As a follow up art piece to my ‘Dream’, I thought I would add another 3D word to my studio – this time, Create. The letters are again paper mâché, all undercoated with two layers of gesso and then decorated. I wanted this assemblage to reflect all the creative pursuits that take place in various forms in The Studio, both by me and my studio guests. Sculpture didn’t quite make it, but then I can always say the whole thing is sculpture 😉
Hi, my name is Harry and I am finishing a week’s work experience at Neil’s Studio. My commission was to design, make and blog 100 wedding favours. The wedding theme was liquorice allsorts. These favours are going to be collected by my client this afternoon and then used at her wedding in the summer. I was told to narrow down 10-15 initial ideas to three and then prototype and present them to my client on Tuesday evening. She chose her preferred favour and then was to return to the Studio in three days time to collect them. During that time, I had to make all hundred and blog about them.
Next month’s art journal session at The Studio (Mon 4th April, 7:30pm) is all about pattern development. We’ll be carving our own stamps from Speedball Speedy-Carve before stamping with paint or ink to create our personal and unique designs on our pages. I’ve taken three of my tangle pattern designs to make my stamps: Curly Braces Too, Flared and Circo. And in the process I discovered a new way of using tangle patterns: layering them. Something to explore further in drawn work I think!
Ever had the problem of Stickles glitter glue, or Liquid Pearls, getting to the last dregs? You know there is more in the bottle, but even the hardest wrist flick doesn’t get it down to the nozzle. I have – and being a crafter and ridiculously frugal, I thought of a solution. And as a crafter, I’ve spent out more money than I save on getting the right tool for the job! Introducing the Stickles Spinner Mk I:
Ever since Dan Brown’s Angels & Demons introduced me to ambigrams, I’ve been fascinated by the typography involved. An ambigram for the uninitiated is a typographical design or art form that may be read as words as presented, or from another orientation (in this case, upside down). Combining that fascination with a desire to make a more personal and distinctive logo, I started sketching last night. This afternoon, I have honed my first ever ambigram in Illustrator, and I think it’s turned out alright. I’ll not be rushing to do another in a hurry as it made my brain ache, but that might just be the full sinuses and leaning forward. And though personal, I’m not sure that the word is so distinctive unless you knew what was there to see… what do you think?
I’m catching up on my Wanderlust course, and in week 6, we were introduced to origami wallets to hold small journal cards/zentangle cards in. To be honest, I didn’t like the style taught as it was open on all sides. So I dug around in Pinterest, and Google and developed this version. On the product list for the lesson was ‘lokta paper’ – which is quite fibrous, hardwearing and handmade in Nepal. So I searched for that too! I eventually found this wonderful vintage style paper that, to me, seems to be a cross between old leather and hand rolled tobacco leaves. The shop that sells it (PaperPod) was one flooded in York this winter, but still managed to get my order out to me in good time – fantastic since the shop is still drying out and all the (dry!) stock must be somewhere else.
I got a bit carried away and worked out all the sizes for my various journaling cards. All I need now is to monogram the fronts, label the bands, and get journaling! Note that the brown colour is a dye and moves about when wetted… I may seal it with a suitable varnish, or just let it do it’s thing as it is handled.
There’s just one day left before the Christmas Fayre (in case I hadn’t mentioned it recently). Though I have more items than I can fit on even a large table, the inspiration hasn’t stopped. I thought I would have a go at some mounted typography, so designed, cut out (ok, the Cameo did that bit), stuck together and mounted these two examples – which happened to be two verses from Sunday’s morning services (see the sermon sketchnote).
Meanwhile, on the other side of the table, I’m finishing off some MDF chalkboards – three down (one featured here), three almost done. The first is covered in old dictionary pages, and aged with a ‘dirty wash’ – a drop of DecoArt Media Raw Umber and a drop of Quinacridone Gold watered down, brushed over and splattered with water before drying and sealing with DecoArt Media Ultra Matte Varnish. The second started with squidged Distress Paints, sprayed with water, then dried and I used DecoArt Media Phthalo Blue as my dirty wash, before glazing with a watered down metallic blue acrylic paint. I then sealed with a gloss varnish with a bit of DecoArt Media Interference Blue mixed in. And the last – I’ve tangled it in Sakura Micron 08 black pigment ink over Dylusions Linen White paint (which when completely dry doesn’t clog the nib), sealed with DecoArt Media Ultra Matte Varnish.
[Disclaimer: as part of the DecoArts Helping Artists Program,
I have been provided with samples of their products to use for projects]
As you know by now from previous posts, I have my first craft fair – the Whetstone Baptist Church Christmas Fayre – next Saturday. Here are some more makes: etched copper candlestick, beaded candles on individually etched glass plates, a resin encased watch-parts pendant and faux-enamelled jewellery pieces.
It’s been a tricky thing to price up all these items. I can easily work out the material costs. I know how much time each has taken to make. It’s a little harder to work out the time taken in research, and even more tricky to know exactly how much time and energy has gone into the development, trials and failures that are inevitable in making items. Throw into the mix what you think people are likely to be prepared to pay, what they might be able to afford, and what else might be on sale around you… Suffice to say that the marked prices for all the items on the stand will not reflect my time and skill set.
Trouble is, I’ve thoroughly enjoyed the making process, designing the packaging, and setting up the stand. But will it pay off? Or the bills? I’ll let you know.
On a recent trip to Norfolk, I was lucky enough to get to a very reputable cigar and pipe shop and bought my first Meerschaum pipe. For those not in the know, these are carved from a white mineral, and naturally colour as they bake with successive smokes. They’re not cheap, and to keep them safe, they come in bespoke cases. They’re particularly handy for smoking outdoors as they don’t burn through like wooden ones can when wind keeps the embers constantly alight. Imagine then my horror when on first smoke there was a sudden crack noise, and the bowl left the stem.
It seems that every now and then, there are flaws in the mineral that aren’t obvious, and being quite thin walled, the pipe just gave out. The dealer replaced it with absolutely no fuss and I’m pleased to say the replacement pipe is giving me a great deal of pleasure as I have my downtime.
Long story cut short – I now had a pipe case with no pipe. It was too nice to throw away, but not easy to find another use for. I remember seeing Magritte’s ‘Treachery of Images’ and loving the surrealist observation decided to make my homage. Thanks to a friend who is considerably more knowledgeable about French than I am, I was able to add my own tagline: ‘This is not a pipe either’. I plan to send the canvas to the great guys who dealt with me so helpfully, and hope they (and their customers) enjoy the joke.
[Acrylic on canvas, Liquid Pearls Onyx, found object. 20cm x 20cm]