It was time for a bedroom refresh… The turquoise feature wall (read chimney breast) needed updating due to a change in bed linens and their warm grey no longer complemented the blue-green paint tones. I was given free rein to choose a replacement bedspread and create a new art piece above the bed. That didn’t quite work out (see below), so this was the final(ish) outcome:
It seems (on a quick search through my posts and pics) that I have been remiss and have failed to share a project I designed, completed and taught last year. I’ve created another version this month – hence this post. May I introduce my Christmas and Easter pebble painting…
Scrolling through my photos on my phone, I came across some I’d taken of the cards I made for Christmas (now last year). As they’ve all been sent, received and recycled, I can share them here. Featuring a ‘stained glass’ design, the tag is removable and designed to be kept and used year-to-year. Making notes follow…
I’ve been planning this quilt since August 2021 – at least, that is the creation date of my design file. I’ve created this one from scratch, designing the pattern, working out the fabric requirements, editing it for different dimensions and then choosing the fabric. The quilt was finally commissioned as a sofa cover back in March 2023 and I completed it last week having worked on it on and off since the summer.
Challenge time again at Less is More, and this time it’s a theme: sea creatures. Strangely, despite searching through 20 years of collected stamps, magazine freebies and digistamps, I couldn’t find any images of sea creatures. Not even a fish. Then I remembered a logo I created for our craft business that ran for 10 years as part of a craft club… The Manic Stamper. It only took a little adjustment to make this sea creature inspired birthday card for the avid rubber stamper:
I’ve been playing on my Glowforge laser cutter during the lockdown and experimenting with designing tealight holders. The first, tall one, took inspiration from one I came across on Pinterest. Once I had all the settings dialled in for the circular design, I came up with the next two designs. One features mirror acrylic and is a little bit out there, but I hope the internal reflections will make it zing. After that came the next two faceted rounds using various repeating seamless patterns to fill the facets. All are made from 3mm birch plywood, treated with flame retardant and are available to purchase for £5 each (p&p extra).
Over the last month or so, I have been working on a new sculpture of a dragon. Made from scratch, I first start with a tin foil armature (the essential shape and skeleton of the beast) and then cover it in stages with Pal Tiya, a specialist modelling material that handles like clay but hardens in water. Once the Pal Tiya has cured for a week submerged in the pond, I let it dry. Fine details were modelled with an epoxy clay which sets rock hard over 24 hours. The fibres in the Pal Tiya make fine detail modelling quite difficult, especially at this relatively small scale. I finished off with dry brushed acrylic paint. The sculpture is designed to go outside and should be weather resistant.
On a recent trip to Co. Antrim (Northern Ireland), I visited the Dark Hedges. Now made famous by ‘Game of Thrones’ using it as the King’s Road, Dark Hedges is an avenue of ancient beech trees. As a memento of the visit, I’ve created this layered shadowbox using a photo I took. The card is 300gsm to maintain the stiffness of each layer, particularly of the branches which are too slim for glue/foam pads.
I cheated a little by duplicating a couple of the trees, tweaking their branches rather than creating five trees from scratch. I think with the intermingling of the branches, there is sufficient distraction for me to get away with it 🙂
I found it tricky to get the depth of field and wonder if the left-hand side needs a third tree. Overall, the 3D effect seems to be effective – which is just as well as it took ages to achieve! There are seven layers front to back, with the road slanted front to back to emphasise the depth of field.
Next month’s Bible Journaling Session has the theme ‘a bit of bling’. There are some verses and illustrations that just scream out for some sparkle. A quick search using biblegateway.com came up with this gem: the only verse in the NIV translation that has the word ‘sparkle’ in it.
I’ve been playing around with some 15cm square mounted glass plates I had lying around the studio. I found some 3mm self-adhesive lead strip and used a template to stick it down. Rather than soldering the joins, I overlapped them and made sure they were well burnished. Then it was a matter of using some alcohol inks on the reverse of the glass to give the colour/’stained’ glass effect. I used isopropanol/rubbing alcohol to remove the alcohol ink from areas I didn’t want it.
Top tip: when cleaning fingerprints off with alcohol, remember not to wipe the reverse of the glass or some of your stain will rub off too…
The contemporary cross panel is available to purchase here.
