Art Journal Page: Nature’s Little Fireworks

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I’ve been a bit busy this last week getting things done in the garden (why did I have so much decking put in?), and getting samples made with the latest Craftwork Cards collections ready for the TV shows next week. Oh, and leading a workshop at The Studio yesterday at which there were some super mixed media art journal covers made.

And I got asked – what are we doing on Monday night? Referring, of course, to my monthly art journaling session. At the time, I couldn’t remember what I idea I’d had, but it came back to me today, and this is the result of my trying out the technique.

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Art Journal Page: My Left Hand & Me

IMG_6214_wI’ve no idea why this idea popped into my head before I was fully awake this morning. Aside from, perhaps, art journaling being on my mind as I’m leading a workshop on Saturday… A quick dog walk and fitting some artificial turf helped my alertness level meet my creative muse and out came the paint and Sharpies. The background was pre-done and is a combination of distress paints. Over this I traced my hand, then painted over the rest of the page with Dylusions white paint on a make up sponge. The thin layer allows the background to show through, as well as sealing the page for the Sharpies. One of the unique selling points of the Dylusions paints is that it doesn’t clog nibs – and that is very true – the Sharpies drew perfectly with no annoying bleed or blocked nibs (a sharp contrast to, say, drawing on gesso). Further embellishment with my Signo broad white pigment gel pen and it is done.

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Art Journal Page: Industrial Grunge

IMG_6190_wThe background for this art journal page was a little bit of a happy accident. I’d covered the page with swipes of dark acrylic paints with a hint of picked raspberry, and feeling it was too dark, I then used what was left on a blending tool I’d been used to apply Dylusions Squeezed Orange Paint to lighten it, and a superb rusty effect came into being. I embellished it with some Vintage Photo Distress Embossing Powder for the grid work, stamped a couple of times with the blueprint in archival inks and then added the text using a combination of archival inks on stamps, freehand drawing and painting, and my trusty pigment pens. As normal, took me as long to find the sentiment, but I love this quote – really does explain the rationale behind my art journaling!

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Art Journal Page: All Art Requires Courage

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Tonight sees another of my art journaling sessions at The Studio, and we’ll be playing with the Dylusions Paints – blendable acrylics which are ideal for making backgrounds, and work well when used on rubber stamps as well. The text on this layout is stamped with Carnation Red Archival Ink and outlined with ultra fine tip Sharpie. The swirls are stamped with the Squeezed Orange before being dried and outlined and embellished with Signo white gel pen.

Art Journal Page: Alphabets by Design

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I’ve just got back from a couple of days holidaying near Cromer, and true to form, the English weather was not favourable – it was a bank holiday after all. It did, however, mean that I had chance to use my art journal travel kit to finish off this page which has been a work in progress for a couple of years. Each time I found a new font suitable for hand drawing, I added it to the borders. This weekend, I added the zentangled letters and the rest of the centre text.

Background is distress inks on gesso, text combination of black pigment markers/Sharpies/Signo white gel pen. Colour added using Caran d’Ache Neocolor II crayons with a waterbrush.

Art Journaling: Dylusions Paints

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It’s been a while since I managed to sit down and create – I’ve been supervising renovation work at home and making tea every 90 minutes to keep the builders suitably hydrated. Rather than using a half inch paintbrush last week, I was attacking walls with a roller and emulsion. That’s left the room nicely decorated, but my carpal tunnel playing up.

Any hoo, last week a long awaited shipment arrived, including a set of Dylusions Paint by Ranger. Why on earth would I want yet more paints? They are billed as blendable acrylics, and they certainly do that. They come in wide jars, are quite fluid and smooth on beautifully with a foam blending sponge. The paint spreads thinly, but seems to be highly pigmented, so gives excellent coverage. It seems to have a little slow dry retarder in it, enabling the blendability which is excellent. That also makes the clean up easier as the paint was slower to dry on stencils and stamps. Thin layers on absorbent surfaces were very quick to dry. Subsequent layers took longer, even with a heat tool to speed up the process. Opacity in the main is good, with the white showing good coverage of the colours beneath. Also, a little paint goes a long way – each pot is likely to last a long time: all the stencilling on the image above was achieved with just the leftovers on the sponge. I’m certainly not disappointed with them, and will be introducing them to my art journal group sessions in due course.

Also never been used until this page: new letter stamps from Hero Arts – Kelly’s Shadow Letters and Kelly’s Bold Font, stamped in archival Jet Black and augmented with Signo white gel pen (thin and broad).

Art Journaling: using gesso and sprays

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For next Monday’s art journaling session at The Studio, we’ll be playing with gesso. This is one of my sample pages, using both ‘normal’ gesso and the Finnabair Art Basics heavy body gesso to get some texture, as well as faded colour onto my pages. There’s also some never-been-used action here, with the IndigoBlu ‘Beautiful Mind’ stamps and the Stampendous ‘Marks’ stamps by Nathalie Kalbach. The lettering is freehand, first painted with the gesso, tidied and augmented with broad Signo white pigment pen and then outlined in Sakura Jelly Roll Gloss Black.

If you’d like to join one of my Art Journaling Sessions at The Studio, details are here. You can also get details of the sessions using the link on the sidebar or under the Workshops tab at the top of the page.

Mixed media sketchbook cover

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This is another sample for my ‘Finnabair-inspired Sketchbook Cover’ workshop in July (booking details here). It features moulded polyurethane pieces (crafting chemistry at its best), lots of black gesso, Viva Decor Inka Gold, Silks acrylic glazes and an awful lot of dry brushing over Dreamweaver texture paste through a stencil. Microbeads by Finnabair/Prima Marketing, adhered with matt multi-medium. There are still places available on the workshop if you’d like to come and get guidance on making your own.

 

So what did you do today?

It’s the perennial question – ‘what did you do today?’ And alongside that, ‘what’s a mixed media artist?’ Well, today, both can be answered with – I drew lots and lots of short lines. And when I say lots, I probably mean thousands. What possessed me to work at the scale I did, I don’t know, but I suspect the 12×12″ page size, the Crafter’s Workshop stencil and the Signo pens all came together. And I’m delighted with the results. And I have writer’s cramp!

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What I did at the weekend…

IMG_5893_wThis gorgeous bird started out as a £1 plain brass charm at the start of Saturday morning. It’s only 7x5cm in size, but had the dimples ready for the cloisonné effect additions of Stickles Glue (Stardust, Peacock & Lagoon), Juniper Liquid Pearls and some Glossy Accents. So by the end of Sunday, this was the final result. I need to make sure I get to the rest of them, so I’m staying quiet as to where I found it!

I also completed two more art journal pages – another for my Carabelle Studio stamps demo, and the second featuring new stamps from Tim Holtz. This page had several layers of paint and distress stains to start, and then I augmented it with the ‘Pretty Like A Flower’ stamp, with distress markers. It’s the first time I’ve used PanPastels to tone down a background, fixing with a quick hairspray. Which by the way causes archival ink to swim about, so the gesso layer got thicker to cover that learning moment…

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Iridescent watercolours really make the embossed butterfly zing – but beware when drying the previous page – the embossing remelts and distresses both the artist and the facing page somewhat!
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