Category Archives: Original Designs

These are pieces of art that are entirely from my own creativity.

ZIA on other surfaces: monoprinting

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I’ve just taken delivery of my 3×5″ Gelli Arts Plate, which is the perfect size to have a go at a technique I wanted to test for my forthcoming Zentangle Inspired Art workshop. I mixed black acrylic with a slow medium in equal quantities and used a brayer to cover the plate evenly with the black paint. Working as quickly as I could, I scraped paint off with a rubber tipped tool to ‘etch’ the tangle design. Despite the speed at which I worked, the acrylic still dried, so by the end I was scraping into dried paint, and to transfer the monoprint to paper I needed to add a layer of matt multi medium over the dried paint. After everything had dried on the page, I added Distress Inks to colour. A fast and furious sample, but a technique I think I will try again, perhaps with Golden Open acrylics or even a waterbased printing ink.

Have a go at this technique, along with others, at my workshop on Easter Saturday.

On a separate note, it is worth having a look at my original image – which was taken with a camera – the gloss finished of the acrylic played havoc with the light… Whereas the scanned image above shows off the piece far better. There’s also some resist happening with the black and the multi-medium which adds to the texture.

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My youngest students ever…

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Someone thought it would be a wonderful idea to hold the regular meeting of their now-almost-two-years-postnatal antenatal mums group in my studio, with the toddlers undertaking an artistic endeavour. Somehow I found myself agreeing! And so it was that four barely toddling toddlers arrived on Monday afternoon for an hour of creative excess (as well as watching the dogs through the window).

I decided to get hold of some Silk Clay, which seems to be a lemony scented marshmallow like substance, that gets more pliable with the addition of small amounts of water, and then air dries and takes spritzed mica sprays very well. Charlie discovered the clay would also stretch marvellously, and suddenly there were strands of the clay pinging around everywhere! Building up the clay onto canvas boards, they pulled, squished, prodded and poked; even Thomas the Tank Engine stuck his wheels in.

After an overnight dry, I spritzed the clay with their colour choices using Cosmic Shimmer Mica Mists, and here are the wonderful creations of my four youngest ever students:

[Please note: I really don’t anticipate this being a departure from my grown-up groups. And I’m certainly not going to entertain thoughts of touring Parent/Toddler groups before you ask 😉 ]

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ZIA on other surfaces

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I’ve been filming and editing a commissioned tutorial video today – but snatched moments between uploads to create a sample for my April workshop: Zentangle Inspired Art on other surfaces. As well as inviting attendees to tangle on porcelain tiles or mugs, there will also be the opportunity to tangle on fabric. I’ve quilted the square onto a card just to add bit of interest. Do this technique and more on Easter Saturday in my studio in Leicester – book your place here.

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Papercraft Garden Bench (with Craftwork Cards)

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Papercraft Garden BenchWhen I saw the new Window Box Cards from Craftwork Cards, several ideas came to mind… but for a change, others in the Design Team had beaten me to those! As I looked at the cards a little more, this idea formed, and I spent much of the rest of the day making this garden bench, complete with flower-filled trug and birthday card with envelope. The bench and embellishments feature the new Scrumptious collection, augmented with Liquid Pearls (Flamingo and Juniper) and Star Dust Stickles.

 

Pyrography – the other side

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Pyrography - side 2I’ve spent much of the afternoon wiring up outdoor lighting so that it’s much easier to get to and from the studio in the dark! Of course, one job led to another, so the wisteria has had a seeing to as well…

Just before I go and introduce mixed media to my church youth group, I decided to do the other side of my beech tile (12cmx2.5cm), this time working inside. As expected, the Dremel Versatip worked much better in the warm, though somewhat annoyingly the heat rising from the tool was enough to make holding it uncomfortable after a while. I think if I’m going to get into pyrography in a big way I am going to have to invest in the proper kit! Considering the small scale I think the doodled flowers turned out acceptably.

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Eclectic Elements Thread Catcher

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IMG_5583_wI took delivery of my new Pfaff Hobbylock 2.5 yesterday, and after I managed to work out how to rethread it, I of course had to have a go. After a couple of hours yesterday, and a couple more today, I’m officially loving it! I’ve learnt what not to do on it… and that it’s best to have the sewing machine out at the same time. Me being me, I decided to work on a project I’d had in mind for a while, namely to make a thread catcher for use next to the sewing machine. I didn’t like many I’d seen on the web, so I adapted various ideas and made my own. Continue reading →

Greeting Card Art Journal

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I’m meant to be recording tutorial videos this week, but have been kindly handed a cold and laryngitis… so I’m catching up with some of the things that don’t need a voice to action! This is another project that has sat in the corner of the studio for most of the year that I decided to finish for my altered art demo day last week. I’ve upcycled various greeting cards that were saved from birthdays and Christmases into a functional and hard wearing art journal.

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Artist’s Palette Assemblage

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This project started several years ago as an impromptu challenge with another crafting artist – it’s had bits and pieces done to it in between other projects, but with my altered art demonstration day today at Coleman’s Craft Warehouse, it seemed the perfect time to get it finished and on display!

Made with a Tim Holtz Configurations box, a free wooden palette and various bits and bobs gleaned at pound shops I’ve tried to include both colour, texture and materials used by an artist. Now all I have to do is find somewhere to put it!

Altered Art Baccy Tin

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I once smoked cigars, back when I had money to burn. Cigar boxes are great for altering. Then came the career change and I switched to an occasional pipe, and no longer were boxes in ready supply. Instead I have an increasing pile of round tobacco tins, as I was sure I would find a use for them (other than hoarding screws in them that is). Well yesterday I had a spark of inspiration (I blame the new medication) and I’ve spent some time using skills with a piercing saw that I picked up at college. A pierced celtic knot allows the contained pot-pourri pong to escape and gives tantalising glimpses of the bits ‘n’ bobs  included. Perfect piece of pungent upcycling!

Top tips:

  • Find stencil patterns to adapt – that way you know whole chunks you wanted to keep won’t suddenly fall into the bin
  • Remove all labels and adhesive from the tin before you start cutting
  • Use a decent piercing saw and a blade with high number of teeth per inch for a smooth cut – change regularly even if you don’t manage to break the blade
  • Use a jeweller’s bench peg to work on as it’s so much safer and easier
  • Regularly clean your cutting surface of the metal burrs – I didn’t at the start and that’s what has sanded off the gold around the edge
  • Mark the cutting lines on the inside of the lid and cut upside down as well – this reduces the bounce of the metal as you can hold it closer to the bench peg
  • Work from the middle out to help keep everything as rigid as possible
  • If you need to flatten out the final piercing, hit with a flat hammer onto a flat surface a couple of times.

Walk In The Son – Art in Worship

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I was asked by a friend to help illustrate his message for the evening service at Whetstone Baptist Church last Sunday evening. He used passages from Psalms to describe David’s fall from kingship through despair in a dungeon, to feigned madness and then freedom and release. We were then invited to visualise and recall a walk in the sun, how it felt, and then we were told facts about The Sun itself. Alex then compared the darkness to his faith a couple of years ago to walking in the light now – and moved onto passages from John describing how it is to walk in the light of God.

My illustration used PanPastels as they blend and overlay so well, working onto A3 white card and filmed using an overhead webcam shared to the church projectors via laptop. Unfortunately, I didn’t work out the technology enough to record as I went, so I only have the final still to share. I started by adding a grey swirl around the outside as the walls closed in round David, adding yellow in the centre as the glimmer of escape came. As the description of the sun played out, I added the blue skies, built up the centre and erased the circular lines and the rays. We used a play on words to initially ‘walk in the sun’ as we were visualising that, and then as we moved on, I erased the figure bit by bit, adding the head and hands just before the climax of the illustration changing the ‘u’ to an ‘o’:

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Feedback from this first time attempt at live illustration was very positive, and from my point of view, it all worked well! Some top tips: work with the preacher to hone the order of things, especially if the image develops from a previous layer; definitely rehearse timings with something so tied to the sermon material; know your technology and check it’s doing what you expect; and be prepared to go for it 🙂