Over on the Less is More challenge blog this week is a lucky dip and from the pot came the chalkboard technique. In essence, this uses white pigment ink on black card, with the option of adding white heat embossing for even more contrast. An example video is available at the end of this post.
Three cards for you today in reverse order…
Another thematic challenge over at Less is More challenge blog – ‘summer flowers’. As I write, my garden has all colours of roses, some of them smelling divine (especially Gertrude Jekyll). Thus was my colour palette inspired and it was handy having the stamp from Stampendous to use (from 2013!). I think some of my ProMarkers are older than that, but are still in perfect condition thanks to my airtight storage solution.
It’s a new challenge over at Less is More, to use both a solid and an outline. I made two cards, and it was a close toss-up as to which I was going to feature as my design team card. This one won out eventually:
I could have lined up the outlines perfectly (using a stamp positioner) but I liked the offset look that occurred when I did it all by eye. I think it emphasises the solid and outline as distinct elements.
I’m delighted to be able to share that I have been accepted on to the Less Is More Challenge Design Team. You’ll all know that I have recently been taking part in their challenges after a long hiatus, and it’s an honour to join the DT. You can find the fortnightly challenges here, and a little more info on the card(s) I make following the theme here on my blog. You may even get to see the outtakes…
I’ve used one of my most favourite techniques for my card for the splats – get your Distress Stains out, make sure the tip is nice and juicy and then firmly tap against your page (actually, you thump it down with a bit of force). Watch where the spatter goes!
Here’s another clean and simple card for the Less Is More Challenge blog. This time the theme is ‘out of focus’ and suggestions were bokeh, airbrushed backgrounds and watercolour stamping. I chose to go down the alcohol ink background, a suitably defocused technique. Stamped over is a sentiment block of text, cut out to make a tag. Finally, a sentiment stamp direct to card finished off the design:
A quick, clean and simple, one layer card for the Less is More challenge #416. One layer cards are exactly that – no fudging allowed, no mats and careful stamping and colouring. Mistakes mean starting over… Clean and simple means leaving plenty of white space. This time’s challenge also called for no sentiment. Here’s my take:
I almost put shading around the squares and then thought that would make it look more than one layer! Darkroom Door Butterfly Post collage stamp stamped in Memento Tuxedo Black and then coloured with ProMarkers.
CAS? It stands for ‘Clean And Simple’ and refers to a card that has plenty of whitespace around the elements. Ideally a one layer, no embellishment type of card, it is perfect for the Less Is More challenge site. And it usually is anything but simple to make. This time, the theme is ‘more’ – we did ‘less’ last time. Here’s my take on the challenge:
Another challenge blog, another challenge! This time, it’s the Less Is More challenge to do a one layer card with the focal point off centre. In card making, one layer cards are quite tricky – you have one time to get it right, and if you’re layering or positioning stamps it’s easy to misprint and have to start all over again! Of course, you only get to see the final take…
It’s been a long time since I regularly made greetings cards, back in the heady days of peel offs and basic rubber stamping. My style and media choices have changed significantly since, and last night I had a few moments to have a play during my Come & Craft Session: mixed media collage cards.
Next month’s art journal session is all about layers. There will be an unofficial ‘challenge’ to see who has the most layers on their page by the time the session finishes. I think my example had upwards of 20 by the time I had finished. The layers include acrylic paints which were stamped, stencilled and monoprinted using textured wallpapers. Over that were stamped archival inks before the title was stamped and matted onto the page.
It’s a bit of a melange, but I guess that’s the point of the exercise. I wondered after if keeping to a complementary colour palette may have worked as well – perhaps something to play with during the session next month. Spaces are available if you’d like to get inky and paint-splattered!
