As a follow up art piece to my ‘Dream’, I thought I would add another 3D word to my studio – this time, Create. The letters are again paper mâché, all undercoated with two layers of gesso and then decorated. I wanted this assemblage to reflect all the creative pursuits that take place in various forms in The Studio, both by me and my studio guests. Sculpture didn’t quite make it, but then I can always say the whole thing is sculpture 😉
I’ve snatched some ‘me’ time in the studio today and revisited some of the lessons on distress stains and markers from Creative Chemistry 101 – a staggering four years ago! It’s part of the Summer of Creative Chemistry from onlinecardclasses.com, in the lead up to the brand new Creative Chemistry 103 from Tim Holtz. These are three tags created for Week 2.
More art journaling! This layout started out with a pale watercolour effect, which I suspect (though don’t remember) is actually bleed through from spray inks I’d used on either side. I decided to keep it as it was, so to stabilise it, I did a quick layer of DecoArt Media Matte Medium to seal it. Over the top went some napkin decoupage to maintain the water colour effect, added and sealed with the same matte medium. A bit of Distress Ink around the sides to tone down the edges, and then I drew the text on with ProMarkers. This seemed a good idea at the time, as I could colour match the ink to the roses – but of course acrylic based paints/mediums break down with alcohol. I solved the nib clogging issue as a result of this by running it out on scrap paper between words, and going over each letter twice to get the colour. Next time I’m going to try out my Pitt pens instead. I sealed everything with some DecoArt Media Ultra Matte Varnish, being careful to not over-brush where the distress ink was added.
I’d like to have planned the text justification a little more – but then that’s what art journals are for: to experiment in, and learn from the experimentation.
I’m prepping for a presentation on Tuesday (hopefully more news on this later) and have been working on a couple of art journal layouts. I thought I’d play a little more with polystyrene printing and zentangling/Florabunda (above) and elements of stencil and pen work stippling (below). Pretty pleased with the colour choices and how each page turned out.
As well as the journal pages, I’ve also spent some time doing some tangles to fit my lokta paper wallet. I remember how therapeutic tangling can be! Each tile can be done in around 20 minutes (they’re 2 inches square), and quicker if I use a thicker pen 😉
I’m catching up on my Wanderlust course, and in week 6, we were introduced to origami wallets to hold small journal cards/zentangle cards in. To be honest, I didn’t like the style taught as it was open on all sides. So I dug around in Pinterest, and Google and developed this version. On the product list for the lesson was ‘lokta paper’ – which is quite fibrous, hardwearing and handmade in Nepal. So I searched for that too! I eventually found this wonderful vintage style paper that, to me, seems to be a cross between old leather and hand rolled tobacco leaves. The shop that sells it (PaperPod) was one flooded in York this winter, but still managed to get my order out to me in good time – fantastic since the shop is still drying out and all the (dry!) stock must be somewhere else.
I got a bit carried away and worked out all the sizes for my various journaling cards. All I need now is to monogram the fronts, label the bands, and get journaling! Note that the brown colour is a dye and moves about when wetted… I may seal it with a suitable varnish, or just let it do it’s thing as it is handled.
There’s just one day left before the Christmas Fayre (in case I hadn’t mentioned it recently). Though I have more items than I can fit on even a large table, the inspiration hasn’t stopped. I thought I would have a go at some mounted typography, so designed, cut out (ok, the Cameo did that bit), stuck together and mounted these two examples – which happened to be two verses from Sunday’s morning services (see the sermon sketchnote).
Meanwhile, on the other side of the table, I’m finishing off some MDF chalkboards – three down (one featured here), three almost done. The first is covered in old dictionary pages, and aged with a ‘dirty wash’ – a drop of DecoArt Media Raw Umber and a drop of Quinacridone Gold watered down, brushed over and splattered with water before drying and sealing with DecoArt Media Ultra Matte Varnish. The second started with squidged Distress Paints, sprayed with water, then dried and I used DecoArt Media Phthalo Blue as my dirty wash, before glazing with a watered down metallic blue acrylic paint. I then sealed with a gloss varnish with a bit of DecoArt Media Interference Blue mixed in. And the last – I’ve tangled it in Sakura Micron 08 black pigment ink over Dylusions Linen White paint (which when completely dry doesn’t clog the nib), sealed with DecoArt Media Ultra Matte Varnish.
[Disclaimer: as part of the DecoArts Helping Artists Program,
I have been provided with samples of their products to use for projects]
As you know by now from previous posts, I have my first craft fair – the Whetstone Baptist Church Christmas Fayre – next Saturday. Here are some more makes: etched copper candlestick, beaded candles on individually etched glass plates, a resin encased watch-parts pendant and faux-enamelled jewellery pieces.
It’s been a tricky thing to price up all these items. I can easily work out the material costs. I know how much time each has taken to make. It’s a little harder to work out the time taken in research, and even more tricky to know exactly how much time and energy has gone into the development, trials and failures that are inevitable in making items. Throw into the mix what you think people are likely to be prepared to pay, what they might be able to afford, and what else might be on sale around you… Suffice to say that the marked prices for all the items on the stand will not reflect my time and skill set.
Trouble is, I’ve thoroughly enjoyed the making process, designing the packaging, and setting up the stand. But will it pay off? Or the bills? I’ll let you know.
I’ve not posted my sermon sketchnotes for a little while, so here’s a compendium of some more. These are all completed ‘live’ as the sermon progresses, and I don’t see anything but the title before I start. If you’d like to listen to the accompanying sermons, they are available on the Whetstone Baptist Church blog.
I’m still beavering away in the studio making items to sell at the church Christmas Fayre. Yesterday I used what I had learnt at Andy Skinner’s workshop I attended last weekend to create a faux rusted enamel frame and stand for this MDF chalkboard. As it happens, I actually prefer the back – some of the paint had seeped under and the ‘chips’ appear much more organic against the gesso undercoat:
So I’ve spent the last two days making more snowmen, with another trip to Aldi and/or Asda to get more socks and lots more rice! It was a bit of a struggle to work out how to package them in their foursomes. Whatever it was needed to keep them clean and dry. It also needed to give them their space and not get crushed. I considered getting bottle crates – the cardboard ones you find at supermarkets, but was concerned at a) buying that many bottles, and b) the ickle snowmen getting lost in the box and bouncing around too much. As I looked round the studio for inspiration, I saw some paper cups I got to mix polyurethane in – and they were the perfect size for the smaller snowmen. Then I spied a large cardboard tube left over from carpet underlay I think – sawn with a bread knife and finished off with a scalpel, the 2 inch rings cup the larger snowmen well. With some cardboard bracing and taping them together, a perfect package was born. Wrapped in a plastic bag (with suitable warning label attached), a quick curling ribbon bow and dangles, 40 snowmen are ready for their forever homes.
Now all I need is a forklift to move the total of 15kg of rice up to the house, and then to the church Christmas Fayre 😉