It turns out that commissions seem to come like stereotypical buses – none for ages and then two at once. I had the pleasure of accepting two very different commissions last week. The only thing was – they were both last minute with a very short time constraint. I did some juggling and evening work but fit them in and delivered both on time. Here’re pics of the projects:
It has to be said that the coronavirus isolation rules haven’t affected my working life unduly. I’ve always worked from home being lucky enough to have my studio at the bottom of the garden. Unfortunately, it has meant that I’m no longer able to host studio guests which has led to some quiet evenings. At some point, I’ll look into providing remote access via IT solutions, but there’s no one to watch at the moment.I’ve restocked some of my laser-cut mini- tags in the hope that we get to have a Christmas stall again this year. Yesterday, I drew a mandala and then transferred it to Illustrator to convert it to a 3D layered laser-cut version:
I’ve had fun creating my cuboidroids, and as my confidence has grown so have my modelling skills. The third cuboidroid in my series is perhaps the most whimsical to date… ‘will you be mine?’
The arms took a fair number of prototypes to get right, as did the ‘hands’. I eventually settled on the hexagonal shape and added the internal thread. This will give me the opportunity to add props using bolts that screw in. I’ve also added extra elements to reinforce the droid bits:
Now I’ve done the prototypes, I need to perfect the smoothing of the various components, perfect the paint jobs and come up with more characterisations. Not much then…
Here’s the last of my six castle paintings – the half-finished Beaumaris Castle. That’s the castle, not the painting that’s half finished… And, of course, the last was the trickiest! There is something to be said for having a good artist’s sketchbook, having the time and patience to use it and then apply what has been learnt onto the canvas. I don’t ‘do art’ quite like that…
Previous paintings in the series:
Caernarfon – Raglan – Criccieth – Dolwyddelan – Conwy
With the same immenseness as Caernarfon Castle, Conwy is going to be a good balance in the room. With the suspension bridge, modern meets historical – and was most tricky to paint!
Previous paintings in the series:
Caernarfon Castle – Raglan Castle – Criccieth Castle – Dolwyddelan
When I used to holiday near Porthmadog, I joined Cadw – the Welsh Heritage organisation. I then proceeded to overdose on visiting castles – I think the record was 9 in three days. I don’t really know where the fascination started, but it was certainly early in childhood. The bigger, the better in my book… But, as a subject for a painting, Dolwyddelan Castle is pretty much up there, despite being the smallest castle in the series.
Previous paintings in the series: Caernarfon Castle – Raglan Castle – Criccieth Castle
I’ve been painting again today – after I’d potted on my leeks… This time, I’ve gone for Raglan Castle, in Monmouthshire. You might note, in comparison to my painting of Caernarfon Castle yesterday, that the light is coming from the opposite direction. There is method in this madness – the paintings are to hang opposite each other on either side of the room. Thus, the light, and the shadows, will look as if they are from the same direction.
Ok, ok, it was a happy accident that I noticed the above before I started hanging the paintings. Now I will go back to my reference materials and check that the remaining four of the series are split 50/50 in light direction. It was one of those ‘oh no’ moments that turned into ‘well, of course, I meant to do that’ when no one was looking…
I’m having fun in the Studio, actually playing with paints and canvases for a change. It’s also been a little while since I have had any commissions. This is the first in a series of six canvases, each requested to feature a Welsh castle. The main colour of the room is grey, and the accent colour is purple.
I’ve loved the ‘purple twilight’ type photo treatment, and there’s nothing more striking (I think) than a castle’s silhouette. It gives a much more solid appearance, and given most castle’s prominence on the horizon, a real immenseness.
My first is that of Caernarfon Castle. It took me a couple of tries to get the tonal shades right – my first go didn’t have enough contrast between the grey and black.
