Christmas 2018: Drypoint Etched Baubles

I’m afraid it’s still the season for Christmas preparations in The Studio. I’ve been playing with drypoint etching to create some limited edition Christmas cards. Each design is limited to 8 prints (at which point my drypoint plates disintegrated – I’m not using perspex or metal btw). The illustrations are hand drawn and then transferred to my etching plate. Ink is caught in the grooves and wiped off the rest of the plate – each inking and print takes around 10 mins. Sorry the photo isn’t all that, and the cream colour of the print paper is less obvious in real life. You’re welcome to order these at £3 each (not including P&P).

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Card Craft: Celtic Birthday Drypoint

Just before I cleared the decks in preparation for the arrival of a laser cutter that I have been impatiently waiting for (for two and a half years!), I cranked out a few more drypoint prints for cards more suitable for those not into the floral elements on my previous ones.

celtic drypoint birthday card

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Psst… want to see my etchings? Drypoint on a budget

I’ve been experimenting with drypoint printing technique – I had to search out my college notes to review the technique I first learnt there. I’m developing drypoint on a budget, so no special press or acrylic plates. Drypoint for the uninitiated is where a design is etched into a suitable material (typically perspex) before filling the resulting grooves with ink, wiping off the excess and then printing onto paper. Further prints can be taken by reinking the plate and repeating the printing process until the burrs from the etching flatten and the ink no longer stays in the grooves.

Here are four individual prints of my first go, printed on different papers. Technically, I don’t think drypoint prints are normally coloured after printing but I have used a light touch with some coloured pencils to augment the final card.

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Drypoint print – the gallery editions

As I mentioned in my original post, I planned to further work on my drypoint prints, adding tone and colour. Here is a gallery of the results – and the bottom right is the print I have given away, number 13 of 15 – and may be the winner will want colour added? Most of these are now mounted for the end of term exhibition. There are some other prints available to purchase if you’d be interested…

I think some work better than others – I’m not happy with the tea dye one, it’s too dark. I am happy with the greyscale/monotone trees with the colour window. The pastel is very much in keeping with Jacek Yerka’s work on which this is loosely based as he prepares his paintings with a pastel version first. Let me know what you think 🙂

Print – Term 3 – Drypoint

Our theme across all our activities this term at college is ‘influenced by an artist’. I’ve chosen the Polish surrealist Jacek Yerka to base my work on, and for print I was asked to do a drypoint. I discovered this is an etching process where the ink is trapped in the grooves and burrs made by scratching onto metal or acrylic and then transferred onto the substrate using pressure. I scratched my drawing onto a sheet of clear acrylic sheet (approx. A5 size), applied etching ink (which is very viscous), removed most of it, and then printed onto previously wetted watercolour paper using an etching press. Any ink left on the acrylic gets transferred to the paper, so removing it from where you don’t want it is quite laborious! I was sooooo excited as the first print was revealed, and that didn’t really diminish as I did a limited print run. I’m going to have a go replicating it at home using one of the many die cutting machines in place of the etching press, and more common crafting inks. Here is the basic print, and I’ll be colour washing some in due course: