Make your own custom wax seal

Last weekend I went to a craft show, and amongst the ridiculous amounts of dies I noticed a dip pen and wax seal stand. Wax seals have a sense of class, of authenticity, of originality, even in the electronic age. And I’ve wanted my own for ages (my faux ones still didn’t quite hit the mark), along with some of the gorgeous pens. But where would be the originality be in a mass produced metal wax seal stamp? It was at that point I thought – I could make my own, couldn’t I? Thus started another steep learning curve (in between doing all the glass etching).

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I’m featured artist at SuzyMosh Creations Challenge Blog

It’s great to be recognised as an artist, and what better way than to be chosen as a ‘featured artist’ on a challenge blog. Thank you to Suzy Mosh who has done just that on her zentangle challenge site:
http://suzymoshcreations.blogspot.co.uk/p/thats-new-to-me-weekly-challenge.html.

There’s still a day to enter your work to be in with a chance of winning my tangle pattern book, and another week after that to show off your work. The work on show in the entries is superb and well worth a look too!

Scented Tea Light Gift Card

IMG_6227_wI know there are myriad ways to make similar cards, but since I’ve been reminded that I offered to do some projects using the Eazi-Score board from Diamond Card Craft I’ve designed this version from scratch specifically for those using the board. You may remember I also made a tutorial video using their Eazi-Box score board to make multi-sided shaped boxes.

Just a quick note on the Eazi-Score board before the tutorial: it’s designed for use with A4 card stock and you can simply place your card to the guide bar and score using one of the individually named channels. It’s easy to make your Half Fold – Gate Fold – Stepper – Kinetic – Shutter – A5 – DL cards and more. For most projects, there is NO need to cut your card to fit the board as it was designed for use with A4 card. Boxes are just as easily made ( box template and instructions are included with the board) and it’s designed for left or right handed crafters. There are 5 Embossing patterns too – Heart – Diamond – Flower – Butterfly and Wavy line perfect for making your own embellishments.

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Missing an end of term deadline…

I’m normally one to meet deadlines with time to spare… for instance, all my Craftwork Card samples are always delivered in time for the shows on Create & Craft.

This project was started in my final term at college, some two years ago now. It was part of my geometric constructions for lanterns (featured here), and I made a wireframe cage based on the same shape. The idea was to then grow salt crystals over the wire frame and photograph it as part of my final major project. As anyone who has tried growing crystals knows, it takes time – and in this case, the piece didn’t finish ‘growing’ until 6 months later, well after I’d finished my extended diploma. Since then, it’s languished in its protective bucket on a shelf in my studio waiting to be photographed. Prompted by a need for more space, I got the camera out late last night and took the photos. I think it was worth the wait…

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Mixed media sketchbook cover

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This is another sample for my ‘Finnabair-inspired Sketchbook Cover’ workshop in July (booking details here). It features moulded polyurethane pieces (crafting chemistry at its best), lots of black gesso, Viva Decor Inka Gold, Silks acrylic glazes and an awful lot of dry brushing over Dreamweaver texture paste through a stencil. Microbeads by Finnabair/Prima Marketing, adhered with matt multi-medium. There are still places available on the workshop if you’d like to come and get guidance on making your own.

 

A totem for the modern day?

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After getting very frustrated trying to drive around a gridlocked Leicester over lunchtime today, I took out my angst on my bit of lumber! I’m delighted to have finished my modern day totem and now need to take my own advice. Charring the outside of the wood was a joy to do, and with a stiff brush the surface carbon comes off leaving a lovely dark woodgrain, which I have enhanced with some black shoe polish. Hopefully the wax will help resist the weather, and the exposed raw wood will gradually silver with age. The light was fading when I took the photo – I’ll try again when the sun isn’t setting!

 

A chip off the old block

IMG_5982_wYou know me… never one to do something on a sensible scale, especially something new. Well, as normal, I’ve thrown myself into a new project and may be it’s a little bigger than it should have been for the first time I’ve picked up a chisel and mallet since I was at school.

The outhouse is being rebuilt, and our main contractor decided that a cross beam (apparently called a purlin) wasn’t needed, and it was pointless to take the timber back to the yard as the restock fee would negate the refund. So what does a mixed media artist do with a spare piece of planed lumber 7½” high and almost 16 feet long? He decides to carve it and make it into a modern day totem.

Yesterday, I managed to get the beam cut in half to 2400mm long and scorch the surface using a blow torch. Above is day one of my chipping away, learning how to hold mallet and chisel, take away just enough wood to get a bas relief without massive gouges because the chisel was upside down. A quick application of black shoe polish has helped define the scorching a little better and a quick buzz with a flap wheel sander on my Dremel and well… I’m certainly no master carpenter. I wonder if by the end of the phrase there’ll be a discernible improvement?

 

Altered Art: My ‘Sit & Be’ Windchime

I was once asked by a therapist if I could just ‘sit and be’. Back then, it was a concept that made no more sense than someone speaking double dutch. Nowadays, I have come to learn that it is at least something I’d like to aspire to, and am beginning to understand how to. To that end, I have spent some of today in the ‘now’ of creativity, converting the side panels of an old caravan belonging to my grandfather into this decorative all-weather wind chime:

The aluminium came from the caravan panels, and was coated with tar on one side and a thick layer of oxidation and algae on the other.

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I used tin snips to cut out my discs, and a piercing saw to cut out the middle sections as well as the individual hanging shapes. A rub back with steel wool and turps, then a beating with a ball pein hammer before punching the text in gives the texture. I used Silks Acrylic to fill the text and add a splash of colour.

The texts are various reminders about taking time out to be still – for me, the reminders are still very much needed!

Inspiration Seeds: an altered art assemblage

I recently undertook a house clearance, and one of the items that caught my eye was a wooden caddy that had been used for many years to keep tea bags in:
IMG_5778_wI decided this box needed a new lease of life, and rescued it from the pile destined for the tip. A quick discussion in one of my Tuesday evening groups came up with the suggestion to make it a seed storage box. After a bit of a rub down, addition of some moulded embellishments and some cut and layered lettering, I painted everything with Americana Decor Chalky Finish in Lace:
IMG_5788_wI then decided to age it, and covered it in tarmac and left it over night to ‘set’ before cleaning it back to get the vintage look.

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It was at this point the seed of an idea took root and I decided that it would become a ‘seeds of inspiration’ box and went on to cut out and make matchboxes, pillow boxes and seed packets ready for my collection. Over the past few weeks I have filled, labelled and collected and here present my altered art assemblage ‘Inspiration Seeds’:

Now when I have a creative block, I can dip into my box, and with just a few items can hopefully spark off the next piece of creative genius.

 

Quilt No. 15: Honey Meadow

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Started just three weeks ago, I have just finished a mammoth session of hand-binding and have just the label to do to complete this superking size quilt (100″x84″) featuring Lewis & Irene’s Fabulous Forties Honey Meadow Fabric Roll for the centre panel, and yards of finest calico for the rest. I’ve learnt how to use Electric Quilt 7 for designing, how to make pintucks, make sure that I have the right machine needle for the top thread to avoid constant breakages, and that I really should have bought the 16″ long arm quilter I was drooling over at the NEC Hobbycraft show last week! I’ve also learnt that measuring twice and cutting once holds just as true for quilters as for carpenters! I hope to have a pattern sorted for the panel soon – I’ll add the link to this page when it’s ready 🙂