Crafted from Caravans: The Christmas Collection

IMG_6545_wThe floor, tables and just about every other surface in the studio is currently covered with a fine layer of shredded wool polishing wheels and jeweller’s rouge… I’m also going to have to do a thorough wipe down of all the aluminium filings that didn’t hit the bin beneath…

I’ve been working in a production line over the last two days, making these hanging tree decorations. You may remember my ‘sit and be wind chime’ was made from the sidings of my grandfather’s old caravan – these are too. All are hand cut from the sheet aluminium, cleaned up with wire brush and wet’n’dry sandpaper, hand drilled and hand sawn, hammered, punched, filed and polished. Ok, I did use a Dremel for the polishing.

If you’d like a set, let me know – I will make them to order for £10 each including p&p to UK addresses (international orders extra), so if you’d like them in time for Christmas please order by the end of October.

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The Apothecary: Sign writing and Vignettes

I posted a week or so ago the start of an assemblage in a printer’s tray – The Apothecary. Over the last few days I have been making a sign for the top, building it from foamcore board, and coating it with several layers of paint to try and match the colour of the tray. Eventually, I ended up brushing on some tan wax shoe polish and buffing it back, and adding a small amount to the wood exterior of the tray. I think it warmed up the wood and helped make the both seem a whole. The inlay ‘brass’ line is Letraset metallic tape, and the lettering and logo are cut from 160gsm card, layered four deep and then painted with Treasure Gold Liquid Leaf Florentine and then a quick layer of Classic Gold.

I’ve also taken the photos into Photoshop and added vintage effects.

Now I’ve been looking at it from the photos, and getting a little distance on it, I’m wondering if the answer to making the bottles both accessible and not able to fall out is to make a glass door and change it into a cabinet?

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The Apothecary: an assemblage

This is very much a work in progress, but since progress seems to be going smoothly and fairly quickly, I’ve something to share mid-way. I was sorting out the sheds on Saturday and came across this printer’s half-tray that had been tucked away. I have a feeling it’s another save from my grandfather’s outhouse.

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I brushed it down, glued it back together, and then lined it with Tim Holtz French Industrial papers with Walnut Stain distress ink to blend it all in. I then set about finding all my little bottles that I’ve accumulated – a combination of Tim Holtz and Woodware. They looked a little too clean, so I’ve added Latte and Mushroom alcohol inks to give them an aged/nicotine stained look.

I raided the kitchen for every spice and herb I could get into the bottles and decided to leave one shelf free to hang some bay leaves in, and to make a mini-pestle and mortar to fit. Now all I needed was some labels, so I have spent the afternoon making my own in Illustrator and cutting them out on the Silhouette Cameo before ageing with distress inks and water. Next was working out how to get a liquid appearance in the tall bottles without it actually being liquid. UTEE came to the rescue, and I think it turned out ok – although there was some shrinkage as it cooled, so that might not remain the case. Here’s what it looks like now:

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I’ve had a lot of fun with the labels, finding the latin names for everything, including the silver balls, tapioca and hundreds and thousands. The shelf is ready for the leaves and pestle and mortar and I think a couple more adverts as well. I’m not too sure if I should stick the bottles in place, or keep them loose so that they can be pulled out… or fall off when on the wall…

 

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Crochet from scratch

I’ve been busy over the last couple of days doing some crochet. I’ve been asked to lead a couple of workshops for beginner crocheters by Quorn Country Crafts over in Loughborough (starts Sat 12th September). Not wanting to nick someone else’s pattern, I’ve started from scratch, designing two projects I hope to see the attendees complete over the sessions.

The first is a crochet sampler panel, introducing slip stitch, chain stitch, double crochet, treble crochet, half treble popcorns and double treble crochet, working in front and back loops. And if a second panel were to be completed and joined with the filet crochet panel and then fringed, a handy scarf will be complete. All I have to do is write the pattern down now. [Worked in Hayfield Chunky With Wool on 6.5mm hook].

And for those that whizz ahead and do their homework, I’ll also be teaching crochet in the round, designing this snowflake tree decoration for the lessons. [Worked in Sirdar Ella Summer Luxe Cotton on 4mm hook]

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There are still spaces available on the three courses (five sessions altogether) – book via the Quorn Country Crafts website, or give them a ring!

 

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Make your own custom wax seal

Last weekend I went to a craft show, and amongst the ridiculous amounts of dies I noticed a dip pen and wax seal stand. Wax seals have a sense of class, of authenticity, of originality, even in the electronic age. And I’ve wanted my own for ages (my faux ones still didn’t quite hit the mark), along with some of the gorgeous pens. But where would be the originality be in a mass produced metal wax seal stamp? It was at that point I thought – I could make my own, couldn’t I? Thus started another steep learning curve (in between doing all the glass etching).

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I’m featured artist at SuzyMosh Creations Challenge Blog

It’s great to be recognised as an artist, and what better way than to be chosen as a ‘featured artist’ on a challenge blog. Thank you to Suzy Mosh who has done just that on her zentangle challenge site:
http://suzymoshcreations.blogspot.co.uk/p/thats-new-to-me-weekly-challenge.html.

There’s still a day to enter your work to be in with a chance of winning my tangle pattern book, and another week after that to show off your work. The work on show in the entries is superb and well worth a look too!

Scented Tea Light Gift Card

IMG_6227_wI know there are myriad ways to make similar cards, but since I’ve been reminded that I offered to do some projects using the Eazi-Score board from Diamond Card Craft I’ve designed this version from scratch specifically for those using the board. You may remember I also made a tutorial video using their Eazi-Box score board to make multi-sided shaped boxes.

Just a quick note on the Eazi-Score board before the tutorial: it’s designed for use with A4 card stock and you can simply place your card to the guide bar and score using one of the individually named channels. It’s easy to make your Half Fold – Gate Fold – Stepper – Kinetic – Shutter – A5 – DL cards and more. For most projects, there is NO need to cut your card to fit the board as it was designed for use with A4 card. Boxes are just as easily made ( box template and instructions are included with the board) and it’s designed for left or right handed crafters. There are 5 Embossing patterns too – Heart – Diamond – Flower – Butterfly and Wavy line perfect for making your own embellishments.

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Missing an end of term deadline…

I’m normally one to meet deadlines with time to spare… for instance, all my Craftwork Card samples are always delivered in time for the shows on Create & Craft.

This project was started in my final term at college, some two years ago now. It was part of my geometric constructions for lanterns (featured here), and I made a wireframe cage based on the same shape. The idea was to then grow salt crystals over the wire frame and photograph it as part of my final major project. As anyone who has tried growing crystals knows, it takes time – and in this case, the piece didn’t finish ‘growing’ until 6 months later, well after I’d finished my extended diploma. Since then, it’s languished in its protective bucket on a shelf in my studio waiting to be photographed. Prompted by a need for more space, I got the camera out late last night and took the photos. I think it was worth the wait…

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Mixed media sketchbook cover

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This is another sample for my ‘Finnabair-inspired Sketchbook Cover’ workshop in July (booking details here). It features moulded polyurethane pieces (crafting chemistry at its best), lots of black gesso, Viva Decor Inka Gold, Silks acrylic glazes and an awful lot of dry brushing over Dreamweaver texture paste through a stencil. Microbeads by Finnabair/Prima Marketing, adhered with matt multi-medium. There are still places available on the workshop if you’d like to come and get guidance on making your own.

 

A totem for the modern day?

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After getting very frustrated trying to drive around a gridlocked Leicester over lunchtime today, I took out my angst on my bit of lumber! I’m delighted to have finished my modern day totem and now need to take my own advice. Charring the outside of the wood was a joy to do, and with a stiff brush the surface carbon comes off leaving a lovely dark woodgrain, which I have enhanced with some black shoe polish. Hopefully the wax will help resist the weather, and the exposed raw wood will gradually silver with age. The light was fading when I took the photo – I’ll try again when the sun isn’t setting!