Creative JumpStart 2021: Week 2

Posted on 17th January 2021 by perfectly4med

I set myself the challenge of trying all of the techniques in the 10th Creative JumpStart organized by Nathalie Kalbach. This week included Gelli printing with a homemade stencil, illustrations with watercolour, tonal painting with gouache, paper quilting two ways, using texture in watercolour and stitching a story. I almost didn’t do the watercolour ones, as I really don’t get along well with the medium… but I had a go and was rather happy with the results. I haven’t done the stitching one as I don’t have kids doing naive outline drawings! Each of the featured artists has recorded a 10-minute video tutorial, and they’re all super easy to follow. Here’s this week’s work:

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Altered Art: Mini Scrapbook Tin

Posted on 14th December 2019 by perfectly4med

I have a penchant for sugar-free mints, especially when they are on show at the till in an Aldi. Their ‘complimints’ come in a small lidded tin, and I have often thought how suited to altered art it would be. So, this weekend I got on with altering one, upcycling it to enclose two mini-albums.

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Printing: Christmas Linocut

Posted on 13th October 2019 by perfectly4med

I’ve recently been asked by a friend to teach him how to do a linocut. That got me thinking… ‘I really ought to review how to do a linocut’! The last time I did one was a school humpty-hump years ago. Things have moved on a little since then – the tools are the same, but there are various different hardnesses of lino and even a lino replacement. I chose to use Speedball’s Speedy Carve block, a (4×6″) piece of pink rubber which is softer to carve than lino. I designed the cut in Illustrator and then transferred a laser copy to the rubber by ironing it on face down. Top tip – wait until block is cool before peeling off for a better transfer.

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Christmas 2018: Drypoint Etched Baubles

Posted on 31st August 2018 by perfectly4med

I’m afraid it’s still the season for Christmas preparations in The Studio. I’ve been playing with drypoint etching to create some limited edition Christmas cards. Each design is limited to 8 prints (at which point my drypoint plates disintegrated – I’m not using perspex or metal btw). The illustrations are hand drawn and then transferred to my etching plate. Ink is caught in the grooves and wiped off the rest of the plate – each inking and print takes around 10 mins. Sorry the photo isn’t all that, and the cream colour of the print paper is less obvious in real life. You’re welcome to order these at £3 each (not including P&P).

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Art Journal Page: Hexagonal Monoprinting

Posted on 8th August 2018 by perfectly4med

It has been a little while since I have had my gel plates out, so I thought it was time to play a little with monoprinting into my journal. The experimentation was also inspired by the delivery of several texture printing plates made from rubber from Carabelle Studio. These are designed to be used with gel plates, and have text the right way round rather than a mirror image as found on rubber stamps. This means that text is monoprinted the right way round, and if used as background stamps in art journals, for example, it’s the wrong way round. The texture plates are very easy to use – just lay them across a painted gel plate, lift and then print with the gel plate.

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That’s Crafty! Showpieces (March)

Posted on 6th April 2018 by perfectly4med

Apologies – I intended to post my show samples for my March shows somewhat sooner than this. But, as they say, better late than never! Keep reading for more details on each project.

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Card Craft: Celtic Birthday Drypoint

Posted on 17th March 2018 by perfectly4med

Just before I cleared the decks in preparation for the arrival of a laser cutter that I have been impatiently waiting for (for two and a half years!), I cranked out a few more drypoint prints for cards more suitable for those not into the floral elements on my previous ones.

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Psst… want to see my etchings? Drypoint on a budget

Posted on 15th March 2018 by perfectly4med

I’ve been experimenting with drypoint printing technique – I had to search out my college notes to review the technique I first learnt there. I’m developing drypoint on a budget, so no special press or acrylic plates. Drypoint for the uninitiated is where a design is etched into a suitable material (typically perspex) before filling the resulting grooves with ink, wiping off the excess and then printing onto paper. Further prints can be taken by reinking the plate and repeating the printing process until the burrs from the etching flatten and the ink no longer stays in the grooves.

Here are four individual prints of my first go, printed on different papers. Technically, I don’t think drypoint prints are normally coloured after printing but I have used a light touch with some coloured pencils to augment the final card.

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Art Journal: Gelli Tag Book

Posted on 25th July 2017 by perfectly4med

It’s been a while since I have played with my Gelli mono printing plate, and inspired by the work of Birgit Koopsen and the latest copy of Somerset Studio featuring tag art, I set to. Twenty or so monoprinted tags later, I had the basis of a new art journal – a Gelli Tag Book.

With a quick cardboard cover, book binding tape and a few quotes (and several days later) my journal is complete. Overprinting and underpainting, outlining hand drawn typography create a cohesive whole.

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Art Journal Page: Experiment

Posted on 31st May 2017 by perfectly4med

I recently took delivery of a new Dylusions art journal – the 8×5″ landscape format – and last night I took the opportunity to experiment with a 3×5″ Gelli plate and some DecoArt fluid acrylics. Bubble wrap of two sizes and a mosaic stencil added a bit of pattern, and then rubber stamping with acrylic paint added the highlights. Finally, some cut letters as masks and a sponged layer of acrylic paint finished off the page nicely.