Art Journals: using acrylic covers – part 2

I promised to share my ‘now you see me, now you don’t’ technique for acrylic covers that didn’t quite get finished on air during my last Hochanda shows for That’s Crafty!. Below are some instructions along side the pics I took prior to the shows, and below those is a short video I have done to try and explain it a little more clearly! Apologies for the outside noises on the video – they’re wind chimes and a radiator warming up, if you’re wondering.

Continue reading

Art Journal Page: Marvellous Mandalas

The theme for tonight’s art journal session at The Studio is ‘marvellous mandalas’. I have played on various software platforms and drawn my own mandalas, but the example below is ripped out from one of the many ‘adult’ colouring books available. I remembered that I had a couple of sets of Chameleon pens, so used those to colour in the mandala (that’s how I got the shading). Bit of gluing and cutting out of letters and my sample was done… though it took a fair bit longer than I expected – I think it’s the pausing to do the whole Chameleon effect doubling the colouring time. Very calming though, all that pausing.

Colouring on white paper and then cutting and pasting onto the black background seems to make the colours pop far more. A little more thought and time would have resulted in better placement of the quote, but it’s not that bad.

Continue reading

Art Journals: using acrylic covers

I was on Hochanda this week demonstrating techniques for using the acrylic covers effectively, for the A4 and A6 journals from That’s Crafty!. As always, there is too little time on air to fit in all my ideas, and only just enough time to fit in all I had planned! What follows below are photos and quick explanations of how to do your own. I really need to remember to take step-by-step photos as I make so that I can do a proper tutorial post! First is an unbroadcast cover, then the mirrored cover that didn’t go so right when rushed, and last for this post is the bubbling water effect shown in my first hour.

  • Peel off the protective film from the reverse of the cover
  • Work on the reverse side for all the following steps
  • Place the snowdrop stencil in position and fill in using Posca pens
  • Dry, then place the TIME stencil upside down and sponge through ivory paint
  • Dry, spritz with gold mister, dry
  • Meanwhile, print texture stamps onto large Rizla papers using Chartreuse archival ink
  • Heat set the ink, then using decoupage glue/multi medium glue overlapping layers of the printed papers
  • Once dry, any paper over the edges of the cover can be sanded off

  • Peel off the protective film from the reverse of the cover
  • Working on the reverse, add alcohol inks until you are happy with the coloured layer
  • Place the JOURNAL stencil upside down and sponge a layer of Jet Black archival ink through onto the alcohol ink
  • Remove the stencil and then rub away the black in with a clean cloth/kitchen towel
  • Repeat inking steps if you want to remove any more of the alcohol ink
  • Now spritz with a water-based varnish (e.g. Pentart spray varnish) to seal the ink
  • IMPORTANT: allow to fully air dry, do not heat. Repeat varnish layer
  • Spritz with Pentart Mirror Mist and heat dry immediately to stop the mirror mist weakening the varnish beneath
  • Seal the mirror mist with the same varnish and finally apply a layer of black acrylic paint
  • Peel off front film to reveal your results

  • Peel off the protective film from the reverse of the cover
  • Working on the reverse, and using the word stencils the wrong way up, sponge your main colour onto the acrylic; heat dry and repeat directly over the top.
  • Next, sponge your shadow colour through the same stencil, slightly offsetting from the first colour
  • For the water effect, first dilute some white gesso/primer
  • Working quickly, cover the whole sheet with a layer of watery paint and then dab isopropyl alcohol into the wet paint – it will push the paint away and start the effect
  • When you are happy with the effect, heat dry in a well ventilated room
  • Repeat with a light shade of blue, and then another darker shade of blue
  • This technique will work over any sealed surface, but does rely on the paint being thinned and still wet
  • Try adding text to the front of the cover as well, this time starting with the shadow colour and working over the top with the main colour

Bonus post

Later this week I will do a separate post explaining my ‘now-you-see-me-now-you-don’t’ technique that was a wee bit rushed at the end of the second show:

Continue reading

Handmade faux leather book

I’ve previously made a ‘book’, to hold various ephemera, as a leaving present for the minister of my previous church. So when it came to putting together another bespoke binder for prayer flags, a photo book and collected digital photos, I built on my previous project and created a faux leather effect ‘book’.

The ‘book’ is just about the size of a sheet of A4 and about 1½” deep. Constructed from 2mm greyboard and 5mm foamcore board, the canvas cover is painted with a mix of rose madder and burnt sienna acrylic paints to resemble worn leather. The spine text is pressed in with an embossing tool to give an impression of embossed foiling, whilst the frontplate uses careful shading to achieve the same effect.
Continue reading

One Collage Challenge [Wanderlust 2016]

My Wanderlust journey has wandered off track recently… it has been a long time since I have checked in at each of the stops, and as the year draws to a close I thought I’d better check when I lost access to the class! Sigh of relief – I have a little longer to browse and save what I want to keep.

But in the meantime, I caught up with the One Collage Challenge. Every fortnight or so we were given a step, to take no more than 5 minutes, to build up a final collage. Prompts ranged from ‘add dots’, to ‘cover your page with a stamped image’, and the penultimate one – cover your whole page with gesso or acrylic paint.

Now collage isn’t really my thing – so the step by step was a good process. I didn’t really like what was developing, but that final unifying coat of gesso blended it all together into what turned out to be quite a pleasing piece of art.

Here’s a quick video showing each of the steps, and the impact they had on the building piece:

 

Continue reading

Altered Art: Decorated Tree Decoration

treeThis is another of my specially designed tree decorations for today’s workshop in The Studio (candy cane one here if you missed it). The workshop has just finished, so you’ve missed out! Cut out from card and pushed onto a split-pin clothes peg, I’ve decorated with DecoArt Media fluid acrylics, Ranger Stickles and Liquid Pearls.

Continue reading

Altered Art: That’s Crafty! Top Hat

I had meant to show this off on last week’s shows on Hochanda. We were all set for Charlie to demonstrate pulling a rabbit out of a hat, but we had left it under the counter and completely forgot about it in the heat of the moment.

To be more accurate, this is a slide pop-up. The rabbit is my own illustration, possibly coming to a polymer stamp set soon! The top hat is one of That’s Crafty! Surfaces – a MDF upright, designed for the top hat to be the other way up – but with a bit of crafty hiding and wedging, it works just as well upside down.

Continue reading