Art Journal Page: Kindness is like snow

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I’ve been forced by circumstances this week to not have a creative outlet, and I’ve come to realise that’s not a good idea! I’ve snatched time though, today, to practice the Gelli Plate technique I’ll be teaching in my Art Journaling Session on Monday evening. There will be spaces available – if you’d like to come, just get in touch.

[Monoprint panels using Chipped Sapphire/Stormy Sky Distress Paints and white acrylic paint; background from cleaning the brayer; text in Posca white acrylic marker.]

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As if that wasn’t enough… some typography & chalkboards

There’s just one day left before the Christmas Fayre (in case I hadn’t mentioned it recently). Though I have more items than I can fit on even a large table, the inspiration hasn’t stopped. I thought I would have a go at some mounted typography, so designed, cut out (ok, the Cameo did that bit), stuck together and mounted these two examples – which happened to be two verses from Sunday’s morning services (see the sermon sketchnote).

Meanwhile, on the other side of the table, I’m finishing off some MDF chalkboards – three down (one featured here), three almost done. The first is covered in old dictionary pages, and aged with a ‘dirty wash’ – a drop of DecoArt Media Raw Umber and a drop of Quinacridone Gold watered down, brushed over and splattered with water before drying and sealing with DecoArt Media Ultra Matte Varnish. The second started with squidged Distress Paints, sprayed with water, then dried and I used DecoArt Media Phthalo Blue as my dirty wash, before glazing with a watered down metallic blue acrylic paint. I then sealed with a gloss varnish with a bit of DecoArt Media Interference Blue mixed in. And the last – I’ve tangled it in Sakura Micron 08 black pigment ink over Dylusions Linen White paint (which when completely dry doesn’t clog the nib), sealed with DecoArt Media Ultra Matte Varnish.

[Disclaimer: as part of the DecoArts Helping Artists Program,
I have been provided with samples of their products to use for projects]

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(Hopefully) Earning A Living as a Maker

As you know by now from previous posts, I have my first craft fair – the Whetstone Baptist Church Christmas Fayre – next Saturday. Here are some more makes: etched copper candlestick, beaded candles on individually etched glass plates, a resin encased watch-parts pendant and faux-enamelled jewellery pieces.

It’s been a tricky thing to price up all these items. I can easily work out the material costs. I know how much time each has taken to make. It’s a little harder to work out the time taken in research, and even more tricky to know exactly how much time and energy has gone into the development, trials and failures that are inevitable in making items. Throw into the mix what you think people are likely to be prepared to pay, what they might be able to afford, and what else might be on sale around you… Suffice to say that the marked prices for all the items on the stand will not reflect my time and skill set.

Trouble is, I’ve thoroughly enjoyed the making process, designing the packaging, and setting up the stand. But will it pay off? Or the bills? I’ll let you know.

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Altered Art: After Magritte

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On a recent trip to Norfolk, I was lucky enough to get to a very reputable cigar and pipe shop and bought my first Meerschaum pipe. For those not in the know, these are carved from a white mineral, and naturally colour as they bake with successive smokes. They’re not cheap, and to keep them safe, they come in bespoke cases. They’re particularly handy for smoking outdoors as they don’t burn through like wooden ones can when wind keeps the embers constantly alight. Imagine then my horror when on first smoke there was a sudden crack noise, and the bowl left the stem.

It seems that every now and then, there are flaws in the mineral that aren’t obvious, and being quite thin walled, the pipe just gave out. The dealer replaced it with absolutely no fuss and I’m pleased to say the replacement pipe is giving me a great deal of pleasure as I have my downtime.

Long story cut short – I now had a pipe case with no pipe. It was too nice to throw away, but not easy to find another use for. I remember seeing Magritte’s ‘Treachery of Images’ and loving the surrealist observation decided to make my homage. Thanks to a friend who is considerably more knowledgeable about French than I am, I was able to add my own tagline: ‘This is not a pipe either’. I plan to send the canvas to the great guys who dealt with me so helpfully, and hope they (and their customers) enjoy the joke.

[Acrylic on canvas, Liquid Pearls Onyx, found object. 20cm x 20cm]

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Arts in Worship: More Sermon Sketchnotes

I’ve not posted my sermon sketchnotes for a little while, so here’s a compendium of some more. These are all completed ‘live’ as the sermon progresses, and I don’t see anything but the title before I start. If you’d like to listen to the accompanying sermons, they are available on the Whetstone Baptist Church blog.

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[Completed in a pocket Moleskine sketchbook, with Lamy Safari pen with EF nib, and Noodler’s Bulletproof Black Ink.]

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Perfect Packaging III: Time & Technology Key Fobs

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I’ve made a few key fobs over the last couple of days (yet more to fit on my table for the church Christmas Fayre), using a ‘steampunk’ antique brass pendant with quite a deep bezel. I’ve added a layer of Pebeo Prisme Fantasy Paint first, and allowed that to dry before starting to layer pieces of old computers and watch mechanisms. I used Lisa Pavelka’s Magic Glos UV hardening resin, which is crystal clear and sets within minutes in my Imagepac UV box, allowing layering of the encapsulated items. After a final brim-full top up with resin and a long harden under the lamps, I added an antique brass split ring to complete the key fob.

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From the archive: ‘Autumn’ mixed media canvas

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I’ve been clearing out the detritus that was my study, and found a 16MB flash card – that shows how long the pile has been sitting there as my smallest now is 16GB! On it were a few photos of this project. This is one of my first mixed media pieces – I made it at least 8 years ago. Combining acrylics, UTEE, Liquid Pearls, Stickles, gliding foil (back when it was in sheets not tubs), die cut or punched Bazzil card stock, translucent plastic, and distress inks. I added words later, such as ‘autumn’, ‘fall’ and ‘leaves’. Perfect piece to share at this time of year. As Albert Camus said ‘autumn is the second spring, when every leaf is a flower’.

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Folded Book: Faith Can Move Mountains

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It’s taken two practice runs, but I think I now have book folding sussed. This is my own design, and I wanted to create the banner space below the main word to complete the sentiment. I’m also going to do a word cloud image using the chapters and verses that are applicable to the saying, which will go on the inside covers. Yet another item to price up and pop on my stall at the Church Fayre at the end of November!

UPDATE: I’ve added the word cloud image, based on a photo of K2. Here’s the finished piece – I think the darker background makes the rest zing and pulls it all together:

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It’s all the presentation: perfect packaging 2

I’m still in making mode ready for my church’s Christmas Fayre at the end of November. I’ve decorated these pre-made metal blanks and made them into brooches by using an epoxy glue to stick on the brooch clasp – details on the decoration are here.

I wanted create a bespoke presentation box to show them off at their best – it just so happened I could use the same size for the peacock and the dragonfly. Designing started with a 3×2″ base. I added ½” sides and tabs. For the lid, I enlarged it slightly, adding the thumb divots in the centre to aid taking the lid off. To raise the base (and create a hidey-hole for my business card), I designed a stage slightly smaller than the base, with ⅛” supports at the side to hold the item off the bottom and the holes with a slit between allows me to press the brooch back through and fix the item in place. Two boxes come from an A4 sheet of card, cut on my Silhouette Cameo. For placement of the holes/slit, I pressed the item down onto a piece of card, and was able to see a dent where the clasp and hinge of the brooch back were. A bit of triangulation later, and the hole placement was perfected. This was ideal as the brooch clasps were in roughly the same position on each item – it would have been much less practical for several different placements.

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It’s all in the presentation

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Today ended up being a ‘let’s overcomplicate an envelope’ day. At first I’d planned for my metal tree decorations to just slip into an envelope and be done with it. But then I thought – I’m expecting customers to feel that they are buying a premium handcrafted item… and a white envelope just didn’t hack it. So I’ve spent the morning designing the perfect packaging, and this afternoon cutting them out and putting them together in readiness for the Christmas Fayre.

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