I last had tags, pockets & flaps as an art journaling theme quite some time ago (a decade!), so I decided it was time to circle back and use it for another layout. This month’s session used a pre-printed pocket and tag as colour inspiration, and we used several techniques to build the background. I did attempt to film the make, but I’m a bit out of practice, and we’re left with just stills for the tutorial – apologies…
In this, the last session of the year, it seemed appropriate to take on a Christmas theme. In common with previous December layouts, I’ve chosen some shiny finishes to bring a bit of light into the dark moments. There are several new techniques that I have tried for the first time: foil-on-toner, cut and design stickers and a laser-engraved piece of MDF. Here’s my take on a Christmas porch:
We’ve not used watercolours in our art journal sessions for some time, so this month felt like the perfect opportunity. I combined fresh washes of colour with toner transfer art journaling techniques, using laser printouts to add layered imagery and texture to the page.. Here’s the sample layout I made for the session:
For this release of Bible journaling illustrations, I have used a theme of redemption and salvation to select my verses. Five new templates from both the Old and New Testaments assure us of God’s love through the ages, now, and into the future. And, for the first time, I have illustrated perhaps the most central and one of the most well-known verses: John 3:16.
It’s going to be a two-parter… We’re underway for this month’s art journaling session in The Studio, taking Klimt’s ‘Portrait of Adele Bloch-Bauer I’ as our inspiration. When I was putting the sample together, I quickly realised my ambitions for the class were not going to fit the time available so texts went out and my first two-session layout was agreed. My Klimt inspired art journaling layout looks like this:
Regular readers of this ‘ere blog know that I am a quilter. This month at the art journal session, we combined mixed media with a quilting technique (which I have yet to try in fabric). We made a watercolour masterboard and then with a lot of slicing and pasting created a bargello-style background in our journals. With some basic stitched panels as a focal point we ended up with this:
Rooted in the historical tradition of the Bargello Palace in Florence, Italy, the Bargello quilt pattern is characterized by its use of long, narrow strips of fabric meticulously sewn together. This technique creates an illusion of dynamic movement and depth within the quilt.
When I’m looking for potential techniques and ideas for my art journaling sessions, I often reach for analogue sources: books. For this evening’s session, I took inspiration from ‘101 More Mixed Media Techniques’. In the fabrics & fibers [sic] section, there is information on sticking and covering elements and pages. And so my cloth collage theme was born and this is what I came up with:
This month’s art journaling session was on the theme of ‘industrial grunge’. I thought it would be a great chance to revisit rust effects, drips and runs and also use up some of the matte black vinyl I seem to have inadvertently collected over the years… I also exercised AI skills using Microsoft Designer to create the graffiti and worked with ChatGPT to develop the colour scheme, selecting the base colours with my Nix Mini 3 digital colourimeter. Here’s what I came up with:
Back in the day, when there were still many crafting magazines available, free clear stamps were included as a cover gift. Somehow I still have a collection of these, which are all still clear and functional. Finding them in my stash, I came up with this month’s theme for the art journaling session at The Studio: twinchies. For the unfamiliar, twinchies are 2″ square elements for crafting and the giveaway stamps fit perfectly. Using mixed media and appropriate papers, I created this:
This month’s theme is ‘archival inks’. I’ve just counted how many pads I have, and excluding the mini-Distress pads, I have 62 colours! Many haven’t been used for some time but are still in perfectly usable condition, which is great. It seemed time for them to shine and here’s what I did with them… I’ve worked on translucent Dura-lar on pages from my experimental ‘see-through-page’ journal (which I don’t seem to have posted about before…).
