I have a penchant for sugar-free mints, especially when they are on show at the till in an Aldi. Their ‘complimints’ come in a small lidded tin, and I have often thought how suited to altered art it would be. So, this weekend I got on with altering one, upcycling it to enclose two mini-albums.
A little while ago, I managed to get hold of some empty cigar boxes. One caught my eye, a wooden one, and a quick spray of white paint later, it was ready for a makeover. All I need to do now is find a place to put it (or a buyer!).
I’ve been playing around with some 15cm square mounted glass plates I had lying around the studio. I found some 3mm self-adhesive lead strip and used a template to stick it down. Rather than soldering the joins, I overlapped them and made sure they were well burnished. Then it was a matter of using some alcohol inks on the reverse of the glass to give the colour/’stained’ glass effect. I used isopropanol/rubbing alcohol to remove the alcohol ink from areas I didn’t want it.
Top tip: when cleaning fingerprints off with alcohol, remember not to wipe the reverse of the glass or some of your stain will rub off too…
The contemporary cross panel is available to purchase here.
My crafting mojo has wandered off, somewhat inconveniently for earning an income, but hey ho, it happens. I have been doing some ‘pottering’ in the studio though and here are a few altered art pieces I have managed to get made…
A while ago, I created several line drawn mandalas. I always intended to colour them in, and did so digitally for some. My favourites were saved for real hand colouring and I had the opportunity last night to do so. I used [amazon_textlink asin=’B01N5PLCQ3′ text=’Chameleon alcohol pens’ template=’ProductLink’ store=’themanicstamp-21′ marketplace=’UK’ link_id=’526e71dd-e29e-11e8-99e3-31a942bc75e3′] to do my colouring and played about with a couple of ideas, some of which worked and some that didn’t. Here are the four…
I’ve been in full production mode getting stock ready for a Christmas Fayre at the end of November. All being well, there will be good footfall and matching sales. If not, anticipate a lot of listings in my Facebook and Etsy stores!
This week I’ve been concentrating on signs. The wood plaques were bought in, and then undercoated with gesso and a cream chalky finish acrylic paint. I designed all the typography in Adobe Illustrator and then etched the outlines on to the signs using my brand spanking new replacement laser cutter. After that, it was a matter of using Posca pens to fill in the gaps before doing a dirty wash with diluted acrylic paint to age them. Some had crackle medium added to the corners, but it doesn’t show up overly well. Each sign is approx. 30cm x 10cm, £5 each.
I’ve also been playing with some 10x10cm paulownia wood blocks, etching into them using the laser cutter. The laser has burnt away the soft wood more easily than the grain leaving a beautiful texture in the background. A set of four is available for £6.
Used in these projects:So… you may have seen the Facebook video doing the rounds showing a white panel, six lit sparklers revealing a beautiful forest scene with silhouetted deer. “Fantastic”, I thought, “I’ll have a go at that!” There were no instructions, but a quick internet search suggested that the panel was painted birch ply, that the water mist was a lemon juice/water mix, and that the branches were not, in fact, the sparkler traces, but painted neat lemon juice. Beautiful and ethereal isn’t it:
It’s not often that I deliberately go into a cut-price bookstore with the sole intention of buying several copies of ‘My Little Pony’ children’s books. Well, this happened sometime in late winter, with the intention that I would be using them in a class. On Monday 1st October, attendees at my art journal session will be using the board books as a base for an art journal, included at no extra fee. Unfortunately, it does mean that my little ponies will be painted out. What a shame.
I know, I know, it’s still August. But in a crafter/maker’s world, Christmas has to start early to get stock together. I’m hoping to book a table at a local Christmas Fayre in November at the same time as the town Christmas Lights are turned on. Hopefully, that will mean a good footfall. But it also means I’ve started making tree decorations and spent the last three days doing not much else!
For those that wish to buy some before the fayre, they are £1,50 each – just drop me a line. P&P will be £1 for those that can’t collect.
These are solid beech tags, 12 x 2.5 cm in size and about 1 cm thick. I’m calling them chunky gift tags and spent a day getting the settings right on the laser cutter. Variations included cutting from both sides (involving lining up the mirror image, not easy), lots of repeat cuts, and lots of sanding. Every block had to be covered with masking tape front and back prior to cutting. I have a sum total of 30 tags that passed quality control, 4 that are seconds and another 6 or 7 consigned to the bin straight away.
One of the trickiest things for an artist/maker to get right is pricing. Following guidelines from college, each of these tags should be sold for £7.50 each. I certainly wouldn’t pay that much for them. I’ve settled on £3 each with two for £5 as an offer, and even that seems a little too much. What is often overlooked when considering the price of artwork/made items are the costs involved in prototyping, learning from mistakes, the odd block that is inexplicably more dense and harder to cut than the others, and the wear and tear on equipment.
May I encourage you to ask artisans ‘what has this really cost to make?’ You may not be willing to pay that price, but at least you will know why the moniker of ‘penniless artist’ is all too real.
