I last had tags, pockets & flaps as an art journaling theme quite some time ago (a decade!), so I decided it was time to circle back and use it for another layout. This month’s session used a pre-printed pocket and tag as colour inspiration, and we used several techniques to build the background. I did attempt to film the make, but I’m a bit out of practice, and we’re left with just stills for the tutorial – apologies…
I’ve loosely used the theme of ‘strips & stripes’ for this month’s art journaling session at The Studio. I’ve plenty of stripes included, but the strip of ribbon and a strip of masking tape was as far as that side of things went once I had finished creating my layout. There was a great deal of prep for this layout… Each time I thought about what I was going to do, another idea came up and another bit of work to carry it off was needed. Happily, I have the kit to do the creating! Read on for a step-by-step making guide and some free downloads if you want to do exactly the same as I did.
In this, the last session of the year, it seemed appropriate to take on a Christmas theme. In common with previous December layouts, I’ve chosen some shiny finishes to bring a bit of light into the dark moments. There are several new techniques that I have tried for the first time: foil-on-toner, cut and design stickers and a laser-engraved piece of MDF. Here’s my take on a Christmas porch:
If you’re UK-based, you’ll be well aware that it’s Bonfire Night on 5th November. For those in other places, you may not know that this is our way of commemorating Guy Fawkes plotting to blow up the Houses of Parliament back in 1605 during the State Opening, intending to kill King James I. Rooted in religious discontent which carried on for centuries, it’s now an excuse to let off ridiculously loud fireworks and compete for the biggest conflagration in the area.
So, it is with this inspiration that I have chosen the theme of ‘crackling campfire’. Blessedly silent, this layout incorporates crackle paint to add the appropriate texture to logs and flames, and aptly named distress oxide inks. A bit of sparkle brings the text to the fore and is a nod to firework displays up and down the country.
We’ve not used watercolours in our art journal sessions for some time, so this month felt like the perfect opportunity. I combined fresh washes of colour with toner transfer art journaling techniques, using laser printouts to add layered imagery and texture to the page.. Here’s the sample layout I made for the session:
For this release of Bible journaling illustrations, I have used a theme of redemption and salvation to select my verses. Five new templates from both the Old and New Testaments assure us of God’s love through the ages, now, and into the future. And, for the first time, I have illustrated perhaps the most central and one of the most well-known verses: John 3:16.
In this month’s session, we explored art journaling with fusible webbing – a technique that brings texture, sparkle, and surprise to your layout. It’s a heat-reactive mixed media method that uses iron-on adhesive sheets to trap colour, foil, glitter, and more.
I vaguely recall trying out this technique back in art college, some 13 or so years ago, but I came across it again recently. I had been looking through my library of mixed media technique books and found it in both Surface Treatment Workshop (p.114 – Fusible Webbing) and Mixed Media Revolution (p.41). Since I have oodles of fusible webbing available after buying a whole roll of it for quilting purposes, I came up with this after some experimentation:
Facebook marketing works… I saw this pattern for highland cow amigurumi dolls promoted in my feed, and after an inquiry, I purchased it from Cottontail & Whiskers. Said inquiry was ‘Would you like me to make these?’ I aimed to crochet all three over three months, in time for a certain person’s birthday at the beginning of April. After several false starts (it was the first time I had done anything similar), I managed to get the largest (Tunnock) done in time.
It’s going to be a two-parter… We’re underway for this month’s art journaling session in The Studio, taking Klimt’s ‘Portrait of Adele Bloch-Bauer I’ as our inspiration. When I was putting the sample together, I quickly realised my ambitions for the class were not going to fit the time available so texts went out and my first two-session layout was agreed. My Klimt inspired art journaling layout looks like this:
Regular readers of this ‘ere blog know that I am a quilter. This month at the art journal session, we combined mixed media with a quilting technique (which I have yet to try in fabric). We made a watercolour masterboard and then with a lot of slicing and pasting created a bargello-style background in our journals. With some basic stitched panels as a focal point we ended up with this:
Rooted in the historical tradition of the Bargello Palace in Florence, Italy, the Bargello quilt pattern is characterized by its use of long, narrow strips of fabric meticulously sewn together. This technique creates an illusion of dynamic movement and depth within the quilt.