In tonight’s art journaling session, we’re going to be playing with paint films. This is my demo page – it’s one of those sort of pages that is inspired by the technique results rather than an artistic intent at the start. The glass is drawn round the paint film, which reminded me of sloshing Ribena and I went in search of a suitable quote. The full quote compares colour to be as essential as water, which is a great metaphor reflected in my layout.
It’s getting closer! My television debut is on Friday 3rd June, with live shows at 11am, 1pm and 5pm. I’m delighted to be showcasing DecoArt Media fluid acrylics and various mediums. Sneaky peaks will be up on the Hochanda Facebook page sometime in the next couple of days. It’s been a busy weekend for me as the products for the shows only arrived at The Studio on Friday morning, and promo pictures were requested about an hour later (to which I politely replied along the lines of ‘you must be joking’!). Want to know what The Studio looks like at the moment, with several concurrent projects on the go so that one is drying as I am working on the next?
That’s the sample boards done; two 12×12″ panels; ten different 3D papier mâché letters; at least ten different paint and decoupage techniques; at least ten different mediums and a heck of a lot of demo planning, cups of tea and drying time. Oh by the way, the art journal is for the next shows on Thursday 16th June…
I hope you can join me online, on Sky 663, Freeview 39 or FreeSat 817 or even catch-up up to a week after: Friday 3rd June: 11am, 1pm, 5pm.
These pages were an exercise in complementary colours. Using the Distress palette, I chose a colour and then the closest colour to its inverse – a different way to find a complementary colour than using a colour wheel. Above, Stormy Sky meets Gathered Twigs, whilst below, Crushed Olive zings against Shaded Lilac and Dusty Concord. Oh yes, one more thing – buckled pages do not make an easy surface to be stamping paint onto…
I’ve done faux leather, faux weathered wood and faux brass – here’s a fresh-from-the-desk journal page featuring a faux galvanised steel paint effect with faux rust. The sentiment is apparently a Turkish proverb. Is it immodest to say I’ve surprised myself again with another successful experiment? Next time though, I’ll not leave the studs until last, which somewhat annoyingly overlapped the end of ‘unlock’ – tI added the wording whilst I was waiting for the image transfer to dry, and I needed the image transfer uncovered to get the perspective right for the door studs.
There’s not many journals that won’t benefit from an undercoat of gesso. A thin layer helps seal the page, stiffen it and provides an excellent tooth for subsequent layers to stick to. A thicker layer adds texture and depth to the page.
This page is in the journal I’m testing, and started off with a gesso undercoat. Several layers of thinned Dylusions paint forms the weathered varnish, then some metallic gold paint with an image transfer over the top for the brass knocker. The ‘carved’ text is also an image transfer. Shading and ageing achieved with a combination of Pitt Artist Pens and Walnut Stain Distress Ink. Everything sealed with DecoArt Americana Spray Seal (Matte) – which just about fixes the Distress Ink enough to finish with a final sealing coat of DecoArt Media Ultra Matte Varnish.
I decided yesterday that I would catch up with some of the Wanderlust 2016 class activities, and watched Birgit Koopsen’s class as she demonstrated her signature style. This is my response to the fifth journal prompt from the beginning of March (‘what I see in the mirror’) using her techniques, albeit in a slightly different order! And it’s probably more of a reminder of what I should be seeing in the mirror rather than what I do… Anyhow, I wanted the background to show through the white layer (given I’d spent so long working on it!), so used I used thinned gesso for its translucency. I think the colours certainly zing against the white mask.
Avid readers may remember a week or so ago I made a couple of handmade journals. I’ve taken this one further, and created a ‘colour journal’. With an unashamed plug for all things DecoArt Media, I have used my own photos of their products as a page background, before adding glazes of colour fluid acrylics using various techniques including ragging, baby wipes, brushes and paper towel. Headings used the same colour, just undiluted. Add gesso, pen work and a smidge of gloss and the book is complete.
I’ve jumped a few weeks in my Wanderlust 2016 course – I do aim to go back and catch up, but Andy Skinner was the tutor for this week’s activity, and I just had to get grungy! I transformed the front cover of my latest (A5) journal using his techniques and I’m delighted with the results. I think it looks like embossed leather, and with the soft touch varnish from DecoArt, it even feels like leather. The trickiest thing I found was getting a uniform thickness of modelling paste, so I’ll be working on that the next time I try it.
I came across this wallet-type 4×6″ journal when I was looking through my Silhouette cut files. I have just been given a pile of kraft card file dividers, and thought they would be a perfect place to start. The mini album design is by Lori Whitlock and available via the Silhouette design store. I’ve added the band for the closure, and rather than six pages, I’ve added five due to the thickness of the card. The journal card inserts are a smidge smaller than 4×6″ and I’ve used a corner rounder so they slide in more easily.
As for the decoration, this journal is a practice piece for one stroke folk art flowers. I watched how a friend’s mother painted her canal boat accessories when I was nine or ten, and the fascination with the way a shaded flower developed with so few brush strokes. These are my first attempts, with a little extra shading added with water-soluble pencils. The backgrounds are a mix of distress paints, whilst the flowers are painted with DecoArt Media fluid acrylics. I’ve edged the journaling cards with Frayed Burlap distress ink – and I’ve no idea at this stage what will go on them! There’s a few more pages to decorate, so stay tuned for updates 🙂
In my last post, I showed the start of my hand-bound art journal in response to Wanderlust Course Week 10. I promised some more pics of the inside pages… and here they are. The scrap pages allowed for some overlapping designs across spreads, and the different colour backgrounds inspired some of the colour choices.
I’ve had fun doing various different techniques and experiments, varying my style and choice of media – there is something about the informal scrappy pages that releases a more creative side than normal. Just two and a bit more signature bundles to go to complete this particular journal, but in the meantime, I have another two more formal ones on the go 🙂