Our theme across all our activities this term at college is ‘influenced by an artist’. I’ve chosen the Polish surrealist Jacek Yerka to base my work on, and for print I was asked to do a drypoint. I discovered this is an etching process where the ink is trapped in the grooves and burrs made by scratching onto metal or acrylic and then transferred onto the substrate using pressure. I scratched my drawing onto a sheet of clear acrylic sheet (approx. A5 size), applied etching ink (which is very viscous), removed most of it, and then printed onto previously wetted watercolour paper using an etching press. Any ink left on the acrylic gets transferred to the paper, so removing it from where you don’t want it is quite laborious! I was sooooo excited as the first print was revealed, and that didn’t really diminish as I did a limited print run. I’m going to have a go replicating it at home using one of the many die cutting machines in place of the etching press, and more common crafting inks. Here is the basic print, and I’ll be colour washing some in due course:
Category Archives: Other Art Pieces/Techniques
Two Point Perspective
I’ve spent all afternoon on my still life homework for the holidays… an exercise in two point perspective. An hour of reading, a couple of outline sketches and some more research led to a couple of hours doing all the construction with vanishing points at the zenith and nadir rather than on the horizon line – but I kinda like the effect. It then took another hour or so to enlarge, trace and shade the image, and here it is. Those that know, feel free to critique!
First Birthday Giveaway – the commissioned piece
If you remember, I had a giveaway at the beginning of March in honour of this ‘ere blog’s first birthday. The first prize was for the person giving the most comments and is featured here. The second giveaway was to the longest active subscriber to the blog at the 12 month point – and that was/is Shirley at 11 months and three weeks. I asked her what she would like as her commissioned artwork and this was her reply: “I have been looking through your blog and saw the ‘largest ZIA to date‘. I used to do a lot of counted cross stitch (until my eyes rebelled). Samplers was one of my favourite things. Would I be asking too much to have that as my prize?”.
Of course I couldn’t give that particular example away again as it was a unique piece for that particular giveaway. So I’ve created this one instead, including some of my new Faberge patterns and using my first attempt at a Celtic Knot. It’s a biggie again, being A3 sized, and took almost 6 hours to complete. Well done Shirley, I hope you like it!
Martha Stewart Craft Paints on Ceramic/Glass
I had an ‘interesting’ day yesterday at the fantastic Coleman’s Craft Warehouse Big Demo Day. I was billed to do a make and take with the Martha Stewart Craft Paints on Ceramics, but there was an unexpected influx of young children which resulted in me being asked to lead a children’s party next week! (I declined!)
That said, I’d done plenty of preparation for the make and take and here are pics of my samples. The plates are technique samplers and the text is written with a porcelain marker. All of the samples were baked, and are dishwasher safe – I actually tested this claim before I agreed to promote the paints, and I can absolutely say it does what it says it will do! The paints are more adherent than most acrylics I’ve used, and though water based, the box says not to mix with water – I presume this messes about with the resin technology that makes them multi-surface. You can thin the colour with the glaze product that is in the same range of products, which is how I managed to get the wood grain effect on one of the mugs using a brush. I would recommend applying the paint with a sponge onto non-porous surfaces and you can use a heat gun to make a layer workable, although it is not as stable as if left for an hour or so to dry between coats. The frosted glass effect paint is also applied with a sponge and is one of the most user-friendly frostings I’ve ever come across.
The paint itself is a creamy consistency, dabs on well and has good opacity. It comes in four varieties – a Satin Finish which seems more matte to me, a pearlescent – which is striking, a glitter – which is more of a coloured glitter translucent glaze, and a high gloss. The colour range available is comprehensive and there are various special effect bottles that I haven’t had the opportunity to play with.
I’m particularly impressed with the range of accompanying accessories, including the fine applicator tip that attaches to the bottle (see the high gloss black outlining) and the sponge dabber tips that do the same. Ms Stewart has also included an empty bottle in the pack which is for rinsing out the caps when done with clean water. Clean up is easy – as long as you do it while the paint is still damp. The paint by its nature sticks firmly and to any surface. I found that the stencils retained paint even after cleaning quickly after use, but any dried paint didn’t shift with subsequent applications.
To be honest, I’d probably use other acrylics for painting porous surfaces, but I’d certainly recommend these craft paints for any non-porous surface.
Creative Chemistry 101 – Day 10
It’s a sad day – the last of the lessons at Creative Chemistry. Only the bloopers video to go tomorrow and a few more days on the forums and we say a fond farewell to the Professor. I have a feeling he’ll be back though! It’s been a cracking class and thoroughly enjoyable, although however it’s dressed up, just having a one tag finale was a bit of a damp squib! And the Rock Candy Distress Stickles doesn’t even show up very well on the scan 🙁
The notes on sealing and protecting your work were brilliant though. And if you’re going to be applying Distress Stickles across whole cards or tags, they’d better bring out a bigger pot!
Creative Chemistry 101 – Day 9
So we reach the penultimate teaching day of the fabulous Creative Chemistry, and Professor Tim is working his alchemy with Distress Inks and Perfect Pearls. I’m used to using Perfect Pearls in my own misting mixtures and love the effect of the Blue Patina mixed with Spiced Marmalade – a really nice faux rust finish. Mixing it up even more with the wrinkle free distress technique has resulted in a textural happy accident!
Creative Chemistry 101 – Day 8
Today we looked at a ‘Paint Primer’ – and I discovered a number of Snow Cap dabbers that were solid… and I only have the Rock Candy (clear) Crackle Distress paint. But I persevered and here are my homework tags:
I’m not sure about the acrylic resist on canvas in the centre – it really didn’t work out well, and I suspect I need more contrast on the background to make the yellow and pink dots stand out more. The Shattered Stains technique though is going to become a favourite!
Creative Chemistry 101 – Day 6
At first I thought I’d have to skip Day 6 – Distress Markers – as I haven’t yet received my order I put in using my birthday funds. But then I remembered I had three pens from a workshop with the Professor himself back in February! Here’s two of the technique tags:
I used the coated card stock I usually use for ProMarkers in place of the speciality stamping paper, and though I can’t directly compare, from the description given during class, it seems to do the same thing. It’s the Ryman Bright White Coated Card 200gsm.
Creative Chemistry 101 – Day 7
There… I’ve just finished catching up with my CC101 homework and done the tags for today, Day 7 – embossing powders. The first tag uses clear embossing powder over multicolour distress ink stamped images as a faux batik effect – it resists the layers of distress over the top. Second tag shows my favourite technique – faux rusted enamel. And finally using distress embossing powder as a resist – I love the matte finish.
Creative Chemistry 101 – Day 5
I’m still catching up with my CC101 homework – today I’m publishing Day 5 on Day 7 🙂
Day 5 was all about playing with Distress Stains – the first tag showing their effects on kraft resist with distress inks over and stamped with jet black archival ink. The second builds up the colours on a wet tag with distress stains before drying off and overprinting with Picket Fence Distress Stain applied to a stamp and dried off quickly before overstamping with archival black. Finally is my attempt (the first one) at doing the distress stain marbling using the Picket Fence Distress Stain – it turned out ok, but I think I’ll have to try different colours and surfaces to get a more marbled effect.