Wanderlust 2022: Weeks 22-28

Update time on how I am getting on with the online Wanderlust 2022 mixed media course. The last seven weeks have been concentrating on using craft acrylics. We learnt they are generally cheaper and less pigmented acrylics and have a large premixed colour palette. Then we learned how to use them in various ways to make our art journal pages. I have fallen behind in the course due to holidays and that hot spell (which made the paint dry too quickly), but I’m catching back up. Here’re my takes on the seven lessons:

Commission: These Boots

Building on my recent commissions, I’ve had another commission to do a further painting. This one is to distract from the side of a cupboard installed in a boot (utility) room. The picture will be face-on as you enter the room from the kitchen area.

So when it came to subject matter, it seemed obvious to use the boot as a theme. Wellingtons aren’t particularly in keeping with the area, but being on the edge of Snowdonia, walking/hiking boots seemed very apt. I’m fond of the recent trend toward including typography in images, and a classic lyric popped into my head…

commission: these boots

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Commission: Castle Series, no. 6 – Beaumaris

Here’s the last of my six castle paintings – the half-finished Beaumaris Castle. That’s the castle, not the painting that’s half finished… And, of course, the last was the trickiest! There is something to be said for having a good artist’s sketchbook, having the time and patience to use it and then apply what has been learnt onto the canvas. I don’t ‘do art’ quite like that…

Previous paintings in the series:
CaernarfonRaglanCriccieth – Dolwyddelan – Conwy

Beaumaris Castle painting

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Commission: Castle Series, no. 5 – Conwy

With the same immenseness as Caernarfon Castle, Conwy is going to be a good balance in the room. With the suspension bridge, modern meets historical – and was most tricky to paint! 

Previous paintings in the series:
Caernarfon CastleRaglan CastleCriccieth Castle – Dolwyddelan

Conwy Castle painting

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Commission: Castle Series, no. 4 – Dolwyddelan

When I used to holiday near Porthmadog, I joined Cadw – the Welsh Heritage organisation. I then proceeded to overdose on visiting castles – I think the record was 9 in three days. I don’t really know where the fascination started, but it was certainly early in childhood. The bigger, the better in my book… But, as a subject for a painting, Dolwyddelan Castle is pretty much up there, despite being the smallest castle in the series.

Previous paintings in the series: Caernarfon CastleRaglan CastleCriccieth Castle 
Dolwyddelan Castle painting

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Commission: Castle Series, no. 3, Criccieth

I love Criccieth Castle – less as a ruin, but more because of it’s place on the hilly promontory above the village. It gives such a stark silhouette, reflected in the bay.

Previous paintings in the series: Caernarfon CastleRaglan Castle

Criccieth Castle painting

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Commission: Castle Series, no. 2, Raglan

I’ve been painting again today – after I’d potted on my leeks… This time, I’ve gone for Raglan Castle, in Monmouthshire. You might note, in comparison to my painting of Caernarfon Castle yesterday, that the light is coming from the opposite direction. There is method in this madness – the paintings are to hang opposite each other on either side of the room. Thus, the light, and the shadows, will look as if they are from the same direction.

Ok, ok, it was a happy accident that I noticed the above before I started hanging the paintings. Now I will go back to my reference materials and check that the remaining four of the series are split 50/50 in light direction. It was one of those ‘oh no’ moments that turned into ‘well, of course, I meant to do that’ when no one was looking…

Raglan Castle painting

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Commission: Castle Series, no. 1, Caernarfon

I’m having fun in the Studio, actually playing with paints and canvases for a change. It’s also been a little while since I have had any commissions. This is the first in a series of six canvases, each requested to feature a Welsh castle. The main colour of the room is grey, and the accent colour is purple.

I’ve loved the ‘purple twilight’ type photo treatment, and there’s nothing more striking (I think) than a castle’s silhouette. It gives a much more solid appearance, and given most castle’s prominence on the horizon, a real immenseness.

Caernarfon CastleMy first is that of Caernarfon Castle. It took me a couple of tries to get the tonal shades right – my first go didn’t have enough contrast between the grey and black.

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Two new workshops added

I’ve just updated my workshops page with two new sessions:

Make Your Own Embellishments – Saturday 5th October (£25)

A day of demonstrations and practical hands-on experience making your own embellishments for card making or scrapbooking: includes tips and tricks for colouring, moulding, shrink plastic, customised ‘metal’ tags, paper and fabric flowers, colour coordination and embellishing die cut lettering. If you have a layout in mind, bring your photos and make your own bespoke embellishments to match.


Painting with Powertex – Saturday 2nd November (£50)

African SceneIn this session we’ll be using Powertex (a specialist pigmented liquid fabric hardener) as a paint. You’ll explore building up layers and texture on canvas and on a frame, making a complementary air dry clay to create figures or shapes to embellish your piece, and learn techniques to colour your pieces further with powered pigments.


For more details, pictures and to book online, go to my
workshops page. Full terms and conditions are also available using the link at the bottom of the same page.

Death knell for a mural

Apparently it’s got to that time when you realise that you need to start working round the house redecorating. To be honest, cracks and imminent ceiling failure perhaps have spurred this realisation on a little faster… which means that for the bathroom, at least, it’s time for a makeover. Unfortunately, that means it’s time over for the mural that has been there for almost ten years.

The mural isn’t the first I’ve painted – that was back when I was 14 or 15. But this one was by far the most planned and artistic, using emulsion paint and a glaze to thin it. The colours were dictated by the tiles chosen and I used natural sponge to imitate the pattern in paint. The rest was stippled or rolled on, with the aim of it all to be a ruined Greco-Roman temple. Another piece of ancient history disappearing… roll on the future!