Various things have got in the way of finishing the Online Card Class: Extraordinary Embossing Folders. Eventually, I got annoyed moving the kit from one end of the studio to the other and decided to get on with the course again, if only to be able to put everything away! Day 3 combines dry embossing with dies. Again, I’ve made use of what I have to emulate the course makes and have benefitted from the loan of kit from one of my valued Studio guests.
In the first of a series of posts, I am going to update you on what I have been doing during my blog’s radio silence… Several groups have been postponed for various reasons, so I have not posted about them, and I have spent the time on a number of projects. This week has been a new Online Card Class; Extraordinary Embossing Folders. For five days there were two videos per day with techniques to expand your use of embossing folders. It’s been a while since I did any card making, so it was good to do some today based on the first day of class:
It was wrap up day on Creative Chemistry 103 some time over the weekend, and I finally got to watch the final video from Tim Holtz. The challenge was to use some of the techniques we’d covered during the week on a different surface. I had bought some of the District Market French Burlap Panels in a sale some time ago, and decided these would be perfect to decorate up for the occasion.
So this is what happens after applying texture paste, embossing powder, Distress Crayons, Distress Stains, clear matte texture paste, stencils, water, baby wipes, gesso, matte multi medium, Distress Reinkers, Distress Glaze and a whole lot of patience and drying time! I love the texture play between the burlap and the scroll work, opacity versus transparency and still amazed at the versatility of the Distress Crayons.
The last ‘proper’ day of the Creative Chemistry 103, and we were taught several techniques with alcohol inks on Yupo. For those not in the know, alcohol inks are dyes with, well, alcohol as the solvent – makes for fast drying heady crafting! And Yupo is a smooth plastic sheet of polypropylene suitable for all media, but particularly suited to media that play nicer when on non-porous surfaces. Lots of splatting, buffing, stamping, painting and puffing went into these. Great fun!
I thought I’d catch up with a couple of days’ worth of classes today, but, alas, it wasn’t to be. I did however get Day 2 samples done – a few more well used techniques revisited, but a couple of new ones there too. And a note to self, in passing… Always test your mica containing sprays well away from other items in the studio, and clean them before putting them back in the box. That way, there is a fair chance the spray a) mists rather than spurts, and b) actually sprays.
A long time ago, I took an excellent online course led by Tim Holtz – Creative Chemistry 101. It explored the different inks and media and their chemistry so crafters would understand what would work with what and why. Well, CC102 came along, and I wasn’t quite so engaged. But engaged enough to sign up for CC103 when it was advertised earlier this year. The week-long classes are now on Day 3… but here’s my Day 1 samples. A couple of old techniques using new kit, but combinations of media that I wouldn’t necessarily have been reaching for together prior to the class, but definitely will be now.
I’ve snatched some ‘me’ time in the studio today and revisited some of the lessons on distress stains and markers from Creative Chemistry 101 – a staggering four years ago! It’s part of the Summer of Creative Chemistry from onlinecardclasses.com, in the lead up to the brand new Creative Chemistry 103 from Tim Holtz. These are three tags created for Week 2.
Using a combination of techniques I learnt in my Background Check class with Online Card Classes, Hero Arts Ombré ink pads and a #neverbeenused Darkroom Door background stamp, I’ve made these five ‘thank you’ cards. Quick, simple and super effective results, even if I do say so myself 🙂
It’s the final day over at the Background Check class, aside from the wrap up day. It’s another design break to allow us to make cards using the background techniques we’ve learnt over the previous two days. I’ve snuck into the studio and made my Day 5 backgrounds into cards:
For these cards, they’ve only needed the addition of a little sparkle to accentuate elements on the background, with the sentiments done on my trusty Dymo machine. Again, that’s not been out for a while, and it was the letter press (get it?) technique that prompted its use. It’s been a great course, well worth the sign up fee – if only to have had the impetus to use some loved, but forgotten, techniques and refill my card drawer!
I’m a bit behind on my classwork as I’ve been meeting other deadlines, looking after my nephews (one of whom has been helping me make paper beads), but here’s my highlights for day five of my Background Check samples – which are all about texture.
Loving the faux letterpress technique, and going to have to experiment more with it. It’s great not having all the confetti after using the die! Again, nothing new here, but great exercise of techniques and reminders of what can make a clean and simple card really quite special.