, crocheted a sampler panel for a scarf, and had a go at some crayon art (pictured above). Now then – all the pictures of similar projects on the internet show nice long dribbles of shiny molten wax. My pound-shop crayons boiled and became an immobile gloopy mess more reminiscent of glutinous bread dough than freely flowing molten wax. The resultant solidified mass is actually quite brittle, and as it is on stretched canvas, is easy to crack. Polishing makes no difference. Which leads me to wonder – are they made of some strange plastic?
And it leaves another conundrum – do I leave the space empty at the bottom, or find suitable text or carefully place some oil paint as faux wax stalagmites underneath the drips?
I posted a week or so ago the start of an assemblage in a printer’s tray – The Apothecary. Over the last few days I have been making a sign for the top, building it from foamcore board, and coating it with several layers of paint to try and match the colour of the tray. Eventually, I ended up brushing on some tan wax shoe polish and buffing it back, and adding a small amount to the wood exterior of the tray. I think it warmed up the wood and helped make the both seem a whole. The inlay ‘brass’ line is Letraset metallic tape, and the lettering and logo are cut from 160gsm card, layered four deep and then painted with Treasure Gold Liquid Leaf Florentine and then a quick layer of Classic Gold.
I’ve also taken the photos into Photoshop and added vintage effects.
Now I’ve been looking at it from the photos, and getting a little distance on it, I’m wondering if the answer to making the bottles both accessible and not able to fall out is to make a glass door and change it into a cabinet?
This is very much a work in progress, but since progress seems to be going smoothly and fairly quickly, I’ve something to share mid-way. I was sorting out the sheds on Saturday and came across this printer’s half-tray that had been tucked away. I have a feeling it’s another save from my grandfather’s outhouse.
I brushed it down, glued it back together, and then lined it with Tim Holtz French Industrial papers with Walnut Stain distress ink to blend it all in. I then set about finding all my little bottles that I’ve accumulated – a combination of Tim Holtz and Woodware. They looked a little too clean, so I’ve added Latte and Mushroom alcohol inks to give them an aged/nicotine stained look.
I raided the kitchen for every spice and herb I could get into the bottles and decided to leave one shelf free to hang some bay leaves in, and to make a mini-pestle and mortar to fit. Now all I needed was some labels, so I have spent the afternoon making my own in Illustrator and cutting them out on the Silhouette Cameo before ageing with distress inks and water. Next was working out how to get a liquid appearance in the tall bottles without it actually being liquid. UTEE came to the rescue, and I think it turned out ok – although there was some shrinkage as it cooled, so that might not remain the case. Here’s what it looks like now:
I’ve had a lot of fun with the labels, finding the latin names for everything, including the silver balls, tapioca and hundreds and thousands. The shelf is ready for the leaves and pestle and mortar and I think a couple more adverts as well. I’m not too sure if I should stick the bottles in place, or keep them loose so that they can be pulled out… or fall off when on the wall…
At the beginning of the year I decided to join in one of these ‘pay it forward’ type of messages that flew round Facebook during January. I don’t know if any of the five that are about to receive the actual versions of the following works follow my blog – if they do, their surprise will be lessened, but hopefully the anticipation heightened! I’ve spent roughly 2-3 hours on each of the Strathmore Tiles 4″X4″(Toned Gray), drawing each with Pigma Micron pens, Signo white gel pens and shading with Stabilo Aquarellable white and black pencils. The style was inspired by the book, Zenspirations by Joanne Fink.
