(Hopefully) Earning A Living as a Maker

As you know by now from previous posts, I have my first craft fair – the Whetstone Baptist Church Christmas Fayre – next Saturday. Here are some more makes: etched copper candlestick, beaded candles on individually etched glass plates, a resin encased watch-parts pendant and faux-enamelled jewellery pieces.

It’s been a tricky thing to price up all these items. I can easily work out the material costs. I know how much time each has taken to make. It’s a little harder to work out the time taken in research, and even more tricky to know exactly how much time and energy has gone into the development, trials and failures that are inevitable in making items. Throw into the mix what you think people are likely to be prepared to pay, what they might be able to afford, and what else might be on sale around you… Suffice to say that the marked prices for all the items on the stand will not reflect my time and skill set.

Trouble is, I’ve thoroughly enjoyed the making process, designing the packaging, and setting up the stand. But will it pay off? Or the bills? I’ll let you know.

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Perfect Packaging III: Time & Technology Key Fobs


I’ve made a few key fobs over the last couple of days (yet more to fit on my table for the church Christmas Fayre), using a ‘steampunk’ antique brass pendant with quite a deep bezel. I’ve added a layer of Pebeo Prisme Fantasy Paint first, and allowed that to dry before starting to layer pieces of old computers and watch mechanisms. I used Lisa Pavelka’s Magic Glos UV hardening resin, which is crystal clear and sets within minutes in my Imagepac UV box, allowing layering of the encapsulated items. After a final brim-full top up with resin and a long harden under the lamps, I added an antique brass split ring to complete the key fob.

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