I recently took delivery of the latest Tim Holtz/Stampers Anonymous mini-stencils, along with a Crafter’s Workshop 6×6″ stencil. Along with those came some DecoArt Americana acrylic paints. I decided that I would have a play since I haven’t done much art journaling during COVID lockdown. The text was an image transfer, put together in Adobe Illustrator before printing in reverse ready for sticking down. The woman’s head mask is by That’s Crafty!.
Next week’s Art Journal Session has the theme ‘butterflies’. I’ve three new pages to share, but there are several in my past library that you can find using the search facility.
I have a penchant for sugar-free mints, especially when they are on show at the till in an Aldi. Their ‘complimints’ come in a small lidded tin, and I have often thought how suited to altered art it would be. So, this weekend I got on with altering one, upcycling it to enclose two mini-albums.
July’s theme for my art journaling session (spaces are available) is ‘black and white’. This is my example art journal page… I photocopied a magazine page and used it for an image transfer on the left side with an inked vignette effect using blended archival ink. The text is stamped in white picket fence distress ink using with the ‘colour’ cut from the original magazine page. There’s not much contrast between the coloured word and the black – I’m still not sure what to do about that as I’m not keen on outlining it and distracting from the colour itself.
It seems that for the last few days my corner of blog land has been out of service due to a duff plugin. Apologies! Here’s another art journal spread to make up for the absence (not that anyone noticed and let me know!). I experimented with collaging papers for the background and unifying the whole layout with a blanket stencil design. Masking off the area intended for the stamp and covering with gesso helped take the busyness away behind the ‘mum. It’s the first outing for my new Dusty Concord Distress Oxide ink pad. I’m not sure if it’s all a bit much, but experimentation is the name of the game in my journal.
Continue reading In tonight’s art journal session, we’re going to look at using large scale layouts. Though we will be working in our normal journals (mine is A4 spread), we’ll be using 12×12″ stencils and very large stamps to build our layers, only adding detail towards the end. This exercise is designed to encourage the breaking down of large patterns into manageable chunks… a lesson for life too!
I recently took delivery of a new Dylusions art journal – the 8×5″ landscape format – and last night I took the opportunity to experiment with a 3×5″ Gelli plate and some DecoArt fluid acrylics. Bubble wrap of two sizes and a mosaic stencil added a bit of pattern, and then rubber stamping with acrylic paint added the highlights. Finally, some cut letters as masks and a sponged layer of acrylic paint finished off the page nicely.
Continue reading For my next trip abroad, I wanted to make another travel journal. I have previously handmade a small hardback pocket journal and a fold-out accordion journal. This time I decided to make a handmade journal using a piano hinge. This, for the unfamiliar, uses tabs and cylindrical objects (in this case bamboo skewers) to attach the pages at the spine. The benefit for a travel journal is that every other spread is the depth of the bamboo skewer, which means there is plenty of room for additional items of collage and other ephemera, and pockets to store memorabilia. It’s also possible to easily disassemble the book at the hinge to work on individual pages, or remove and add pages as required.
Constructed from canvas textured acrylic paper, I knocked back the white using an off-white chalky finish acrylic paint. I added a darker shade at the base of each page, using the same paint to stencil the building outlines. Overprinting with various travel oriented stamps using archival ink completed the decoration. It seems that the convention for piano hinge books is that the spine is visible, and the skewers extend from the bottom and the top. I wanted a more traditional book appearance as well as a protective cover, so I constructed cover pages before covering them with lokta paper which resembles old leather. A few coats of soft-touch varnish added to that illusion as well as protecting the paper. Adding this type of cover does restrict the addition of further pages. As I intend to use this on the flight as well, I thought it wise to trim the skewers… Some care needs to be taken to keep the pages vertically aligned, but in practice friction seems to keep the posts in place.
The next art journal session in The Studio is on Monday, and this morning I’m prepping my samples. We’re going to attempt to create an illuminated letter. I’ve put together instructions for a basic Celtic arched lettering, but this is my take on a more Gothic Celtic style of illuminated lettering.
A recent craft magazine article showed some Artist Trading Cards (ATCs, 2½” x 3½”) made of clear acrylic sheet. By decorating the front and back, there was depth added to the whole image. I loved the idea, so got hold of some pre-cut acrylic ATCs from That’s Crafty. All being well, I’ll be cutting my own soon enough on one of my aforementioned machines.
Anyhoo, the makers of the Pick A Stick Challenge FB group (for art journalers) have come up with a new challenge – the Pick A Stick ATC Challenge. Instead of ten prompts, ATC Challenge has just three, but they still have to be done in order. This month, the steps are:
What a chance to use a transparent ATC! But that was the last step… what to do? Work out a new technique of course! Continue reading