The observant may notice that Bible Journaling 8 is missing – never fear, it’s coming soon. It’s just that I did the prep for that one before this one, so we’re out of order… The theme for this month’s Bible Journaling session (tomorrow night, 13th January) is ‘I am a new creation’ – it’s the new year, so it seemed suitable. I thought it would be interesting to do five different illustrations for the same verse as a test of design skills and came up with these:
Here are five more Bible journaling illustrations, complete with a free downloadable outline. I’ve been getting in some practice with watercolour pencils as my next Bible journaling session will be featuring them. Another version of watercolour is using studio safe solvents to move around the wax carrier for the Polychromos pencils, giving much the same effect (though waterproof of course). The solvent is less likely to swell the paper fibres compared to water and is my preferred technique, though the effect is less translucent than watercolour.
The weather outside is frightful – the risk of freezing rain didn’t amount to much, but it’s cold, dark, blustery with heavy rain. As a result, I am in a toasty warm studio with pencils and pens out and doing some Bible journaling. I thought I’d take some of the less familiar scripture verses that are relevant to the Christmas story and develop some graphics to capture them in my margins.
I’m not exactly busy in The Studio at the moment – I’m no longer doing TV prep and I’m not on any design teams, so I’m left to my own devices. I have plenty of time, as a result, to do my own thing. At the moment, it’s developing tangle patterns and Bible journaling – and prepping for my craft stall on Friday and Saturday (Lutterworth Town Hall, F: 5-9pm, S:10am – 4pm if you’re interested).
For this release of Bible journaled verses, I kept to my general style, but I have added a couple of sketches (one thanks to free-to-use Armour of God from ChristianityCove.com). I also added a motivational phrase to illustrate the verse – this is the first time I have used text other than the verse itself. As is now normal, I have used coloured pencils and fine tip pigment pens to avoid bleed-through.
Now seems to be a good opportunity for a plug… Starting on the third Monday in January, I will be hosting a Bible Journaling Session here at The Studio from 7:30-10pm, £5. We’ll look at materials and methods and then have themes for the evenings such as lettering, colouring techniques and using different media to decorate our Bibles.
I’ve been busy Bible journaling, trying to get back into the habit of reading and reflecting on what it is I am drawing. I’ve found my own style now, and my process still begins with choosing the words or phrases I’d like the emphasis to rest on in my illustration. Next is playing with typography, something I now prefer to do on screen – the undo function creases the page less than trying to rub out pencil lines! Then follows adding illustrations where appropriate, before tracing and colouring into my Bible.
One benefit of working in this way is that there is a FREE downloadable version containing all five outlines for you to print out and do your own thing with… just click the button:
For last week’s Bishop’s School of Prayer, I created two more print-and-colour Bible journaling illustrations. They weren’t used in the end as I (strongly) encouraged workshop participants to create their own.
To download a free copy of these illustrations for your own use, click button:
So February turned out to be a bit quiet on the daily bible journaling. I managed three days. Well, it was a short month. Here are two…
The above were drawn freehand, with a couple of stencil flourishes. I’ve started pencilling outlines first after finding this, though taking a little longer, gave better outcomes. I still enjoy designing with more fonts than I can draw, so for my next verse, Psalm 8:1, I created a digital version first and traced it onto my Bible margin for colouring.
As a quick experiment, I’ve saved the digital image as a PDF and you can download it below if you’d like to add it to your own Bible. If there’s interest, I’ll be sure to pop up some more printables in the future (that’s the experiment bit).
It’s always great to know where things are in your craft space, which requires organisation. It’s even more important in a teaching studio to be able to tell at a glance if anything is missing and for studio guests to know where to put things back. As part of the Creative Chemistry course, Tim Holtz made available inserts for his mini-distress ink pads to fit the storage tins. I’ve just looked for similar for the mini-archival ink tins, and couldn’t find one. So I made some:
I’ve been asked to review this book by the publishers, Design Originals, and have been provided with a preview copy. Other than that, this review is independent and I haven’t been paid for it.
Florabunda Style is billed as the next generation of zentangle, and the author should know, as she has written more than 200 craft and hobby books including the popular Zentangle series. With the rapid rise in popularity of colouring books for adults, this book seems ideal for those that are looking to create their own illustrations to colour and benefit from the relaxation that that affords.
The FloraBunda aesthetic is based on simple nature inspired doodles. The book is printed on high quality artist paper, and readers are actively encouraged to draw in the book with plenty of white space to practice in around the examples. The paper is of a sufficient quality to decorate with markers, pens, coloured pencils, watercolours and more. As well as providing more than 200 different designs the book also includes a selection of craft projects with step-by-step instructions. The reader is actively encouraged to experiment, have some fun, be eclectic, be whimsical and above all have some fun.
The book opens with a chapter on the various tools that you can use to draw the elements as well as colour them in. The following chapters follow a similar pattern, opening with a preview of all the designs, step-by-step instructions to draw them and examples of finished artwork by other zentangling experts. There’s a basic guide to plant anatomy, and every element of a typical plant is included, including stems, vines, tendrils, flowers and seed heads. There are tips and tricks scattered throughout the text, as well as snippets of encouragement to develop your own style and creativity. The book finishes with both a visual and written index of all the designs and projects. The author has a chatty style of writing, and even if you don’t dare draw in it, the book is well worth the read in it’s own right.
As promised, here are some more 500th post winners… several prizes weren’t claimed, so here’s a list of new winners – if you want the prize, drop me an email using the link on the sidebar with your address so I can send it to you! Once again, if there are any unclaimed prizes in a week’s time, another winner will be selected.
The De-stress with Distress Techniques Tag book is now going to Denise Fletcher.
The Quilt Square has been won by Sarah Stainbach (perhaps my oldest follower?)
And the limited edition print has been won by Lila.