Mixed media sketchbook cover

IMG_5993_w

This is another sample for my ‘Finnabair-inspired Sketchbook Cover’ workshop in July (booking details here). It features moulded polyurethane pieces (crafting chemistry at its best), lots of black gesso, Viva Decor Inka Gold, Silks acrylic glazes and an awful lot of dry brushing over Dreamweaver texture paste through a stencil. Microbeads by Finnabair/Prima Marketing, adhered with matt multi-medium. There are still places available on the workshop if you’d like to come and get guidance on making your own.

 

So what did you do today?

It’s the perennial question – ‘what did you do today?’ And alongside that, ‘what’s a mixed media artist?’ Well, today, both can be answered with – I drew lots and lots of short lines. And when I say lots, I probably mean thousands. What possessed me to work at the scale I did, I don’t know, but I suspect the 12×12″ page size, the Crafter’s Workshop stencil and the Signo pens all came together. And I’m delighted with the results. And I have writer’s cramp!

IMG_5969_w

 

What I did at the weekend…

IMG_5893_wThis gorgeous bird started out as a £1 plain brass charm at the start of Saturday morning. It’s only 7x5cm in size, but had the dimples ready for the cloisonné effect additions of Stickles Glue (Stardust, Peacock & Lagoon), Juniper Liquid Pearls and some Glossy Accents. So by the end of Sunday, this was the final result. I need to make sure I get to the rest of them, so I’m staying quiet as to where I found it!

I also completed two more art journal pages – another for my Carabelle Studio stamps demo, and the second featuring new stamps from Tim Holtz. This page had several layers of paint and distress stains to start, and then I augmented it with the ‘Pretty Like A Flower’ stamp, with distress markers. It’s the first time I’ve used PanPastels to tone down a background, fixing with a quick hairspray. Which by the way causes archival ink to swim about, so the gesso layer got thicker to cover that learning moment…

IMG_5891_w

Iridescent watercolours really make the embossed butterfly zing – but beware when drying the previous page – the embossing remelts and distresses both the artist and the facing page somewhat!
IMG_5880_w

 

Beauty in Simplicity: art journal page

IMG_5878_wNow that I’ve finished my latest quilt, it’s back to sample making showing off the Carabelle Studio stamps I will be playing with demonstrating at Daisy’s Jewels and Crafts on Saturday 11th April (10am – 4pm). Featured today are ‘Envolée de Papillons’, ‘Background Papillons’, ‘Papillion Grunge’, Collage Texte et Négatif’ and the XXL size ‘Négatif et Papillons’.

The page features lots and lots of layers of distress inks, acrylics, scraped gesso, and Wendy Vecchi Archival Inks, as well as Tim Holtz life quotes and tissue tape.

 

Art Journal Pages: with Carabelle Studio Stamps

Here are some more previews of projects I will be demonstrating at Daisy’s Jewels and Crafts in April. I’ve created a couple of art journal pages using Carabelle Studio‘s ‘Steampunk Man Portrait’ ‘Steampunk: Machine à remoter le temps’ with ‘Collage Texte et Négatif’. The second page features ‘The here and now’. And the third features Birgit Koopsen’s ‘Leafs’.

IMG_5856_wIMG_5859_w

 

IMG_5858_w

 

 

Book Review: Art Journal Kickstarter

In the first of what I hope to be regular book reviews, I’d like to offer my thoughts on:

ArtJournalKickstarter

Art Journal Kickstarter: Pages and Prompts to Energize Your Art Journals (2015)
Kristy Conlin (ed.). North Light Books. 144pp.

First off, it’s good to find a book on art journaling that doesn’t regurgitate the various way of working with mixed media in a book. This one is illustrated with  ‘back-to-back journal pages’, each accompanied with a Q&A summary with the artist. The questions tend to follow a pro forma – what was your inspiration; which mixed media artists inspire you; what interesting or unique techniques did you apply to this work. Alongside these ‘interviews’ are quotes and sayings that are more than suitable to include in your own work, or to stimulate creative juices. There are also some gems, suggesting the artist was less than impressed with the interview questions – such as describing art journaling as their ‘yoga mat’.

There are 99 contributing artists, resulting in a true variety of styles, subjects and techniques. Just about every mixed media technique is covered, including watercolour, collage, image transfer, acrylics, stamping and inks. It’s also nice to see carefully assembled pages alongside cathartic explosions of emotion, exploring the range of uses of an art journal from experimenting with materials through diarising one’s day to illustrated quotes and expressions. There are also various sizes and types of journal leaving the reader no excuse when trying to find a suitable book to work in.

The illustrations are in rich colour (as they need to be) and aren’t annoyingly cropped to fit the page. This does result in loss of detail on some of the larger spreads, but this doesn’t detract from the overall impact of the featured journal page. Each image is also accompanied by a short summary of materials used, which is often enough to work out the techniques used if this isn’t included in the Q&A section.

If one were to follow up all the artists who have inspired, many months could be lost online – and would be a great way of using the book as a further reference for art journaling inspiration. The advice to other art journal makers are pretty much of a muchness: it’s your book, your own artistic expression, and don’t let anyone else tell you otherwise, including yourself. This in turn does lead to the implied rule: don’t compare your own pages to those featured in the book – that’s not what it’s for!

One other thing I noted – certainly less than 10%, and may be even just 5% of the featured artists are male based on the names. Is this because few men journal, or are less likely to submit work for publication, or some other reason? I’d love to follow one piece of advice given, which was to form a group to journal with – so if you’re a male art journaler, please get in touch!

Am I glad I bought it:
Yes, definitely.

Who’s it for:
Someone already used to working in mixed media, looking for inspiration.

Estimated time spent reading:
Three to four hours – a fascinating insight into the artists, as well as the art.

Overall rating: 5/5

 

Continue reading

Art Journaling – Inverse Silhouettes

Those of you who happen to lead projects or workshops, or lessons, or sermons, may have the same reaction as me to the question ‘what are we doing next time?’. There’s the moment of panic – ‘I’ve not even thought about it’; then there’s the moment of ‘shall I make something up?’. Then there’s the next thought: ‘I really must get a lesson plan together’. All of which then gets summarised into the quintessential reply: ‘It’s a surprise.’

So it was at the end of my last art journaling session a month ago. Since then, a little planning has happened, and I’ve come up with the project for Monday’s session: inverse silhouettes. Here’s a couple of examples I’ve done this week:

IMG_5786_w IMG_5787_w

 

And it’s perhaps no surprise to learn that I’ll probably have the same answer at the end of that session…

Continue reading

Greeting Card Art Journal

 

I’m meant to be recording tutorial videos this week, but have been kindly handed a cold and laryngitis… so I’m catching up with some of the things that don’t need a voice to action! This is another project that has sat in the corner of the studio for most of the year that I decided to finish for my altered art demo day last week. I’ve upcycled various greeting cards that were saved from birthdays and Christmases into a functional and hard wearing art journal.

Continue reading

The grass is always greener…

IMG_5516_wAnother art journal page, completed as my homework for the art journaling sessions I run in The Studio on the first Monday evening of the month.

This month we learnt the technique of image transfer, and I set the homework of using image transfer in a layout. For this piece, I took a background image of the grass, printed it twice at full sheet A4 size on a laser printer and then used matte multi-medium to transfer each sheet to one side of a double spread previously covered in green/turquoise acrylic paint. The acrylic background is helpful in case (as here) the image transfer doesn’t take across the whole page, as well as not moving about with the multi-medium gel.

Once I’d done the transfer, I printed the text using matte white acrylic paint on rubber and foam stamps, and outlined them with a white Signo broad pen once they were dry. Finally, I went round some of the letters with a green coloured pencil to help darken the lighter grass colours to improve the contrast of the letters against the background. Oh, and the pink hue on some of the letters comes from previous inks used on the foam stamps staining the white paint!

 

Art Journaling – a vivid quote

20140905_wI took some time out from the TV last night – mainly to stay awake – and worked on a page in my art journal. Inspired by this month’s art journal session, the text is outlined with Black Sakura Gelly Roll pen, painted in with Dr Ph Martin’s Bombay ink, and edged with blended and stencilled Distress Ink. And the blue streaks? Wayward Brusho crystals following a spillage last week – those darn crystals can travel!

I think I’d like the fill-in colour wash to be lighter so that the black text stands out more – the ink was already diluted 50-50 with water. The colour choice was based on a {design seeds} image – a fabulous site for when inspiration isn’t coming quite as quickly as you’d like:
ZinniaBrights

 

Continue reading