It’s not often that I deliberately go into a cut-price bookstore with the sole intention of buying several copies of ‘My Little Pony’ children’s books. Well, this happened sometime in late winter, with the intention that I would be using them in a class. On Monday 1st October, attendees at my art journal session will be using the board books as a base for an art journal, included at no extra fee. Unfortunately, it does mean that my little ponies will be painted out. What a shame.
I’m afraid it’s still the season for Christmas preparations in The Studio. I’ve been playing with drypoint etching to create some limited edition Christmas cards. Each design is limited to 8 prints (at which point my drypoint plates disintegrated – I’m not using perspex or metal btw). The illustrations are hand drawn and then transferred to my etching plate. Ink is caught in the grooves and wiped off the rest of the plate – each inking and print takes around 10 mins. Sorry the photo isn’t all that, and the cream colour of the print paper is less obvious in real life. You’re welcome to order these at £3 each (not including P&P).
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I’ve been playing with resin this week and in these overlarge bottle caps (5.5cm diameter) I’ve added clock parts and snowflakes over a resinated book page. I love the layering that is achievable with resin, and the depth the layers create within the piece. I’ve completed seven different pieces designed to be used as Christmas tree decorations, perhaps with a steampunk theme? Resin isn’t cheap so each of these will be £7.50 each.
Unfortunately, due to the gloss reflections, the photographs don’t do them justice! The snowflakes are more translucent white than opaque grey and layer well within the resin.
I know, I know, it’s still August. But in a crafter/maker’s world, Christmas has to start early to get stock together. I’m hoping to book a table at a local Christmas Fayre in November at the same time as the town Christmas Lights are turned on. Hopefully, that will mean a good footfall. But it also means I’ve started making tree decorations and spent the last three days doing not much else!
For those that wish to buy some before the fayre, they are £1,50 each – just drop me a line. P&P will be £1 for those that can’t collect.
These are solid beech tags, 12 x 2.5 cm in size and about 1 cm thick. I’m calling them chunky gift tags and spent a day getting the settings right on the laser cutter. Variations included cutting from both sides (involving lining up the mirror image, not easy), lots of repeat cuts, and lots of sanding. Every block had to be covered with masking tape front and back prior to cutting. I have a sum total of 30 tags that passed quality control, 4 that are seconds and another 6 or 7 consigned to the bin straight away.
One of the trickiest things for an artist/maker to get right is pricing. Following guidelines from college, each of these tags should be sold for £7.50 each. I certainly wouldn’t pay that much for them. I’ve settled on £3 each with two for £5 as an offer, and even that seems a little too much. What is often overlooked when considering the price of artwork/made items are the costs involved in prototyping, learning from mistakes, the odd block that is inexplicably more dense and harder to cut than the others, and the wear and tear on equipment.
May I encourage you to ask artisans ‘what has this really cost to make?’ You may not be willing to pay that price, but at least you will know why the moniker of ‘penniless artist’ is all too real.
It’s not one of my go-to books, but this verse from Deuteronomy was one of the readings I delivered last Sunday in church. We are perhaps more familiar with the New Testament context of Jesus’ parable about the Good Samaritan (Luke 10:27) and then His response to the question ‘which commandment is the greatest in the Law?’ (Matt 22:37).
It seems that for the last few days my corner of blog land has been out of service due to a duff plugin. Apologies! Here’s another art journal spread to make up for the absence (not that anyone noticed and let me know!). I experimented with collaging papers for the background and unifying the whole layout with a blanket stencil design. Masking off the area intended for the stamp and covering with gesso helped take the busyness away behind the ‘mum. It’s the first outing for my new Dusty Concord Distress Oxide ink pad. I’m not sure if it’s all a bit much, but experimentation is the name of the game in my journal.
Continue reading As I’ve previously mentioned, the August art journal session at The Studio is all about ‘tints, tones and shades’. Playing with light and shade on a page helps give depth and interest to the piece. Here, playing with the properties of distress ink and distress oxide provides the opportunity to get every shade of the same colour. The use of water also helps with the lighter tones.
Continue reading Next month’s theme for my art journal session (Monday 6th August, 7:30pm) is ‘tints, tones and shades’. I wanted to try a cool ombre effect as part of my suggestions (tint, white added, lighter; shade, black added, darker), so that’s what forms the background of this layout. Then a quick play on words for the shades and a suitable quote and this page is complete.
