A chip off the old block

IMG_5982_wYou know me… never one to do something on a sensible scale, especially something new. Well, as normal, I’ve thrown myself into a new project and may be it’s a little bigger than it should have been for the first time I’ve picked up a chisel and mallet since I was at school.

The outhouse is being rebuilt, and our main contractor decided that a cross beam (apparently called a purlin) wasn’t needed, and it was pointless to take the timber back to the yard as the restock fee would negate the refund. So what does a mixed media artist do with a spare piece of planed lumber 7½” high and almost 16 feet long? He decides to carve it and make it into a modern day totem.

Yesterday, I managed to get the beam cut in half to 2400mm long and scorch the surface using a blow torch. Above is day one of my chipping away, learning how to hold mallet and chisel, take away just enough wood to get a bas relief without massive gouges because the chisel was upside down. A quick application of black shoe polish has helped define the scorching a little better and a quick buzz with a flap wheel sander on my Dremel and well… I’m certainly no master carpenter. I wonder if by the end of the phrase there’ll be a discernible improvement?

 

Altered Art: My ‘Sit & Be’ Windchime

I was once asked by a therapist if I could just ‘sit and be’. Back then, it was a concept that made no more sense than someone speaking double dutch. Nowadays, I have come to learn that it is at least something I’d like to aspire to, and am beginning to understand how to. To that end, I have spent some of today in the ‘now’ of creativity, converting the side panels of an old caravan belonging to my grandfather into this decorative all-weather wind chime:

The aluminium came from the caravan panels, and was coated with tar on one side and a thick layer of oxidation and algae on the other.

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I used tin snips to cut out my discs, and a piercing saw to cut out the middle sections as well as the individual hanging shapes. A rub back with steel wool and turps, then a beating with a ball pein hammer before punching the text in gives the texture. I used Silks Acrylic to fill the text and add a splash of colour.

The texts are various reminders about taking time out to be still – for me, the reminders are still very much needed!

Inspiration Seeds: an altered art assemblage

I recently undertook a house clearance, and one of the items that caught my eye was a wooden caddy that had been used for many years to keep tea bags in:
IMG_5778_wI decided this box needed a new lease of life, and rescued it from the pile destined for the tip. A quick discussion in one of my Tuesday evening groups came up with the suggestion to make it a seed storage box. After a bit of a rub down, addition of some moulded embellishments and some cut and layered lettering, I painted everything with Americana Decor Chalky Finish in Lace:
IMG_5788_wI then decided to age it, and covered it in tarmac and left it over night to ‘set’ before cleaning it back to get the vintage look.

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It was at this point the seed of an idea took root and I decided that it would become a ‘seeds of inspiration’ box and went on to cut out and make matchboxes, pillow boxes and seed packets ready for my collection. Over the past few weeks I have filled, labelled and collected and here present my altered art assemblage ‘Inspiration Seeds’:

Now when I have a creative block, I can dip into my box, and with just a few items can hopefully spark off the next piece of creative genius.

 

Quilt No. 15: Honey Meadow

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Started just three weeks ago, I have just finished a mammoth session of hand-binding and have just the label to do to complete this superking size quilt (100″x84″) featuring Lewis & Irene’s Fabulous Forties Honey Meadow Fabric Roll for the centre panel, and yards of finest calico for the rest. I’ve learnt how to use Electric Quilt 7 for designing, how to make pintucks, make sure that I have the right machine needle for the top thread to avoid constant breakages, and that I really should have bought the 16″ long arm quilter I was drooling over at the NEC Hobbycraft show last week! I’ve also learnt that measuring twice and cutting once holds just as true for quilters as for carpenters! I hope to have a pattern sorted for the panel soon – I’ll add the link to this page when it’s ready 🙂

 

Arts in Worship: Sermon Sketchnotes

I recently got hold of a copy of Mike Rohde’s ‘The Sketchnote Handbook: the illustrated guide to visual notetaking’. It reminded me that notes can be fun, and that linear format notes tend not to be that exciting – either in the writing or indeed the review. I’m always looking for ways to stay awake in church (it’s the sleep disorder and meds I’m on, not a side effect of the service!) and thought I’d give the principles a go. Here are four examples, in date order, from my first go at the process to yesterday’s sermon notes. I say ‘first go’ – I’ve been used to note taking, and doodling in the margins, as well as adding illustrations to mind maps over the years… this is the first time I’ve combined all of them into one method of notetaking.

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[Completed during the sermon, in a Moleskine Pocket Plain Notebook with Lamy Safari fountain pen, fine nib with Noodler’s Bulletproof black ink]

 

Scrap-Yard – Quilt No. 14

IMG_5794_wOk, coming in at 15″x20″ this quilt is no where near a yard in size, but it is certainly made from scrap pieces of fabric that every quilter has in their stash (insisting they will come in useful at some point). I sort of made up my own rules to get all the scraps in place with a minimum of pressing or planning, before backing and binding it. It’s taken about 7 hours to make from start to finish.

I’ll be teaching my method at Quorn Country Crafts on Friday, 19th June, 2015 between 10-4pm – feel free to join the waiting list as apparently the initial class is already booked up!

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‘1704’ – Quilt No. 13

Quilt No 013Notwithstanding a minor burn injury caused by not having my arm far enough away from the iron whilst folding the binding for this quilt, I’ve finished my sampler quilt for the workshop I am running at Quorn Country Crafts in Loughborough on 17th April. As you can see, it’s a nine 10×10″ panel quilt-as-you-go with contrast joining strips featuring continuous line free motion quilt patterns that I have adapted from my tangle patterns.

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Autumn Lily Layer Cake Quilt

IMG_5766_wI finished a mammoth quilt last week, the first I have designed using a Layer Cake – Blackbird Designs ‘Autumn Lily’ by Moda. For the uninitiated, layer cakes are usually forty two 10×10″ pre-cut squares of fabric from a coordinating collection. I augmented this with a lot of calico to make a relatively inexpensive throw for the bed – it reaches over the sides, but only goes 2/3rds of the way up the bed by design (and by the fact that I would have needed more patterned fabric!). Each block in the above photo is just under 10″ square for a sense of scale, and the finished quilt size is 110″x67″ (roughly 3m by 1.5m). Each square has been quilted, and the repeating motif is my own continuous line quilting design.

I spent yesterday afternoon having my first play with Electric Quilt 7 – a quilting software package that I purchased last week to aid in production of quilt patterns, as well as designing my own quilts. As all the reviews I looked at have said, there’s a steep learning curve, but the help screens and tutorial videos do help you get to grips with what is actually an unintuitive interface (at least at first). It does have the benefit of being able to import photos of the fabric swatches, and Moda are kind enough to provide these as a download via their website.

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Bespoke Wedding Invitations (Part 1)

The hardest thing about keeping my blog up to date with my crafty exploits is that some of my work has to be kept under wraps until the special reveal. So there may be times when I seem to be quiet – but in fact working frantically to meet deadlines!

Today’s post is one of those. A good friend asked me to make her wedding invitations – and now they’ve been sent and received, I won’t be spoiling any surprises 🙂

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Both Jess and Stuart are real ale aficionados, and we’ve spent hours together working our way through the bar at the Peterborough Beer Festival. What more fitting then than a personal hand pull badge? I drew the hand pull from reference photographs, and then scanned it and coloured it in Illustrator. The badge was designed in a combination of Photoshop and Illustrator. After creating print proofs, cut lines were created in Illustrator and sent to Silhouette Cameo using their Connect plug-in. It was then a matter of assembling the parts using 1mm deep foam pads to add some dimension (and allow avoidance of large letter postage).

By my reckoning, one can measure how successful a job has gone by whether more work is commissioned as a result. Happily, the couple are so delighted, I’ve been asked to adapt the design for the reception table labels.

Congratulations to the happy couple, all the best for the day, and here’s to another reunion at Peterborough in August 🙂

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