Bible Journaling: a new format [Isaiah 43:2]

My normal journaling Bible is pretty much full of my illustrations. I tend not to decorate both sides of the page which starts restricting the number that will fit in. I also prefer to have the illustration on the same side or spread as the actual verse, which further reduces the options. Making five illustrations for each monthly Bible journaling session has further strained the spaces left.

So, the time had come to think about a new Bible. I came across the concept of an interleaved journaling Bible – a blank page between each page of text. This was exciting as it opened the possibility of larger illustrations. The only version I could find was ESV, but there is a super leather-bound version that ended up on my wish list. Then I found a new NIV journaling Bible – it has thicker paper, introduces a few blank pages, and is specifically geared toward art journaling.

Black Friday saw the Bible art journaling NIV translation discounted, so that was purchased. And then, handily, Christmas came round and I was given the ESV leather-bound Bible by my mum.

Yesterday, I took the opportunity to do my first illustration in the ESV interleaved Bible, working with a new full set of Polychromos colouring pencils. My normal process worked nicely: design on computer, trace and colour. ChatGPT helped with colour choices once again.

An illustration of Isaiah 43:2 in an interleaved ESV art journaling Bible.
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Bible Journaling: Acrylics, masking and off-the-page

It’s a while since I have done any Bible journaling, but for this month’s session, I did an off-the-page piece. I wanted to encourage my class to work outside their Bible and show off their skills. This is designed to fit into a Ribba frame from Ikea and is approx. 8″ square. It is available to purchase here.

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Art Journal Page: Deep Waters

It was a ‘watersolubles’ theme at Art Journaling last night. In between diagnosing a broken Mac (it was one of the RAM cards that died) and having the car serviced (it was a VW diesel engine…), I grabbed an hour or so to do an inspiration page:

It reminded me that all watersolubles are not created equal, with some water-soluble wax crayons barely moving when wetted, even on watercolour paper, and others wandering off and doing their own thing quite happily. It also is worth noting that, to get best effects, you should gesso or otherwise seal your journal page unless working in a watercolour paper journal.

In the above example, I used the blues on watercolour paper before drying and cutting out the letters on my Silhouette Cameo. The background is a combination of colour and graphite watersolubles over gesso, overprinted with acrylic paint. Handwritten text and outlines finished off the layout.

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