I last had tags, pockets & flaps as an art journaling theme quite some time ago (a decade!), so I decided it was time to circle back and use it for another layout. This month’s session used a pre-printed pocket and tag as colour inspiration, and we used several techniques to build the background. I did attempt to film the make, but I’m a bit out of practice, and we’re left with just stills for the tutorial – apologies…
We’ve not used watercolours in our art journal sessions for some time, so this month felt like the perfect opportunity. I combined fresh washes of colour with toner transfer art journaling techniques, using laser printouts to add layered imagery and texture to the page.. Here’s the sample layout I made for the session:
In this month’s session, we explored art journaling with fusible webbing – a technique that brings texture, sparkle, and surprise to your layout. It’s a heat-reactive mixed media method that uses iron-on adhesive sheets to trap colour, foil, glitter, and more.
I vaguely recall trying out this technique back in art college, some 13 or so years ago, but I came across it again recently. I had been looking through my library of mixed media technique books and found it in both Surface Treatment Workshop (p.114 – Fusible Webbing) and Mixed Media Revolution (p.41). Since I have oodles of fusible webbing available after buying a whole roll of it for quilting purposes, I came up with this after some experimentation:
When I’m looking for potential techniques and ideas for my art journaling sessions, I often reach for analogue sources: books. For this evening’s session, I took inspiration from ‘101 More Mixed Media Techniques’. In the fabrics & fibers [sic] section, there is information on sticking and covering elements and pages. And so my cloth collage theme was born and this is what I came up with:
This month’s art journaling session was on the theme of ‘industrial grunge’. I thought it would be a great chance to revisit rust effects, drips and runs and also use up some of the matte black vinyl I seem to have inadvertently collected over the years… I also exercised AI skills using Microsoft Designer to create the graffiti and worked with ChatGPT to develop the colour scheme, selecting the base colours with my Nix Mini 3 digital colourimeter. Here’s what I came up with:
This month’s theme for the last art journal session of the year is ‘Christmas NBU’. A long while ago, I suggested the tag #nbu for ‘never been used’. I’m not sure it caught on… So this wintery layout uses items that have not been used yet alongside other bits and bobs that came to hand:
This month’s theme is ‘archival inks’. I’ve just counted how many pads I have, and excluding the mini-Distress pads, I have 62 colours! Many haven’t been used for some time but are still in perfectly usable condition, which is great. It seemed time for them to shine and here’s what I did with them… I’ve worked on translucent Dura-lar on pages from my experimental ‘see-through-page’ journal (which I don’t seem to have posted about before…).
Next week’s Art Journal Session at The Studio will still take place on Monday (6th May) at 7:30pm, despite it being a bank holiday. We’ll learn about PanPastels and use them with rubber stamps to create our spreads. There’s no online tutorial this month as capturing the techniques is tricky as a step-by-step (and I didn’t have a chance to do a video), so you’ll have to book in and come and try for yourself! Here’s my sample page:
This evening’s session was all sparkly with gold leaf dust! We spent our time working on a colour theme of pink, turquoise and gold, throwing in some dry embossing and distress oxides along the way. The main focus was on techniques for layering acrylic paint to build a background and the incorporation of imitation gold leaf for a very shiny bit of bling:
As I post, we’re having fun with thermoplastic memory foam here at The Studio. I have some heat mouldable foam blocks that once warmed with a heat tool and then pressed onto a textured surface will retain the texture once cool until they’re reheated. Using water-based inks, you can use the stamps to print a background in your art journal before a quick wipe clean and repeat the process with a new texture. I’ve got out all my pre-printed die-cut ephemera for a bit of decoration and came up with this sample layout to inspire attendees at the monthly art journal session:
