Friday Focus: xTool F2 Ultra UV laser

I’ve mentioned it in passing, but I will update you now about my latest acquisition. I’ve been experimenting with settings, materials and learning loads (and still learning) about my xTool F2 Ultra UV laser. It has been in The Studio for six weeks now, and I’ve really only just started production pieces.

The laser machine itself

The xTool F2 Ultra UV is somewhat confusingly named for those used to other xTool machines, but I assume it is because it shares the same chassis style and size as the F2 Ultra. It’s a 5W laser, so not particularly powerful, but still perfectly capable. The lower power also means less bulk and less cooling being needed, keeping it a desktop machine. It has a working bed size of around 200x200mm with a generous material height allowance. There’s an onboard camera to aid alignment. xTool provides an inner engraving lens and platform, and a small material pack for calibration and testing. Their Studio software is under constant development and walks you through the initial calibration step-by-step. The small LCD screen is a controller and gives you feedback about the machine activity and access to engrave files on a connected USB drive.

The UV bit?

A UV laser uses ultraviolet light at a very short wavelength (around 355 nm), which allows it to focus into an extremely fine spot. Instead of burning material, the energy breaks molecular bonds directly, removing or marking the surface with very little heat spread. UV engraving is often described as “cold lasering” — there’s minimal melting, charring or distortion compared to diode or CO₂ lasers. Machines like the xTool F2 Ultra UV are designed to take advantage of this, making them ideal for fine detail on glass, crystal, plastics and other sensitive materials where precision really matters. The frequency of the beam also allows a range of effects from ‘blast’ to ‘tickle’ (non-technical terms I have been using in my demos).

The difference that ‘cold lasering’ makes. On the left, my normal cut settings on the diode laser (F1U) – the cut was stopped due to flames… On the right, same file, same size, on the F2U-UV. The cuts were so fine that the cut-out bits stayed in place until I tapped the circle over the bin.
Same principle on this test. The slits are the same width, with the leftmost being just 0.25mm wide. Note the burnt edges on the top piece have widened the cut width (kerf).
More testing, trialling the different parameters that can be changed for each engraving. There’s a lot to learn, and experimenting is the only way to do it as every material behaves differently.
Same machine, same file, different pulse frequency: at the top, the tickle just darkens the surface MDF. At the bottom, the blast blows out the fibres, leaving an unburnt engraving.
And this test is a comparison between all four lasers, on leather. You can see the smudging and soot on the P2S (CO2 laser) and the infrared fiber laser. The diode (blue light) was darker until I wiped it, and the soot came off. The UV laser, on the other hand, had pin-sharp engraving and scoring, with no soot or smudging at all.

How small?!

One of the demo ‘show-offs’ I have been including for the UV laser is engraving or scoring text that is just 0.5mm high. I’ve needed to get out a magnifying glass to check out its legibility, and yup, it’s legible. Here’s an example – a coated cross pendant necklace. I have scored the whole of the Lord’s prayer at the top (single beam width lines). Bearing in mind the cross is just under 5cm/2″ tall, we’re getting into small territory. Zoom in on the Bible verse annotation and we’re now in teeny weeny category:

Another phenomenal aspect of the small beam size and no scorching is the detail in engravings. This is a 6cm diameter bauble engraved on light poplar plywood. I can’t tell you how good it is in person, and there’s just no cleanup to do. This saves time, though with the narrow diameter of the beam, a lot more lines per centimetre need to be engraved, increasing machine-time.

Same material, same machine, different settings…

Another learning point is to recognise that when the UV laser disrupts molecules, it can change the interaction based on the power of the beam. For example, this slate is engraved in one go, with the same machine, just with three different power and speed settings. The metallic gold is not added – it’s a reaction to a slow mid-power setting. The white is full power, mid-speed, and the grey is mid-power, fast speed.

The master of glass?

The marketing department over at xTool has branded the F@U-UV as ‘the master of glass’. Following my experience and that shared in the Facebook groups, the user needs to become the master of the master of glass. There are so many variables to take into account, and the learning curve is steep. Focus has to be spot on, and for the inner engraves in crystal blocks, the image processing, settings and setup need to be absolutely spot on. This aspect of the machine is definitely not plug-and-play. However, great things are possible once you’ve learnt the ropes.

What about the production items?

Ah, well, yes. Ahem. In my excitement to give them to recipients, I neglected to record them for posterity in photographic format. Note to self…

Demos and training

If you have happened across this post whilst researching the laser, I’m very happy to arrange a demo via the xTool Squad system via their website. Demos can happen online or in-person and if you go on to buy a machine, I will benefit from a small commission. I’m sorry, but I cannot afford to demo inner engraving due to the cost of the K9 crystals. If you bring your own, we’ll have a go.

Training or use of the laser is at my hourly rate, currently £35. I prefer to train in-person so I can see what you’re doing, but online is possible.

Bible Journaling: Joy & Praise (BJ-42)

It’s a new year (I’m sure you’ve noticed) and what better way to start than some joy and praise in the form of this month’s Bible journaling theme. Five new illustrations for verses from Old and New Testaments, full of excitement, colour and metaphor. Keep scrolling to the link to download the templates if you would like to add any to your own Bible, and for making notes.

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Art Journaling Session: Shine on

In this, the last session of the year, it seemed appropriate to take on a Christmas theme. In common with previous December layouts, I’ve chosen some shiny finishes to bring a bit of light into the dark moments. There are several new techniques that I have tried for the first time: foil-on-toner, cut and design stickers and a laser-engraved piece of MDF. Here’s my take on a Christmas porch:

Completed Shine On art journaling Christmas porch layout with wreath and letter box
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Friday Focus: push-fit acrylic tea light holders

Today’s focus is all about kerf. For those unfamiliar with the term, kerf is the sliver of material that is vaporised when cut with a laser or sawn away when cut with a saw. It’s usually the thickness of whatever is doing the cutting plus a smidge. By leveraging the kerf, it is possible to cut shapes that will then push-fit into others and remain there through friction. It’s particularly helpful when working with clear acrylic, which is tricky to glue without the glue showing up. That’s how I made these acrylic tealight holders using my xTool P2S laser and upcycled COVID screens for the main cube:

Finger jointed push-fit inlaid acrylic tea light holders.

And some additional prototype designs for Christmas:

Christmas themed inlaid acrylic tea light holders
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Makes on Monday: Custom Wax Seal

If you’ve ever wanted to create your own authentic wax seal, I’ve finally cracked it using a laser-engraved brass stamp — and I’ll show you how.

They come and go out of fashion, but wax seals still evoke a sense of quality and authenticity that has survived for hundreds of years. Over a lesser number of years, I have attempted various ways of making my own version, from a faux wax seal using embossing powder, to another made from pewter and latterly engraving acrylic with the laser and painting over with a soft-touch varnish. None of those were authentic though

With the arrival of my xTool F1 Ultra fiber laser, the opportunity was there to finally create my own proper, customised, brass wax seal stamp and apply an authentic wax seal to my work.

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Makes on Monday: 3D Bible Journaling (commission)

At the end of April I accepted a last minute commission for a retirement gift. The brief was to make a piece featuring the recipient’s favourite Bible verse, Joshua 1:9. The time frame was tight, complicated by a long weekend working in London, but I got it done. I wanted to try out a technique I’d seen on various reels. I had ordered some solid wood pieces and they were perfect for this design:

3D Bible journaling featuring Jonah 1 verse 9, with carved two wood bas relief lion's head, gold leaf and coloured pencil text.
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Friday Focus: Custom mugs with the xTool RA2 Pro

In the first of a possibly occasional, but hopefully weekly, series I am going to focus in on a particular element of my work as a mixed media artist / designer / maker / tutor. I love the varied nature of my work and the projects I get to work on. This post is going to be about lasers, and specifically customising mugs.

Customised mug using xTool RA2 Pro rotary attachment, F1 Ultra laser and titanium dioxide pigment.
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Makes on Monday: Christmas Door Hanger

Apologies for dropping the C-bomb in May! When creating things for sale at craft fairs, it is best to start early. You never know what might crop up between now and the end of the year, and to avoid a last-minute rush, I start early. The door hanger blanks arrived last week, and rather than keep moving them around the studio, I got on with my plan for them.

Wooden Christmas-themed door hanger - 'Santa please stop here' with a deer head featuring a glittery red nose.
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