This month’s theme is ‘archival inks’. I’ve just counted how many pads I have, and excluding the mini-Distress pads, I have 62 colours! Many haven’t been used for some time but are still in perfectly usable condition, which is great. It seemed time for them to shine and here’s what I did with them… I’ve worked on translucent Dura-lar on pages from my experimental ‘see-through-page’ journal (which I don’t seem to have posted about before…).
This evening we are playing with all sorts of watersolubles for our Art Journal Session. I’ve raided my stash for media that we don’t use often in the sessions, with pencils, paints, crayons and gelatos on the menu. The session is all about experimentation and the different ways the water interacts with the pigments on the page. We’re adding some stamping and hand-drawn embellishments to adorn the page:
I unpacked a box of ancient washi tape rolls for this evening’s art journaling session and eventually got them all to unpeel without tearing. We used them to build background collages in black and white and colour, and layered them for maximum contrast in this finished layout:
Today’s Art Journaling Session at the Studio revisited working on aluminium foil. Last time, we used thinned acrylic paints to cover the foil with multilayer colour. This time, we played with alcohol inks. The inks are designed to stick to shiny surfaces and really pop against the reflective metallic background. There are various ways to add depth and texture, take ink off and add other inks on to make a very shiny and interesting collaged background for a suitable saying. I’ve included making notes below, along with a video of the techniques.
In the first of a series of posts, I am going to update you on what I have been doing during my blog’s radio silence… Several groups have been postponed for various reasons, so I have not posted about them, and I have spent the time on a number of projects. This week has been a new Online Card Class; Extraordinary Embossing Folders. For five days there were two videos per day with techniques to expand your use of embossing folders. It’s been a while since I did any card making, so it was good to do some today based on the first day of class:
Next week’s Art Journal Session at The Studio will still take place on Monday (6th May) at 7:30pm, despite it being a bank holiday. We’ll learn about PanPastels and use them with rubber stamps to create our spreads. There’s no online tutorial this month as capturing the techniques is tricky as a step-by-step (and I didn’t have a chance to do a video), so you’ll have to book in and come and try for yourself! Here’s my sample page:
This evening’s session was all sparkly with gold leaf dust! We spent our time working on a colour theme of pink, turquoise and gold, throwing in some dry embossing and distress oxides along the way. The main focus was on techniques for layering acrylic paint to build a background and the incorporation of imitation gold leaf for a very shiny bit of bling:
Welcome to the first art journaling post of the new year! February’s session was based on a technique I picked up from somewhere years ago that I remembered using when I was on the WOW! Embossing Powders design team. I found my original post here, from 2012! It uses Brasso metal polish wadding and heat embossing to create an effect that is hard to replicate any other way. I remembered to take step-by-step photos as I created the layout, so another tutorial follows…
Well, here’s a thing. I’m no longer on the AAA Cards design team but I thought I’d join in their challenges now and then when I wanted something creative to do that wasn’t ‘work’. January’s sketch design is the first for the year – a prompt for your card layout. Here’s my entry:
Scrolling through my photos on my phone, I came across some I’d taken of the cards I made for Christmas (now last year). As they’ve all been sent, received and recycled, I can share them here. Featuring a ‘stained glass’ design, the tag is removable and designed to be kept and used year-to-year. Making notes follow…
