Altered Art: Tealight Holders Part II

I previously posted an advert for October’s workshop in The Studio featuring an altered MDF tealight holders Now, it’s that time of year when the church Christmas Fayre is just ten days away. I still have a box full of holders left over. So, over the last couple of days I’ve been sponging acrylics, metallics and glass paints over MDF and acetate and waiting for spray gloss varnish to stop being tacky. I’m now making bespoke packaging for each of these individual gifts:

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Art Journal Page: Diamond Glints

DiamondGlintI started this page layout on Tuesday night as my teaching sample for my ‘Christmas Crackle’ art journal session on 7th November. Building up layers and techniques, I was very happy with the resulting background. I then spent just as many hours searching for the perfect ‘winter’ quote. Eventually I settled on this excerpt from ‘Do not stand at my grave and weep’ attributed to Mary Frye.

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Mixed Media Plaster Panel

Over the last ten days or so, I’ve been playing with cast plaster panels. I used all the techniques I learnt at college to mould, soap, build clay dams, pour and pull a plaster of paris piece. Unfortunately, despite all that work, I completely forgot about overhangs. I ruined both the plaster mould and the panel as I attempted to separate the two with a screwdriver.

Undaunted, though slightly miffed, I went back to the drawing board and tried again. This time I pressed items into a clay slab and took a direct cast from that.

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Commission: Baku 2016

img_7362For the last two days, I’ve been working with my mum to complete her commission for a piece of artwork featuring the skyline of Baku, Azerbaijan. Mum knew what buildings she would like to include, and provided the primed canvas (roughly 90cm wide) and a sketch of the layout. The first step was to tweak the sketch a little to improve the flow around the picture.

That done, we settled on trying a bas relief technique since she had no preconceptions of a finished piece. Thus started a mammoth 5 hour session cutting, pasting and carving paper clay, finishing at 10:30pm at night in an effort to allow drying time overnight. Unfortunately, humidity prevented that and we had a morning’s hiatus as it dried in the sun. Uneven drying left some pieces lifting, so these were promptly glued back down with gesso.

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Next was the decision as to whether to leave it white-on-white, or to add colour. Well, we went with the colour option, and much spraying with DecoArt Media Shimmer Misters in white and turquoise, with a tiniest spritz of DecoArt Media Mister in Primary Cyan. Add water to blend and water spot, dab off with kitchen towel and repeat. Drying brushing with gesso restored the contrast between the buildings and the background. Embellishment with Cosmic Shimmer Gilding Flakes, Stardust Stickles and DecoArt Media Gloss Varnish completed the picture. Then I decided a little more shimmer was needed on the sea, so added a wash of Perfect Pearls Perfect Pearl.

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THCC103: Day 3

Ok, I’m still not caught up… but this is Day 3’s exercises for Creative Chemistry 103 (CC103)  led by The Professor (Tim Holtz). This particular class was centred on getting texture using the various collage mediums and texture pastes recently introduced to the Distress product line. I don’t have most of these, so substituted various DecoArt products instead and I reckon they do just as good a job!

CC103 Day 3

It’s the first time I have used Distress Crayons, and I have to say I am impressed. Slightly softer than a gelato, the crayon blends beautifully under fingers and into other colours, and the reactivity with water is superb. Glad my spending overruled my scepticism and they were there to use!

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Altered Art: Wooden box to Riveted Rusting Receptacle

I have two new toys essential machines arriving at some point before the end of the year – and I need to make room for them. This means clearing out some of the ‘might be useful for something’ items, and some of the many samples I’ve made that are lying around from my time on various design teams. Consequently, two things are now happening: visitors to the studio are getting to take away freebies, and I have started to do the ‘something useful’ to other items.

This is a makeover of a wooden trinket box to make it look more like a rusty riveted trunk. Couple of nifty techniques I developed for this altered art – for the ‘sheet’ edges, I hammered the edge of an acrylic sheet at an angle to dent the wood and then shaded with paint. The rivets are Mark Richards Metal Stickers – the silver nailheads – which I have dented in the middle with an embossing tool before painting and gluing in place. The stickers are available from Woodware stockists.

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Altered Art: Peace

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This is another art piece I made for the DecoArt shows last month. It didn’t get much screen time though, so I thought I would share it here. I think I made full use of the media and particularly the stencils. I wanted to do something a little different to the serenity type of peace, so I went for the hippy-free-love-peace-man vibe!
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Altered Art: Dream

Dream

I chose to keep this little piece of altered art under wraps until I’d featured it on my DecoArt TV shows on Hochanda early last month. I’d also left the originals with John the floor manager/set designer to use, and had to make a second set with what was left of my prepped demos. Building on the 6½” high paper-mâché letter forms, I’ve used a lot of mixed media tricks to make this home decor piece. Continue reading

Art Journal Page: Glass Full Of Colour

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In tonight’s art journaling session, we’re going to be playing with paint films. This is my demo page – it’s one of those sort of pages that is inspired by the technique results rather than an artistic intent at the start. The glass is drawn round the paint film, which reminded me of sloshing Ribena and I went in search of a suitable quote. The full quote compares colour to be as essential as water, which is a great metaphor reflected in my layout.

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Art Journal Pages: Complementary Distress

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These pages were an exercise in complementary colours. Using the Distress palette, I chose a colour and then the closest colour to its inverse – a different way to find a complementary colour than using a colour wheel. Above, Stormy Sky meets Gathered Twigs, whilst below, Crushed Olive zings against Shaded Lilac and Dusty Concord. Oh yes, one more thing – buckled pages do not make an easy surface to be stamping paint onto…

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