Arts in Worship: Crosses

I’ve had a few problems with my laser cutter over the last six weeks or so… One of the cables was causing intermittent faults. The presumption was that after four years of use, it was gradually fracturing. I managed to keep the machine limping on until I replaced the cable this week. As a result, I’ve had to feed projects into the machine through a slot so that the lid was barely lifted – an interesting exercise.

It would have been fine if I had not been asked to do several projects in those weeks. A small group craft session for church folk, the ‘Be Still’ evening and a large group craft session for my church’s retired men’s group. All of these needed kitting out with laser-cut items.

The projects

Here are the projects I designed and crafted for the small group and the men’s group. They feature crosses for the Easter season. Both are available as workshops at the Studio for groups of up to eight people. To book, just get in contact with me.

Easter crosses laser-cut from eucalyptus plywood
Easter cross made with wood stirrers
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Arts in Worship: Be Still

I was asked to run a craft table at a recent ‘Be Still’ community event at my church. The aim of the evening was to take the chance for attendees to have some ‘me’ time with massages, facials, mindfulness sessions as well as the craft table. I looked for all sorts of inspiration and didn’t really find any. I then stumbled on some photos of retro signage and decided to go with the theme. I created six different laser-cut wood signs, each with a typical self-affirming phrase often linked to mindfulness sessions. For each, I spent a long time finding a relevant Bible verse or passage to move it from self-centred to God-centred.

Be stil event affirmation signs

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AAA Cards DT: Small and few ± baked goods #229

I’ve been using polyurethane casting resin for a long while now, batch-making every mould I have when it’s out. Consequently, I now have containers full of paintable mouldings. Do I use them up? Infrequently! The latest challenge over at AAA Cards is to add small and few elements to a clean and simple card with the optional extra of ‘baked goods’. This immediately put in mind some of these cupcake mouldings languishing in my stash. A quick lick of paint later and the choice of a large card to make them look small, I came up with this:

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LIM DT: Monogram OLC

Oh, this one is a real toughie! I don’t think it’s a secret that the design team were all scratching their heads with the latest challenge over at the clean and simple card challenge site, Less is More. We could think of several ways of making a monogram, but most weren’t only one layer. That ruled out die cuts, cutouts and all sorts of other clever stuff.

Anyhoo, I scratched my head successfully and came up with three designs. The first, the N, technically didn’t fulfil the definition of a monogram, being a single initial. Then the stencilled and embellished A didn’t fulfil the definition either and turned out not to be a favourite. Finally, the graffiti monogram meets the definition, but might not be considered a traditional monogram.

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Art Journal Page: Quiet Spirit

I recently took delivery of the latest Tim Holtz/Stampers Anonymous mini-stencils, along with a Crafter’s Workshop 6×6″ stencil. Along with those came some DecoArt Americana acrylic paints. I decided that I would have a play since I haven’t done much art journaling during COVID lockdown. The text was an image transfer, put together in Adobe Illustrator before printing in reverse ready for sticking down. The woman’s head mask is by That’s Crafty!.

Art Journal Pages: Butterflies

Next week’s Art Journal Session has the theme ‘butterflies’. I’ve three new pages to share, but there are several in my past library that you can find using the search facility.

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Altered Art: Mini Scrapbook Tin

I have a penchant for sugar-free mints, especially when they are on show at the till in an Aldi. Their ‘complimints’ come in a small lidded tin, and I have often thought how suited to altered art it would be. So, this weekend I got on with altering one, upcycling it to enclose two mini-albums.

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Art Journal Page: Black and White

art journal page - black and whiteJuly’s theme for my art journaling session (spaces are available) is ‘black and white’. This is my example art journal page… I photocopied a magazine page and used it for an image transfer on the left side with an inked vignette effect using blended archival ink. The text is stamped in white picket fence distress ink using with the ‘colour’ cut from the original magazine page. There’s not much contrast between the coloured word and the black – I’m still not sure what to do about that as I’m not keen on outlining it and distracting from the colour itself.

Used in this layout

  • Daler Rowney A5 Graduate Sketchbook

Art Journal Page: Collaged Chrysanthemum

It seems that for the last few days my corner of blog land has been out of service due to a duff plugin. Apologies! Here’s another art journal spread to make up for the absence (not that anyone noticed and let me know!). I experimented with collaging papers for the background and unifying the whole layout with a blanket stencil design. Masking off the area intended for the stamp and covering with gesso helped take the busyness away behind the ‘mum. It’s the first outing for my new Dusty Concord Distress Oxide ink pad. I’m not sure if it’s all a bit much, but experimentation is the name of the game in my journal.

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Art Journal Page: Large Scale Layout

In tonight’s art journal session, we’re going to look at using large scale layouts. Though we will be working in our normal journals (mine is A4 spread), we’ll be using 12×12″ stencils and very large stamps to build our layers, only adding detail towards the end. This exercise is designed to encourage the breaking down of large patterns into manageable chunks… a lesson for life too!

Large format layout

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