Another weekly challenge has landed over at Passion for ProMarkers. I was pleased to be in the top five chosen submissions in last week’s challenge, so I thought I’d have another go. Gotta be in it to win it after all. The theme is ‘animals’. Some time ago I encouraged people to use the tag #nbu – never been used – in an effort to use that crafty stash that once purchased languishes unloved in a drawer or box. This stamp is one such example…
Our next Bible journaling session has ‘rubber stamping’ as its theme. It will be a departure from my normal style, and it took some time to find suitable stamps to match some verses and themes. When creating, I also chose to break my ‘rule’ of not working over the text areas of the page. I made sure, however, the work I did was transparent and the text still readable:
As I’ve previously mentioned, the August art journal session at The Studio is all about ‘tints, tones and shades’. Playing with light and shade on a page helps give depth and interest to the piece. Here, playing with the properties of distress ink and distress oxide provides the opportunity to get every shade of the same colour. The use of water also helps with the lighter tones.
Continue reading At next month’s art journal session*, we’ll be having a Tim Holtz Stampfest. I have a fair collection of his stamps and, as with most crafters, some haven’t been used yet. I thought it would be a great theme to work with, and lots of possibilities open up as we mix in the Distress line of products.
* The session on Mon 5th is fully booked, but if you would still like to take part, it will be repeated at the following Wednesday’s afternoon group.
Continue reading Last Monday was my regular art journal session at The Studio. We took the theme ‘baby, it’s cold outside’. Coincidentally, it was one of the coldest evenings of the autumn too. The theme called for cool colours, shimmer and sparkle to evoke frost rime on windows and icy surfaces:
I started with layers of gesso, creating ridged fans/feathering by jittering the edge of a palette knife to make the texture. Sprinkle a little Ultramarine Color Burst. Add more layers of gesso and then iridescent medium. Stamp with archival inks before adding the quote. Smear some Stardust stickles over the page and set aside to dry. I think the quote source is fairly obvious and just fits the theme perfectly!
The first Monday of the month sees my monthly art journal evening at the Studio, and next week the theme is ‘never been used’. I’ve asked studio guests to bring something from their crafty stash that they have never used, and we’ll be incorporating them into our beautiful art journal pages.
In prepping my sample for the session, I came across an embarrassment of unused kit deep in folders, drawers and baskets. I think I will need to do more of these! I know I’m not alone, so what do you think – anyone fancy a ‘never been used’ challenge blog?
Here’s my show page, worked in my very first art journal from 2011 on a background that I’d not yet used:
It’s my monthly Art Journal Session on Monday evening, and for this month’s theme we’re tackling ‘ATC art’. I’m not one for making artist trending cards most of the time – for the uninitiated, ATCs are 3½” x 2½” pieces of artwork that are designed to be swapped between crafters – and I thought it was time to revisit the format. I’ve sneaked them into my art journal timetable, and here’s the sample page. BTW – the frames are one of my first forays into the world of 3D design and printed here in The Studio.
For my next trip abroad, I wanted to make another travel journal. I have previously handmade a small hardback pocket journal and a fold-out accordion journal. This time I decided to make a handmade journal using a piano hinge. This, for the unfamiliar, uses tabs and cylindrical objects (in this case bamboo skewers) to attach the pages at the spine. The benefit for a travel journal is that every other spread is the depth of the bamboo skewer, which means there is plenty of room for additional items of collage and other ephemera, and pockets to store memorabilia. It’s also possible to easily disassemble the book at the hinge to work on individual pages, or remove and add pages as required.
Constructed from canvas textured acrylic paper, I knocked back the white using an off-white chalky finish acrylic paint. I added a darker shade at the base of each page, using the same paint to stencil the building outlines. Overprinting with various travel oriented stamps using archival ink completed the decoration. It seems that the convention for piano hinge books is that the spine is visible, and the skewers extend from the bottom and the top. I wanted a more traditional book appearance as well as a protective cover, so I constructed cover pages before covering them with lokta paper which resembles old leather. A few coats of soft-touch varnish added to that illusion as well as protecting the paper. Adding this type of cover does restrict the addition of further pages. As I intend to use this on the flight as well, I thought it wise to trim the skewers… Some care needs to be taken to keep the pages vertically aligned, but in practice friction seems to keep the posts in place.
I previously posted an advert for October’s workshop in The Studio featuring an altered MDF tealight holders Now, it’s that time of year when the church Christmas Fayre is just ten days away. I still have a box full of holders left over. So, over the last couple of days I’ve been sponging acrylics, metallics and glass paints over MDF and acetate and waiting for spray gloss varnish to stop being tacky. I’m now making bespoke packaging for each of these individual gifts:
I started this page layout on Tuesday night as my teaching sample for my ‘Christmas Crackle’ art journal session on 7th November. Building up layers and techniques, I was very happy with the resulting background. I then spent just as many hours searching for the perfect ‘winter’ quote. Eventually I settled on this excerpt from ‘Do not stand at my grave and weep’ attributed to Mary Frye.
