Art Journal Page: One Word [Wanderlust]

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In the first Wanderlust class of the year, we were prompted to use just one word on our pages – and yesterday, I was so tired. Poor sleep, recovering from a cold and a wet grey day all got poured into this art journal spread. Building on the learning gleaned from the first pick a stick challenge, I layered and layered, and am actually rather pleased with the result, as grey and drab as it is!

It’s the first time I’m working in a spiral bound art journal – this one is a Daler-Rowney Cachet Artist’s Mixed Media, A5 sized, 30 page, 250g/m2. The paper is wonderful to work on, didn’t buckle under the wet media or bend with dry acrylic and basically took everything I threw at it. There’s just one issue – the spiral bound spine: those pesky wires. I’m sticking with the book for the Wanderlust classes, but will be looking for stitch bound journals in the future.

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Art Journal Page: Pick A Stick Challenge [January]

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Gah! It’s so frustrating when you write a blog post and then there’s a glitch and it’s gone and even the saved drafts don’t seem to exist any more… so for the second time of writing:

During the week I was invited by an online friend I got to know through the Creative Chemistry 101 classes a few years ago to join a new art journaling challenge group she was organising. The Pick A Stick Challenge Group on Facebook is open to anyone who would like to join in and is an active art journaler. The premise is simple: each month, ten sticks are drawn at random from a pot of prompts covering media, styles and techniques. The only other stipulation is that you layer your page in the order the sticks are drawn. That is where the process becomes a little more tricky!

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Art Journal Page: Kindness is like snow

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I’ve been forced by circumstances this week to not have a creative outlet, and I’ve come to realise that’s not a good idea! I’ve snatched time though, today, to practice the Gelli Plate technique I’ll be teaching in my Art Journaling Session on Monday evening. There will be spaces available – if you’d like to come, just get in touch.

[Monoprint panels using Chipped Sapphire/Stormy Sky Distress Paints and white acrylic paint; background from cleaning the brayer; text in Posca white acrylic marker.]

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Art Journaling: Water-solubles

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For November’s art journaling class at The Studio, we’ll be playing with water-solubles. This page spread is a mix of Caran D’Ache Neocolor II water-soluble wax crayons, Derwent Inktense pencils and blocks and black pigment pen. It’s an experimental page, and I quite like the blending of the colours, the framing of the colour blocks and text, but if I were to do it again, I’d want to space things a bit better and perhaps play with the depth by intertwining the frames better and adding some drop shadows… I was also considering adding embossing paste squares – but I think that would just be overdoing it a little.

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Art Journal Page: Resist Worry

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I took the opportunity to play with oil pastel resist in my art journal yesterday. The text and line border were written straight to page with white oil pastel, with the colour (distress stain spray) added over and blotted off. I ironed over the oil pastel, soaking it into newsprint paper to remove most of the pastel. I then doodled the border over the dried colour and tried to darken it after.

What I should have done… is darken the border area and then doodle over. Having said that, I found that using PanPastel over the top and then wiping over with a baby wipe revealed the white ink again. I’ll also iron off the oil pastel last, as that’s most likely to keep the contrast better, particularly on the edging where I did some more messing about with colour.

Anyhoo, now I’ve had a play, and learnt from my ‘ah well’ moments I’ll be setting it as next month’s art journal session technique. Continue reading

Art Journal Page: Make Art (and stop hoarding)

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In fear of being hoist by my own petard, I set to this morning to tackle something that has been building up for quite a while… I’d made a comment yesterday on the Craftwork Cards Fan Page in response to a post about hoarding craft materials: that it was only hoarding if you hadn’t actually used them. And then realised my collection of rubber stamps that hadn’t seen an ink pad was quite extensive #neverbeenused #nbu. So I laid them all out to start planning on using them all at least once… it might take a while:
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Art Journal Page: Alphabet Sampler

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There seems to be one common theme amongst those attending my art journaling session each month – they don’t like their own handwriting. Or don’t think they can do hand lettering on their pages. Well, they’re in for a shock in September’s session… this is the project! Starting on an acrylic paint background (it wipes clean!) I’ve gridded off the page, free-drawn my letters and then gone mad with the paint and black and white pens. It’s an exercise in drawing and embellishing, and hopefully will give my class a little more confidence to do their own thing on their pages. Or put them off completely. I’ll let you know.

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Art Journal Page: What’s in a word?

IMG_6274For those that don’t know, I have recurrent depression, with relatively frequent episodes of lows and pretty good recovery in between. You may correctly guess I’m struggling at the moment, based on my art journal reflections today (which are based on my ruminations in the shower this morning). Now, I don’t normally share autobiographical stuff, but the topic of depression is being discussed elsewhere in the crafting world and I felt moved to share my own experiences of this mental (absence of) health issue – the more we talk about mental illness, the less threatening it might be for someone else.

What’s in a word? Recurrent – it’s a cruel word. You don’t hear of people being recurrently happy. Or recurrent joy. Those too can be ‘unending’ but recurrent has it’s root in the Latin to ‘turn back’. And with recurrent depression, it’s like that – only a passive result of chemicals misbehaving rather than a conscious turning from ‘health’. It’s especially cruel, I think, as recovery between makes the downs even more difficult to deal with. Though medication is helping, and next week I’m going to be discussing throwing a mood stabiliser into the mix as well, there’s not a lot I can do to stop an episode occurring. Or recurring. Resilience disappears out of the window in the middle of an episode, and everything is an effort. I am lucky enough to be aware enough not to curl up in a ball, and capable enough to at least do some of my normal activities – even if they take up twice as much time and energy as they otherwise would. I am lucky enough to still have hope – I know at some point the bleakness will lift. It’s the not knowing exactly when, or how long for that’s the killer. And on that topic, I’m also blessed not to have suicidal thoughts or ideas that often accompany depression – but I so understand where they come from. I am supported by an extremely understanding wife and a close group of church friends, and indeed customers, who cope with me whatever state I happen to be in – and that’s worth keeping going for.

Back to business: background is acrylic paints in teal/brown/black – I think they were part brayered on, part swiped. Main word is stamped in Hickory Smoke Distress Paint. Rest of text in Sharpies.

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Art Journal Page: One Voice

IMG_6265_wI promise this is the last page (for now) with the wooden block prints – just in case you’re getting bored… I’ve got enough done now to demonstrate what can be done with them at my Art Journal Session at the beginning of August. This one is a little more of a creative statement highlighting the quotation – I love how the Walnut Stain Distress Ink rubbed over the collaged speech bubbles has made them look grubby as well as making them recede into the background. Enough said, I think.

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Art Journal Page: Simply Marvellous

IMG_6264_wAnother journal page using my new wooden block stamps – they work so well with the Dylusions paint. It’s just the right consistency to cover the stamp, stick to the page, and not squidge everywhere. Unfortunately it wasn’t quite the same when I used rubber stamps, which squeezed the paint away giving me the tramline outline that I then had to fill in with a paintbrush.

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