LIM DT: Chalkboard Technique

Over on the Less is More challenge blog this week is a lucky dip and from the pot came the chalkboard technique. In essence, this uses white pigment ink on black card, with the option of adding white heat embossing for even more contrast. An example video is available at the end of this post.

Three cards for you today in reverse order…

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Altered Art commission: Love Cherish Care

We’re about to redecorate our lounge in shades of grey-blue, so I was commissioned to create another altered art canvas similar to this one, but with a matching blue as the main colour. It’s taken a day to do and has laser-cut, 3D printed, buttons, wood and polyurethane-cast elements as well as a few embellishments from my collection.

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Altered Art: Chuck it all on

I’m a fan of Finnabair and her combination of collage and assemblage in her mixed media pieces. There are numerous other artists following the style, and plenty of videos on YouTube showing step-by-step ways of working. Silly old me – I watched one and thought I could remember it as I did my own… This wasn’t the case, so this is pretty much all my own work. It’s the result of a couple of hours work, including cutting out the various chipboard/greyboard elements with my laser cutter. I’ve chucked everything at it!

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Art Journal Pages: Butterflies

Next week’s Art Journal Session has the theme ‘butterflies’. I’ve three new pages to share, but there are several in my past library that you can find using the search facility.

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Art Journal Page: Want to Fly

Want to flyIn my last art journaling post, I wrote about knowing when a page is finished. This time around I went a step too far and completely spoiled the layout. See the staining through the gesso middle left and bottom right? That’s archival ink soaking through several layers of gesso. I thought once the butterflies were on, and the gesso painted around them that I would stamp more butterflies over the top. What a mistake to make…

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That’s Crafty! Showpieces (March)

Apologies – I intended to post my show samples for my March shows somewhat sooner than this. But, as they say, better late than never! Keep reading for more details on each project.

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Art Journal Page: Beautiful Art

The first Monday of the month sees my monthly art journal evening at the Studio, and next week the theme is ‘never been used’. I’ve asked studio guests to bring something from their crafty stash that they have never used, and we’ll be incorporating them into our beautiful art journal pages.

In prepping my sample for the session, I came across an embarrassment of unused kit deep in folders, drawers and baskets. I think I will need to do more of these! I know I’m not alone, so what do you think – anyone fancy a ‘never been used’ challenge blog?

Here’s my show page, worked in my very first art journal from 2011 on a background that I’d not yet used:

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THCC103: Day 3

Ok, I’m still not caught up… but this is Day 3’s exercises for Creative Chemistry 103 (CC103)  led by The Professor (Tim Holtz). This particular class was centred on getting texture using the various collage mediums and texture pastes recently introduced to the Distress product line. I don’t have most of these, so substituted various DecoArt products instead and I reckon they do just as good a job!

CC103 Day 3

It’s the first time I have used Distress Crayons, and I have to say I am impressed. Slightly softer than a gelato, the crayon blends beautifully under fingers and into other colours, and the reactivity with water is superb. Glad my spending overruled my scepticism and they were there to use!

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Art Journal Page: Impossible

EmbossResist

For February’s Art Journal Session, we’ll be playing with emboss resist. It’s one of those techniques that is counter-intuitive, but is just planning layers to build up the effect using the embossing powder as the mask. I have to admit the way the text developed and fitted on the page was complete chance – but I like the way it isn’t obvious what the text is at first glance, reinforcing the sense of the quote.

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Mass Production Line: The Burley Christmas Cards

IMG_6677

It’s that time of year again. That time when you’ve designed this year’s Christmas card, and it’s time to make all 75 cards that are apparently required. So, a mass production line swings into action. Here are some tips:

  • When heat embossing large numbers of images, consider getting a teppanyaki hot plate (top right). Cover with a heat resistant non-stick sheet, turn up to a temperature where the embossing powder just melts, and then as you stamp and add the powder to each piece, the previous piece is melting. Slide the piece off with the end of a paintbrush as the embossing powder finishes melting. Occasionally you may need to push the card to the hot surface (again with the end of a paintbrush) if it has curled up.
  • Liquid Pearl dots love to cling and merge to the next one if wet. In my mass production line, I dotted in the same place on each holly sprig before leaving the set to dry. After a minimum of an hour, I did the next dot on each sprig, and left them again. Finally the third dot was added in the same fashion.

    TOP TIP:
    If your Liquid Pearls is misbehaving, warm it up on a radiator or in your pocket. It become less viscous, flowing better and forming nice domes.

  • Assemble in batches – and take a break between batches to stretch, change your attention, and generally improve productivity. And prevent boredom!

As to the finished result – you’ll have to wait and see. Especially if you’re one of the lucky 75 that receives the real thing 😉

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