This month’s art journal session, “a tale of two halves”, required a little playing to pull together. It became a lesson in contrasts: complementary colours, techniques and reflectivity from varnishes and mica.
I’ve had a few problems with my laser cutter over the last six weeks or so… One of the cables was causing intermittent faults. The presumption was that after four years of use, it was gradually fracturing. I managed to keep the machine limping on until I replaced the cable this week. As a result, I’ve had to feed projects into the machine through a slot so that the lid was barely lifted – an interesting exercise.
It would have been fine if I had not been asked to do several projects in those weeks. A small group craft session for church folk, the ‘Be Still’ evening and a large group craft session for my church’s retired men’s group. All of these needed kitting out with laser-cut items.
Here are the projects I designed and crafted for the small group and the men’s group. They feature crosses for the Easter season. Both are available as workshops at the Studio for groups of up to eight people. To book, just get in contact with me.
I recently took delivery of the latest Tim Holtz/Stampers Anonymous mini-stencils, along with a Crafter’s Workshop 6×6″ stencil. Along with those came some DecoArt Americana acrylic paints. I decided that I would have a play since I haven’t done much art journaling during COVID lockdown. The text was an image transfer, put together in Adobe Illustrator before printing in reverse ready for sticking down. The woman’s head mask is by That’s Crafty!.
I’ve previously made a ‘book’, to hold various ephemera, as a leaving present for the minister of my previous church. So when it came to putting together another bespoke binder for prayer flags, a photo book and collected digital photos, I built on my previous project and created a faux leather effect ‘book’.
The ‘book’ is just about the size of a sheet of A4 and about 1½” deep. Constructed from 2mm greyboard and 5mm foamcore board, the canvas cover is painted with a mix of rose madder and burnt sienna acrylic paints to resemble worn leather. The spine text is pressed in with an embossing tool to give an impression of embossed foiling, whilst the frontplate uses careful shading to achieve the same effect.
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Following my TV appearance a fortnight ago, I do apologise for not getting a tutorial done earlier as I promised – I came down with a humdinger of a cold the week following the shows. Between the lethargy, the laryngitis and other stuff, I didn’t get to do what I wanted in The Studio. ‘Tis done now though, so grab a cup of your favourite beverage and start reading!
I thought I would show you how I created my stained glass window arch using the fabulous Arch Upright from That’s Crafty! since I didn’t get the chance to show it off on air. Mixing different types of ink (alcohol and Distress) and paint, and making full use of a Dinky Stencil, this window brings together a number of techniques to complete a mixed media mediaeval masterpiece!
I love the translucency of a thin coat of gesso – pop that over a pointillistic background and I can almost imagine it’s a frosted glass panel. Reversing the stencil direction and moving it into the spaces of the previous colour developed the pattern over a sprayed page. I sealed the Distress Sprays with the solvent based spray varnish – it doesn’t move the water-reactive inks and stabilises them enough to work over them with waterbased media.
For this layout:
I’m still trying to master the one-stroke folk art style roses. This was another practice page… and I did some brush-stroked text too.
For this layout:
It’s perhaps not surprising that over the next few weeks you’re likely to see more art journaling than normal – after all, I’m going to need to practice what I’ll be preaching teaching. It’s also not surprising that with the ups and downs of Wednesday’s changes to my working life that not a lot of creating got done (by me that is, there was plenty of creating being done in the Studio by guests!). I started this page last night, using acrylics to create the water splashed background, before adding bubble wrap dots and embossing the white areas this morning and adding the text. What a release to the negativity, and the creativity is back 🙂
For February’s Art Journal Session, we’ll be playing with emboss resist. It’s one of those techniques that is counter-intuitive, but is just planning layers to build up the effect using the embossing powder as the mask. I have to admit the way the text developed and fitted on the page was complete chance – but I like the way it isn’t obvious what the text is at first glance, reinforcing the sense of the quote.