These are A7 kraft covered notebooks with laser-etched designs using my own mandalas. It took a little experimentation to get the right settings dialled in, so the gold covered one is a bit of a botch. I engraved it with too low a setting, so there was a small etch, but no colour. I painted it with gold acrylic, dried it and then tried all sorts of techniques to colour the etched areas only. There was scraped acrylic paint (messy and didn’t stay put), antiquing cream (the same) and finally, I went back to a golden oldie which I haven’t used in a long while – tar/bitumen. This settled nicely in the grooves (though not entirely uniformly) and polished off the top surfaces. I like the aged look.
These are solid beech tags, 12 x 2.5 cm in size and about 1 cm thick. I’m calling them chunky gift tags and spent a day getting the settings right on the laser cutter. Variations included cutting from both sides (involving lining up the mirror image, not easy), lots of repeat cuts, and lots of sanding. Every block had to be covered with masking tape front and back prior to cutting. I have a sum total of 30 tags that passed quality control, 4 that are seconds and another 6 or 7 consigned to the bin straight away.
One of the trickiest things for an artist/maker to get right is pricing. Following guidelines from college, each of these tags should be sold for £7.50 each. I certainly wouldn’t pay that much for them. I’ve settled on £3 each with two for £5 as an offer, and even that seems a little too much. What is often overlooked when considering the price of artwork/made items are the costs involved in prototyping, learning from mistakes, the odd block that is inexplicably more dense and harder to cut than the others, and the wear and tear on equipment.
May I encourage you to ask artisans ‘what has this really cost to make?’ You may not be willing to pay that price, but at least you will know why the moniker of ‘penniless artist’ is all too real.
