LIM DT: Colour Challenge

It’s a new theme over at Less is More Challenge blog – this time it’s a colour challenge. We’re looking for clean and simple cards with Fuchsia, Yellow and Grey as the colour combo. There’re plenty of cards from the design team to give you inspiration, and there’s a prize drawn from all the entries at the end of the challenge. I’ve done three cards this time – I hope you like them!

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Gaslands: Apocalyptic car makeover

For those not in the know, Gaslands is a table-top game based in a post-apocalyptic wasteland. Players control small fleets of armed vehicles in battles for resources, dominance and survival. Handily, the game uses Matchbox size cars and vehicles as ‘pieces’. I was introduced to the game for the opportunity to customise these cars – I’ve yet to actually play it! Here’s a makeover you may be interested in…

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Sculpture: Here be dragons I

Over the last month or so, I have been working on a new sculpture of a dragon. Made from scratch, I first start with a tin foil armature (the essential shape and skeleton of the beast) and then cover it in stages with Pal Tiya, a specialist modelling material that handles like clay but hardens in water. Once the Pal Tiya has cured for a week submerged in the pond, I let it dry. Fine details were modelled with an epoxy clay which sets rock hard over 24 hours. The fibres in the Pal Tiya make fine detail modelling quite difficult, especially at this relatively small scale. I finished off with dry brushed acrylic paint. The sculpture is designed to go outside and should be weather resistant.

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Art Journal Page: Layers, layers, layers

Next month’s art journal session is all about layers. There will be an unofficial ‘challenge’ to see who has the most layers on their page by the time the session finishes. I think my example had upwards of 20 by the time I had finished. The layers include acrylic paints which were stamped, stencilled and monoprinted using textured wallpapers. Over that were stamped archival inks before the title was stamped and matted onto the page.

Layers upon layersIt’s a bit of a melange, but I guess that’s the point of the exercise. I wondered after if keeping to a complementary colour palette may have worked as well – perhaps something to play with during the session next month. Spaces are available if you’d like to get inky and paint-splattered!

Used in this layout

  • Various acrylic paints
  • Ranger Archival Inks – various colours
  • Darkroom Door stamps
    • Watery Washes [DDRS162]
    • Alphabet Medley [DDRS026]
  • Stampendous/Nathalie Kalbach stamps: Marks [NKCRS06]
  • That’s Crafty stencils – various
  • Hero Arts mounted stamp – Italian Poetry Background [S1832]

Art Journal Page: #PASC0219

It’s time to share my submission to the February Pick-A-Stick Challenge #PASC0219. I’m working in my very first art journal started in 2011. There are lots of spreads where I was playing with backgrounds and which had never been ‘finished’.

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Art Journal Page: Hexagonal Monoprinting

Hexagonal MonoprintingIt has been a little while since I have had my gel plates out, so I thought it was time to play a little with monoprinting into my journal. The experimentation was also inspired by the delivery of several texture printing plates made from rubber from Carabelle Studio. These are designed to be used with gel plates, and have text the right way round rather than a mirror image as found on rubber stamps. This means that text is monoprinted the right way round, and if used as background stamps in art journals, for example, it’s the wrong way round. The texture plates are very easy to use – just lay them across a painted gel plate, lift and then print with the gel plate.

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Art Journal Page: Cool or what?

Next month’s theme for my art journal session (Monday 6th August, 7:30pm) is ‘tints, tones and shades’. I wanted to try a cool ombre effect as part of my suggestions (tint, white added, lighter; shade, black added, darker), so that’s what forms the background of this layout. Then a quick play on words for the shades and a suitable quote and this page is complete.

Cool or what?

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Art Journal Page: Tim Holtz Stampfest

At next month’s art journal session*, we’ll be having a Tim Holtz Stampfest. I have a fair collection of his stamps and, as with most crafters, some haven’t been used yet. I thought it would be a great theme to work with, and lots of possibilities open up as we mix in the Distress line of products.

* The session on Mon 5th is fully booked, but if you would still like to take part, it will be repeated at the following Wednesday’s afternoon group.

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Art Journal Page: Large Scale Layout

In tonight’s art journal session, we’re going to look at using large scale layouts. Though we will be working in our normal journals (mine is A4 spread), we’ll be using 12×12″ stencils and very large stamps to build our layers, only adding detail towards the end. This exercise is designed to encourage the breaking down of large patterns into manageable chunks… a lesson for life too!

Large format layout

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Art Journal: Gelli Tag Book

It’s been a while since I have played with my Gelli mono printing plate, and inspired by the work of Birgit Koopsen and the latest copy of Somerset Studio featuring tag art, I set to. Twenty or so monoprinted tags later, I had the basis of a new art journal – a Gelli Tag Book.

With a quick cardboard cover, book binding tape and a few quotes (and several days later) my journal is complete. Overprinting and underpainting, outlining hand drawn typography create a cohesive whole.

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