Christmas 2018: Tree decorations

I know, I know, it’s still August. But in a crafter/maker’s world, Christmas has to start early to get stock together. I’m hoping to book a table at a local Christmas Fayre in November at the same time as the town Christmas Lights are turned on. Hopefully, that will mean a good footfall. But it also means I’ve started making tree decorations and spent the last three days doing not much else!

laser cut tree decorationsFor those that wish to buy some before the fayre, they are £1,50 each – just drop me a line. P&P will be £1 for those that can’t collect.

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Altered Art: What price a tag?

beech tagsThese are solid beech tags, 12 x 2.5 cm in size and about 1 cm thick. I’m calling them chunky gift tags and spent a day getting the settings right on the laser cutter. Variations included cutting from both sides (involving lining up the mirror image, not easy), lots of repeat cuts, and lots of sanding. Every block had to be covered with masking tape front and back prior to cutting. I have a sum total of 30 tags that passed quality control, 4 that are seconds and another 6 or 7 consigned to the bin straight away.

One of the trickiest things for an artist/maker to get right is pricing. Following guidelines from college, each of these tags should be sold for £7.50 each. I certainly wouldn’t pay that much for them. I’ve settled on £3 each with two for £5 as an offer, and even that seems a little too much. What is often overlooked when considering the price of artwork/made items are the costs involved in prototyping, learning from mistakes, the odd block that is inexplicably more dense and harder to cut than the others, and the wear and tear on equipment.

May I encourage you to ask artisans ‘what has this really cost to make?’ You may not be willing to pay that price, but at least you will know why the moniker of ‘penniless artist’ is all too real.

Bishop’s School of Prayer, 2018: Praying Hands

I’ve just returned from the inaugural Bishop’s School of Prayer, hosted at Launde Abbey by Bishop Martyn Snow. I was dubbed ‘artist-in-residence’ and was responsible for creative input, visual prayer workshops and an artist’s overview of the four-day conference. It was an amazing experience, and I hope it happens again (though probably won’t be annual).

As a ‘corporate act of art’, I created a pair of praying hands and invited attendees to add their own prayers and intercessions. After a short will-they-won’t-they period, they came good and prayers were stuck on steadily over the time at the School. For more details on the making, read on below, but in the meantime here are some pics of the finished sculpture, which will be remaining at Launde Abbey.

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Arts in Worship: Prayer Tiles

As regular readers may remember, I’m going to be artist-in-residence at this year’s inaugural Bishop’s School of Prayer, 9th-13th May at Launde Abbey in Leicestershire. There are three full days, the afternoons of which will feature workshops led by the day’s teachers, myself and the musician-in-residence. I’ve been prepping some potential workshop projects, and here are a couple of experiments that have made the grade:

There are still spaces available for the course, with both residential spaces and day passes. I do hope you will join Bishop Martyn and the other teachers and leaders for what is essentially a three-day conference on prayer.

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