Our next Bible journaling session has ‘rubber stamping’ as its theme. It will be a departure from my normal style, and it took some time to find suitable stamps to match some verses and themes. When creating, I also chose to break my ‘rule’ of not working over the text areas of the page. I made sure, however, the work I did was transparent and the text still readable:
It’s not often that I deliberately go into a cut-price bookstore with the sole intention of buying several copies of ‘My Little Pony’ children’s books. Well, this happened sometime in late winter, with the intention that I would be using them in a class. On Monday 1st October, attendees at my art journal session will be using the board books as a base for an art journal, included at no extra fee. Unfortunately, it does mean that my little ponies will be painted out. What a shame.
In my last art journaling post, I wrote about knowing when a page is finished. This time around I went a step too far and completely spoiled the layout. See the staining through the gesso middle left and bottom right? That’s archival ink soaking through several layers of gesso. I thought once the butterflies were on, and the gesso painted around them that I would stamp more butterflies over the top. What a mistake to make…
I recently took delivery of a new Dylusions art journal – the 8×5″ landscape format – and last night I took the opportunity to experiment with a 3×5″ Gelli plate and some DecoArt fluid acrylics. Bubble wrap of two sizes and a mosaic stencil added a bit of pattern, and then rubber stamping with acrylic paint added the highlights. Finally, some cut letters as masks and a sponged layer of acrylic paint finished off the page nicely.
Continue reading For my next trip abroad, I wanted to make another travel journal. I have previously handmade a small hardback pocket journal and a fold-out accordion journal. This time I decided to make a handmade journal using a piano hinge. This, for the unfamiliar, uses tabs and cylindrical objects (in this case bamboo skewers) to attach the pages at the spine. The benefit for a travel journal is that every other spread is the depth of the bamboo skewer, which means there is plenty of room for additional items of collage and other ephemera, and pockets to store memorabilia. It’s also possible to easily disassemble the book at the hinge to work on individual pages, or remove and add pages as required.
Constructed from canvas textured acrylic paper, I knocked back the white using an off-white chalky finish acrylic paint. I added a darker shade at the base of each page, using the same paint to stencil the building outlines. Overprinting with various travel oriented stamps using archival ink completed the decoration. It seems that the convention for piano hinge books is that the spine is visible, and the skewers extend from the bottom and the top. I wanted a more traditional book appearance as well as a protective cover, so I constructed cover pages before covering them with lokta paper which resembles old leather. A few coats of soft-touch varnish added to that illusion as well as protecting the paper. Adding this type of cover does restrict the addition of further pages. As I intend to use this on the flight as well, I thought it wise to trim the skewers… Some care needs to be taken to keep the pages vertically aligned, but in practice friction seems to keep the posts in place.
I’ve snuck this creation in between finishing a commissioned art journal, and making the samples for tomorrow’s fabric printing/painting workshop. The Pick A Stick Challenge for the uninitiated is ten techniques or journal prompts pulled at random by one of the four coordinators of the challenge, and you must then create your page using those steps in the order in which they were pulled. This is what I came up with for June’s ten sticks 🙂
These pages were an exercise in complementary colours. Using the Distress palette, I chose a colour and then the closest colour to its inverse – a different way to find a complementary colour than using a colour wheel. Above, Stormy Sky meets Gathered Twigs, whilst below, Crushed Olive zings against Shaded Lilac and Dusty Concord. Oh yes, one more thing – buckled pages do not make an easy surface to be stamping paint onto…
Using a combination of techniques I learnt in my Background Check class with Online Card Classes, Hero Arts Ombré ink pads and a #neverbeenused Darkroom Door background stamp, I’ve made these five ‘thank you’ cards. Quick, simple and super effective results, even if I do say so myself 🙂
In fear of being hoist by my own petard, I set to this morning to tackle something that has been building up for quite a while… I’d made a comment yesterday on the Craftwork Cards Fan Page in response to a post about hoarding craft materials: that it was only hoarding if you hadn’t actually used them. And then realised my collection of rubber stamps that hadn’t seen an ink pad was quite extensive #neverbeenused #nbu. So I laid them all out to start planning on using them all at least once… it might take a while:
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