In my last art journaling post, I wrote about knowing when a page is finished. This time around I went a step too far and completely spoiled the layout. See the staining through the gesso middle left and bottom right? That’s archival ink soaking through several layers of gesso. I thought once the butterflies were on, and the gesso painted around them that I would stamp more butterflies over the top. What a mistake to make…
Last Monday was my regular art journal session at The Studio. We took the theme ‘baby, it’s cold outside’. Coincidentally, it was one of the coldest evenings of the autumn too. The theme called for cool colours, shimmer and sparkle to evoke frost rime on windows and icy surfaces:
I started with layers of gesso, creating ridged fans/feathering by jittering the edge of a palette knife to make the texture. Sprinkle a little Ultramarine Color Burst. Add more layers of gesso and then iridescent medium. Stamp with archival inks before adding the quote. Smear some Stardust stickles over the page and set aside to dry. I think the quote source is fairly obvious and just fits the theme perfectly!
My annual pilgrimage to Peterborough Beer Festival this year was on 23rd August. Of course I went to meet up with friends… it’s purely coincidence we had 400 real ales to choose from at the time. While supping such delights, I’ve recorded my tasting notes in my art journal. It looks worse than it is – I was only sampling thirds of a pint of most. It’s also brilliant that the organisers ensure bottles of water are easily available at just 50p per 500ml.
The page uses all the bits and bobs in my journal travel kit. It was a challenge doing the background and lettering on the train from Leicester, particularly over the points when the train rocked a fair amount!
On Monday evening, it’s the monthly art journal session at The Studio. The theme for the session is ‘faux patchwork’, and here’s my sample. Quilting meets paper craft and art journaling.
Just so you know, there is no fabric, padding or indeed cotton/thread on this page. Everything you see is flat and stuck onto the page.
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It’s my monthly Art Journal Session on Monday evening, and for this month’s theme we’re tackling ‘ATC art’. I’m not one for making artist trending cards most of the time – for the uninitiated, ATCs are 3½” x 2½” pieces of artwork that are designed to be swapped between crafters – and I thought it was time to revisit the format. I’ve sneaked them into my art journal timetable, and here’s the sample page. BTW – the frames are one of my first forays into the world of 3D design and printed here in The Studio.
It was a ‘watersolubles’ theme at Art Journaling last night. In between diagnosing a broken Mac (it was one of the RAM cards that died) and having the car serviced (it was a VW diesel engine…), I grabbed an hour or so to do an inspiration page:
It reminded me that all watersolubles are not created equal, with some water-soluble wax crayons barely moving when wetted, even on watercolour paper, and others wandering off and doing their own thing quite happily. It also is worth noting that, to get best effects, you should gesso or otherwise seal your journal page unless working in a watercolour paper journal.
In the above example, I used the blues on watercolour paper before drying and cutting out the letters on my Silhouette Cameo. The background is a combination of colour and graphite watersolubles over gesso, overprinted with acrylic paint. Handwritten text and outlines finished off the layout.
In the first Wanderlust class of the year, we were prompted to use just one word on our pages – and yesterday, I was so tired. Poor sleep, recovering from a cold and a wet grey day all got poured into this art journal spread. Building on the learning gleaned from the first pick a stick challenge, I layered and layered, and am actually rather pleased with the result, as grey and drab as it is!
It’s the first time I’m working in a spiral bound art journal – this one is a Daler-Rowney Cachet Artist’s Mixed Media, A5 sized, 30 page, 250g/m2. The paper is wonderful to work on, didn’t buckle under the wet media or bend with dry acrylic and basically took everything I threw at it. There’s just one issue – the spiral bound spine: those pesky wires. I’m sticking with the book for the Wanderlust classes, but will be looking for stitch bound journals in the future.