Category Archives: Original Designs

These are pieces of art that are entirely from my own creativity.

College – Term 5 – Final Major Project – another paper craft light shade

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Well after a flurry of activity over the last two weeks watching my new studio get installed, and then decorating it, constructing furniture and moving in – as well as emptying out and putting back to right the dining room, conservatory and some of the craft room – I have my first ‘working’ day in the studio.

Of the various things I have to catch up with, college work is one priority as I have a mid-way assessment tomorrow. Consequently, I have taken pics of my latest light shade in my series. This one features one of the patterns I gleaned from a visit to the Islamic artefacts at the British Museum, drawn into Illustrator, adapted for the round and then screenprinted in opaque white ink onto thick tracing paper, and then constructed onto a card frame. As with the previous post, here are photos of the shade in daylight, and internally lit at night.

I’m a Certified Powertex Trainer!

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Yesterday, I had a very pleasant day workshop with Brit from Powertex British Isles. Powertex is a range of products based round a liquid fabric hardener. Having completed the workshop, I’m now certified to train you how to make figurines such as these:

Guardian Angel

They are 19 inches high, and constructed from wood and plaster formers, foil, masking tape, pressed mulberry fibres and old t-shirts all coated with Powertex and pigments. Let me know if you’re up for a training session in my new studio later in the year!

College – Term 5 – Final Major Project – Paper crafted light shades

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It’s already March, and only two weeks before we finish Term 5. One more term to go, and that’s my college course done and dusted. If it weren’t for my new studio to look forward to working in, and the list of jobs to do in the house, I know I would be dreading the end of college. Though I was unwell last week, I did carry on with my final major project. It’s grown out of looking at Islamic geometric patterns – I’ve learnt to construct geometric shapes with a compass and ruler, transferring them into Illustrator, and then finally applying them to 3D polyhedra. I settled on a truncated cuboctohedron as my main construction, and played about with various construction techniques.

Here are just four of the anticipated dozen final pieces. Some are uninspiring in daylight, but come alive when internally lit. Others inspire in both lights. I can tell you that I got a blood blister in my finger tip from all the scoring of folds. I can reveal that the shadowfold light required 360 separate knots. And that I stuck down each of the 400 petals on the frilly one! All are handcrafted (though I did use the Cricut machine to cut out the shapes to my design!) and nothing more than fabric or paper and glue. They are roughly 6-7 inches in diameter and designed to sit over an inexpensive battery powered LED light (£1 for two in Poundland!).

Tattered Flowers in a Paper Vase

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I’ve taken a bit of time out from designing for my college course to make this canvas featuring a paper craft vase and paper craft, die cut, hand coloured and constructed flowers. I’ll be entering it into Tim Holtz’s Tattered Floral Challenge as it is his Tattered Floral die that I used to cut the flowers from 160gsm thin card. The vase is made from the same card to my own design – SVG file available if anyone would like it…

Each flower layer was wrinkle free distressed in first a layer of Fired Brick and Festive Berries both sides, dried and then wrinkle free distressed in a layer of Fired Brick with Ripe Persimmon. They were then dried before being spritzed and flicked with water and left to dry naturally. The centres were punched and then sprayed with Dylusions Granite spray. The flowers were assembled onto florists wire and stuck together with matt multi medium and left to dry over night before being glued into the vase and onto the canvas background.

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Here’s the inspiration pic, a vase of flowers in our lounge:

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Handprinted Quilts

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I’ve just put the finishing touches to two small quilts. They both feature my own pattern design, which I hand screen printed at college onto fabric offcuts using black textile ink. The first shows the patten, unadulterated, quilted using black cotton and free motion machine stitch round each of the circle motifs. The second is dyed with Adirondack Color Wash sprays (which despite my best efforts still covered everything nearby!), dried, heat set, rinsed, ironed and then quilted in the same way. Both are hand bound and labelled. I use backstitch to hand sew labels for my quilts as this is unlikely to wash off! They are both 22.5″x42″ in size.

Quilt No.5 – ‘Pattern No. 1’
Quilt No. 6 – ‘Rainbow’

College – Textiles – Term 4 – Final Project

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The choice of final project in textiles was to either design and make three tea towels, an apron or a Cornell-style fine art box. I followed my ceramics theme and chose the box, and thus embarked on a project to include every technique I could think of to transfer my patterns from my sketchbook to my ‘panoply of patterns’. Here’s the completed box, complete with my display sheets displaying its contents:

Completed-box---closed

 

Lots of techniques in here, from free hand drawing with a fabric gel pen, to free motion machine stitching, backstitch hand embroidery, iron on transfers, applique, fabric paint and quilting to name but a few…

College – Print – Term 4 – Final Pieces

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This term in my print lessons I’ve revisited dry point – with a new twist which I hope to develop and share in due course… And then there was the lino cut – it turns out that lino is a lot easier to carve when warm, but crumbles when hot… And there was the collagraph – sticking items to a piece of card, liberally coating with PVA and allowing to dry before using it as a print plate. Part of the final project is to take prints that aren’t quite exhibition standard and embellish them a little:

Basic print
Basic print

 

Here’s the before and after of a piece of serendipity – I was washing out my large screen with a large repeat pattern on it, and the water/ink mix was caught by the scrap paper beneath – I loved the texture and distressed colours. I embellished it with watersoluble graphite pencil and a bit of frottage on sandpaper to add texture, and a distress ink mix to tone down the white paper:

Embellished with Distress Inks
Before…

 

Finally, I wanted to play around with a repeat pattern on a large scale… the screen alone was two feet square – and I chose to run off a couple of lengths of wallpaper as well as a couple of multicoloured prints:

Wallpaper sample
Wallpaper sample
Multicolour screen, first pass

Not sure that I’d want that repeat in black and white across the chimney breast!

 

They’re not tangle patterns… but they’re close!

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Me again – I’ve survived a three day stint demonstrating and teaching at the NEC Hobbycraft exhibition, and it’s back to college and catch up time! Last week we were set loose to develop our own style in our drawing lessons, and I’ve returned to making repeating patterns from elements of my bead collection. Each of these patterns are A4 in size, in my sketchbook, and have been painted with black acrylic ink. They are all based on the same shapes which I have cut out from a preceding pattern, rearranged and then traced onto the page before block colouring. They’re not tangle patterns… but you could still use them in your zentangles…

 

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Christmas Stained Glass

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I’ve just posted my latest WOW! Embossing Powder project over at the design team blog. I learnt quite a lot about embossing powder onto glass! Follow the link to also learn how I managed to take a photo of a mirror without being in it…