I’ve tried another bible journaling experiment – this time using an image transfer technique. The text and image are printed on a laser printer, and the toner is essentially glued to the page and the paper is taken off. The colouring behind the text is acrylic paint, dabbed on and off with a baby wipe. A little tweaking with coloured pencils and it’s turned out ok, I think.
Whilst some things I am making, that I can’t tell you about yet (but it has something to do with upcoming TV appearances), are drying, I have started to dabble again with doing some art journaling in my NIV journaling bible. I turned to these passages in Isaiah and picked out a couple of verses to concentrate on. Today I had a little experimentation with things to seal the page to prevent bleed through.
For the left side, I used a wiped-on layer of matte multi-medium, heat dried. For the right, I didn’t prep the page at all. Add some pigment inks for background colour, and watch them slide right off the multi-medium… it just has no tooth at all. It did, however, seal the page very nicely and not too much bulk added. I got around it by applying some ink, drying with the heat tool and then reapplying the ink. I sealed the pigment in with a spray fixative before using a Posca pen to add the text.
It was wrap up day on Creative Chemistry 103 some time over the weekend, and I finally got to watch the final video from Tim Holtz. The challenge was to use some of the techniques we’d covered during the week on a different surface. I had bought some of the District Market French Burlap Panels in a sale some time ago, and decided these would be perfect to decorate up for the occasion.
So this is what happens after applying texture paste, embossing powder, Distress Crayons, Distress Stains, clear matte texture paste, stencils, water, baby wipes, gesso, matte multi medium, Distress Reinkers, Distress Glaze and a whole lot of patience and drying time! I love the texture play between the burlap and the scroll work, opacity versus transparency and still amazed at the versatility of the Distress Crayons.
Something about this page reminds me of naff pub decor. For the anaglypta effect, I used the embossing paste through the stencil, let it dry, scumble glazed with the tan colour and then sponged the darker colours through the stencil to catch the raised areas. Napkin decoupage and an image transfer of my own typography completes the layout.
Used on this page:
Another art journal page, completed as my homework for the art journaling sessions I run in The Studio on the first Monday evening of the month.
This month we learnt the technique of image transfer, and I set the homework of using image transfer in a layout. For this piece, I took a background image of the grass, printed it twice at full sheet A4 size on a laser printer and then used matte multi-medium to transfer each sheet to one side of a double spread previously covered in green/turquoise acrylic paint. The acrylic background is helpful in case (as here) the image transfer doesn’t take across the whole page, as well as not moving about with the multi-medium gel.
Once I’d done the transfer, I printed the text using matte white acrylic paint on rubber and foam stamps, and outlined them with a white Signo broad pen once they were dry. Finally, I went round some of the letters with a green coloured pencil to help darken the lighter grass colours to improve the contrast of the letters against the background. Oh, and the pink hue on some of the letters comes from previous inks used on the foam stamps staining the white paint!
